Long Wharf Theatre, Public Theater, Present FEBRUARY HOUSE
by Harmony Wheeler
- Feb 21, 2012
Long Wharf Theatre is uniting with the Public Theater in New York to produce February House, a new musical featuring the music of up-and-comer Gabriel Kahane. The musical will bow on Stage II February 15 through March 18. The press opening is Wednesday, February 22 at 7:30 p.m. Tickets are $45-$65.
Virtual Stage and Electric Company Theatre Present NO EXIT, 4/7-5/1
by BWW
News Desk
- Apr 7, 2011
American Conservatory Theater
(A.C.T.) brings another acclaimed international hit to the Bay Area
with the U.S. premiere of The Virtual Stage and Electric Company
Theatre's production of Jean-Paul Sartre's No Exit. Adapted from the
French by Paul Bowles and conceived and directed by Kim Collier, this
production arrives fresh from sold-out performances across Canada.
When a mysterious valet ushers three people into a shabby hotel room,
they soon discover that hell isn't fire and brimstone at all-it's
other people. Sartre's existential masterpiece, skillfully reimagined
through the perspective of a series of hidden cameras, turns the stage
into a cinema, and the audience into voyeurs, as a thrillingly staged
'live film' takes place before your eyes. Described as 'epic,
voyeuristic, theater-as-film staging . . . spectacularly brilliant' by
the Calgary Herald and 'diabolically inventive . . . a riveting
theatrical event' by the Georgia Straight (Vancouver), No Exit plays
April 7-May 1, 2011, at the American Conservatory Theater (415 Geary
Street, San Francisco). Press night is Wednesday, April 13, 2011, at 8
p.m. Tickets (starting at $10) are available by calling the A.C.T. Box
Office at 415.749.2228 or at www.act-sf.org.
Collier, who recently received the prestigious Siminovitch Prize,
Canada's largest theater award, explains the impulses behind her
vision for Sartre's oft-visited play: 'In this new vision for No Exit,
the sense of entrapment and alienation is more complete and palpable.
By creating a theatrical space around the hotel room that
traditionally defined the perimeter, we are 'widening the frame' on
Sartre's play. This gives us a platform to continue our investigations
of the intersection of live theater and film, and to investigate how a
silent, physical narrative can reframe an existing, well-known piece.'
Electric Company Theatre, a leading force in Canada's flourishing
experimental theater scene, has made a name for itself since 1996 for
pieces that are rich in spectacle and adventurous in form. As in No
Exit, the audience is at the center of the company's creative process,
and the act of watching usually becomes a theme of their work. In this
production of No Exit, the Valet ushers each of the three visitors
into a bunker onstage, where they are locked in with multiple cameras
that feed their actions to three oversized screens. The audience
experiences their interactions closeup and in real time, while the
Valet's outside world creates an illuminating juxtaposition and
framework for the action captured on film.
With such shows as Brief Encounter and The Black Rider, A.C.T. has
received recognition for presenting the American premieres of many
groundbreaking theatrical works. Beginning with 2005's The Overcoat,
Artistic Director Carey Perloff has formed strong connections with
such acclaimed Canadian artists as Peter Anderson (who starred in The
Overcoat as well as A.C.T's The Tosca Project) and Morris Panych (who
wrote and directed last season's Vigil). Collier says: 'This U.S.
premiere is a product of a few years of great conversations and visits
with Carey Perloff and the tremendous staff at A.C.T. Over time we
discovered not only a shared vision for theater, but also a fantastic,
supportive, and inspiring partner.'
The original cast of this new interpretation of No Exit will be
performing at A.C.T. for the U.S. premiere: Lucia Frangione as
Estelle; Laara Sadiq as Inez; Andy Thompson, who is the founding
artistic and managing director of The Virtual Stage and designed the
video projections, as Cradeau; and Jonathon Young as the Valet. The
creative team, also from the premiere production and the Canadian
tour, include sound designer Brian Linds, costume designer Kirsten
McGhie, scenic designer Jay Gower Taylor, and lighting designer John
Webber.
A.C.T. will offer numerous InterACT events-many of which are offered
free of charge-in association with No Exit that will give patrons
opportunities to get closer to the action while making a whole night
out of their evening at the theater:
* 10UP: World-Class Theater at Happy-Hour Prices: Apr. 7-17
Live it up with 10UP! Enjoy the Bay Area's best theater for only $10 a
ticket for Balcony seats during select performances. The third-floor
Sky Bar opens one hour before curtain-show up early and mingle with
other theatergoers while you enjoy happy-hour drinks and soak up the
historic charm of one of the most beautiful theaters in the country.
* Audience Prologue, featuring director Kim Collier:
Tue., Apr. 12, at 5:30 p.m.
Get inside the artistic process with a free half-hour preshow
discussion with Kim Collier. FREE and open to the public (no tickets
required).
* Bring What You Can/Pay What You Wish: Thu.,
Apr. 14, at 8 p.m.
Pay any amount for your tickets when you bring nonperishable food
donations for the San Francisco Food Bank (sffoodbank.org). Patrons
are limited to two tickets per donated item, two tickets per person.
Tickets go on sale at 6 p.m. the day of the performance. Sponsored by
Bank of the West.
* Theater on the Couch: Fri., Apr. 15, at 8 p.m.
Join members of the San Francisco Center for Psychoanalysis for an
exciting postperformance discussion that explores the psychological
aspects of the show and addresses audience questions.
* Audience Exchanges: Tue., Apr. 19, at 7 p.m. /
Sun. Apr. 24, at 2 p.m. /
Wed., Apr.
27, at 2 p.m.
After the show, stick around for a lively Q&A
session with the actors and artists who create the work onstage.
* OUT with A.C.T.: Wed., Apr.
20, at 8 p.m.
Ten-year anniversary! Meet the cast and enjoy free cocktails and
treats at these popular LGBT parties. Visit www.act-sf.org/out for
more information about OUT night.
A.C.T.'s presentation of No Exit is made possible by executive
producers Mrs. Albert Moorman and Mary and Steven Swig; producers
Jeffrey W. and Jeri Lynn Johnson; and associate producers Nancy and
Joachim Bechtle, Ronald Casassa, Myrkle and Madeline Deaton, Joan
Eckart, Roberta and David Elliott, Vicki and David Fleishhacker,
Dorothy A. Hyde, Charlie and Ann Johnson, Mr. Joel Krauska and Ms.
Patricia Fox, Tim Mott, and Gary E. Roof and Douglas L. Light. A.C.T.
would also like to acknowledge its 2010-11 season company sponsors:
Priscilla and Keith Geeslin; Ambassador James C. Hormel and Mr.
Michael P. Nguyen; Nancy Livingston and Fred Levin, The Shenson
Foundation; Burt and Deedee McMurtry; Patti and Rusty Rueff; Kathleen
Scutchfield; Mary and Steven Swig; Jeff and Laurie Ubben; and Susan A.
Van Wagner.
Boston Univ 4th InCite Arts Fest Held In NYC 3/10-14
by BWW
News Desk
- Mar 10, 2011
The Boston University College of Fine Arts returns to New York for the fourth installment of its InCite Arts Festival, themed "The Power of Art." The festival runs March 10 - 14 at venues throughout Manhattan and features students, faculty, alumni and friends of the College's Schools of Music, Theatre, and Visual Arts.
Virtual Stage and Electric Company Theatre Present NO EXIT, 4/7-5/1
by Nicole Rosky
- Feb 28, 2011
American Conservatory Theater
(A.C.T.) brings another acclaimed international hit to the Bay Area
with the U.S. premiere of The Virtual Stage and Electric Company
Theatre's production of Jean-Paul Sartre's No Exit. Adapted from the
French by Paul Bowles and conceived and directed by Kim Collier, this
production arrives fresh from sold-out performances across Canada.
When a mysterious valet ushers three people into a shabby hotel room,
they soon discover that hell isn't fire and brimstone at all-it's
other people. Sartre's existential masterpiece, skillfully reimagined
through the perspective of a series of hidden cameras, turns the stage
into a cinema, and the audience into voyeurs, as a thrillingly staged
'live film' takes place before your eyes. Described as 'epic,
voyeuristic, theater-as-film staging . . . spectacularly brilliant' by
the Calgary Herald and 'diabolically inventive . . . a riveting
theatrical event' by the Georgia Straight (Vancouver), No Exit plays
April 7-May 1, 2011, at the American Conservatory Theater (415 Geary
Street, San Francisco). Press night is Wednesday, April 13, 2011, at 8
p.m. Tickets (starting at $10) are available by calling the A.C.T. Box
Office at 415.749.2228 or at www.act-sf.org.
Collier, who recently received the prestigious Siminovitch Prize,
Canada's largest theater award, explains the impulses behind her
vision for Sartre's oft-visited play: 'In this new vision for No Exit,
the sense of entrapment and alienation is more complete and palpable.
By creating a theatrical space around the hotel room that
traditionally defined the perimeter, we are 'widening the frame' on
Sartre's play. This gives us a platform to continue our investigations
of the intersection of live theater and film, and to investigate how a
silent, physical narrative can reframe an existing, well-known piece.'
Electric Company Theatre, a leading force in Canada's flourishing
experimental theater scene, has made a name for itself since 1996 for
pieces that are rich in spectacle and adventurous in form. As in No
Exit, the audience is at the center of the company's creative process,
and the act of watching usually becomes a theme of their work. In this
production of No Exit, the Valet ushers each of the three visitors
into a bunker onstage, where they are locked in with multiple cameras
that feed their actions to three oversized screens. The audience
experiences their interactions closeup and in real time, while the
Valet's outside world creates an illuminating juxtaposition and
framework for the action captured on film.
With such shows as Brief Encounter and The Black Rider, A.C.T. has
received recognition for presenting the American premieres of many
groundbreaking theatrical works. Beginning with 2005's The Overcoat,
Artistic Director Carey Perloff has formed strong connections with
such acclaimed Canadian artists as Peter Anderson (who starred in The
Overcoat as well as A.C.T's The Tosca Project) and Morris Panych (who
wrote and directed last season's Vigil). Collier says: 'This U.S.
premiere is a product of a few years of great conversations and visits
with Carey Perloff and the tremendous staff at A.C.T. Over time we
discovered not only a shared vision for theater, but also a fantastic,
supportive, and inspiring partner.'
The original cast of this new interpretation of No Exit will be
performing at A.C.T. for the U.S. premiere: Lucia Frangione as
Estelle; Laara Sadiq as Inez; Andy Thompson, who is the founding
artistic and managing director of The Virtual Stage and designed the
video projections, as Cradeau; and Jonathon Young as the Valet. The
creative team, also from the premiere production and the Canadian
tour, include sound designer Brian Linds, costume designer Kirsten
McGhie, scenic designer Jay Gower Taylor, and lighting designer John
Webber.
A.C.T. will offer numerous InterACT events-many of which are offered
free of charge-in association with No Exit that will give patrons
opportunities to get closer to the action while making a whole night
out of their evening at the theater:
* 10UP: World-Class Theater at Happy-Hour Prices: Apr. 7-17
Live it up with 10UP! Enjoy the Bay Area's best theater for only $10 a
ticket for Balcony seats during select performances. The third-floor
Sky Bar opens one hour before curtain-show up early and mingle with
other theatergoers while you enjoy happy-hour drinks and soak up the
historic charm of one of the most beautiful theaters in the country.
* Audience Prologue, featuring director Kim Collier:
Tue., Apr. 12, at 5:30 p.m.
Get inside the artistic process with a free half-hour preshow
discussion with Kim Collier. FREE and open to the public (no tickets
required).
* Bring What You Can/Pay What You Wish: Thu.,
Apr. 14, at 8 p.m.
Pay any amount for your tickets when you bring nonperishable food
donations for the San Francisco Food Bank (sffoodbank.org). Patrons
are limited to two tickets per donated item, two tickets per person.
Tickets go on sale at 6 p.m. the day of the performance. Sponsored by
Bank of the West.
* Theater on the Couch: Fri., Apr. 15, at 8 p.m.
Join members of the San Francisco Center for Psychoanalysis for an
exciting postperformance discussion that explores the psychological
aspects of the show and addresses audience questions.
* Audience Exchanges: Tue., Apr. 19, at 7 p.m. /
Sun. Apr. 24, at 2 p.m. /
Wed., Apr.
27, at 2 p.m.
After the show, stick around for a lively Q&A
session with the actors and artists who create the work onstage.
* OUT with A.C.T.: Wed., Apr.
20, at 8 p.m.
Ten-year anniversary! Meet the cast and enjoy free cocktails and
treats at these popular LGBT parties. Visit www.act-sf.org/out for
more information about OUT night.
A.C.T.'s presentation of No Exit is made possible by executive
producers Mrs. Albert Moorman and Mary and Steven Swig; producers
Jeffrey W. and Jeri Lynn Johnson; and associate producers Nancy and
Joachim Bechtle, Ronald Casassa, Myrkle and Madeline Deaton, Joan
Eckart, Roberta and David Elliott, Vicki and David Fleishhacker,
Dorothy A. Hyde, Charlie and Ann Johnson, Mr. Joel Krauska and Ms.
Patricia Fox, Tim Mott, and Gary E. Roof and Douglas L. Light. A.C.T.
would also like to acknowledge its 2010-11 season company sponsors:
Priscilla and Keith Geeslin; Ambassador James C. Hormel and Mr.
Michael P. Nguyen; Nancy Livingston and Fred Levin, The Shenson
Foundation; Burt and Deedee McMurtry; Patti and Rusty Rueff; Kathleen
Scutchfield; Mary and Steven Swig; Jeff and Laurie Ubben; and Susan A.
Van Wagner.
Boston Univ 4th InCite Arts Fest Held In NYC 3/10-14
by Gabrielle Sierra
- Feb 17, 2011
The Boston University College of Fine Arts returns to New York for the fourth installment of its InCite Arts Festival, themed "The Power of Art." The festival runs March 10 - 14 at venues throughout Manhattan and features students, faculty, alumni and friends of the College's Schools of Music, Theatre, and Visual Arts.
CLYBOURNE PARK Completes A.C.T.'s 2010-11 Line-up, Closes 2/13/2011
by BWW News Desk
- Feb 13, 2011
American Conservatory Theater (A.C.T.) Artistic Director Carey Perloff announced Bruce Norris's critically-acclaimed Clybourne Park as the final play of the company's 44th subscription season. Home is where the heart-and history-is in Clybourne Park, a 'spiky and damningly insightful new comedy' (The New York Times).
New York Festival of Song Announces 2010-11 Season
by Gabrielle Sierra
- Aug 16, 2010
NEW YORK FESTIVAL OF SONG (NYFOS) creates intimate concerts that breathe new life into an art form that's rich and emotionally resonant, yet is too often treated as genteel, intellectual, and predictable. Led by founders Steven Blier and Michael Barrett, armed with just two pianos, gorgeous voices, a sense of humor, and a love of words and music-not to mention a deep knowledge of musical culture savvy enough to find the 18th-century gem that speaks to today's sensibilities-NYFOS plunders music's most remote precincts to create evenings of the deepest pleasure.
'Music Makes a City' Makes World Premier At The Brown Theatre 5/20
by BWW
News Desk
- May 20, 2010
On Thursday, May 20 the city of Louisville will be inspired by a moment of its own history with the world premiere of Owsley Brown III's documentary film, Music Makes a City. The timely tale follows two visionaries, Mayor Charles Farnsley and Louisville Orchestra's first Music Director, Robert Whitney as they faced the odds making Louisville, Kentucky and its orchestra world renowned for new music.
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