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Photos: First Look at Met Opera's MOBY DICK

Get a first look at Moby-Dick at the Metropolitan Opera. Following the haunting Met premiere of his first opera, Dead Man Walking, composer Jake Heggie returns to the company with his 2010 adaptation of Herman Melville’s sea-drenched, heaven-storming epic.

The Met Opera Announces First-Ever Met Orchestra Asia Tour

The Metropolitan Opera has announced its first-ever Met Orchestra Asia Tour this summer, June 19–30, immediately following its annual June residency at Carnegie Hall. Yannick Nézet-Séguin, the Met's Jeanette Lerman-Neubauer Music Director, will conduct the Met Orchestra, with guest artists soprano Lisette Oropesa, mezzo-soprano Elīna Garanča, and bass-baritone Christian Van Horn.

Warner Theatre To Screen THE MET LIVE: DON GIOVANNI, May 20

The Met: Live in HD, the Metropolitan Opera's award-winning series of live high-definition cinema simulcasts, presents Mozart's DON GIOVANNI on Saturday, May 20 at 12:55 pm ET, in the Warner Theatre's Oneglia Auditorium (Main Stage). 

Review Roundup: Ivo van Hove's DON GIOVANNI Opens at the Metropolitan Opera

Ivo van Hove, the Tony Award–winning director of Broadway’s A View from the Bridge, is making a major Met debut with Mozart’s Don Giovanni (May 5–June 2), re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the work’s dark corners. Read what the critics have to say!

Mozart's DON GIOVANNI Receives A New Production By Ivo Van Hove In His Met Debut

​​​​​​​Ivo van Hove, the Tony Award–winning director of Broadway's A View from the Bridge, makes a major Met debut with Mozart's Don Giovanni (May 5–June 2), re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the work's dark corners.

Review: DON CARLO Returns to the Met, This Time in Italian

Last season, the company gave its first presentation of the French version (that’s the one called DON CARLOS, with a final S to his first name), in the five-act version that lasted almost 5 hours. This year, we’re back to Italian, under Carlo Rizzi’s firm baton, in one of a number of versions (this one running about 4 hours) of DON CARLO, which uses shortcuts to tell the story elements deleted with the excision of the first act (usually referred to as “the Fontainebleau scene”).

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