Erik Ehn's Quiet House directed by Glory Kadigan premieres tonight, June 23, at the 2017 Planet Connections Theatre Festivity (The Festivity runs June 12 - July 9 at The Clemente, 107 Suffolk Street, NYC). The presentation will be tonight, June 23rd, at 7:00 p.m.
Erik Ehn's Quiet House directed by Glory Kadigan premieres June 23 at the 2017 Planet Connections Theatre Festivity (The Festivity runs June 12 - July 9 at The Clemente, 107 Suffolk Street, NYC).
Questing Beast Productions is proud to present the 2014 FringeNYC Encores performances of HOAXOCAUST!, written and performed by Barry Levey, directed by Jeremy Gold Kronenberg (Caroline, or Change - NYIT Award Outstanding Production of a Musical Nominee). HOAXOCAUST! Winner of this year's 18th Annual New York International Fringe Festival - FringeNYC Overall Excellence Award.
Questing Beast Productions is proud to present the 2014 FringeNYC Encores performances of HOAXOCAUST!, written and performed by Barry Levey, directed by Jeremy Gold Kronenberg (Caroline, or Change - NYIT Award Outstanding Production of a Musical Nominee). HOAXOCAUST! Winner of this year's 18th Annual New York International Fringe Festival - FringeNYC Overall Excellence Award.
BELLA'S DREAM, a new play with dance written and choreographed by Dana Boll, follows the true life story of Bella and Raymond Boll (the playwright's paternal grandparents), who heeding the advice of a dream, left their home in Poland, weeks before the Nazis invasion. Directed by Jessica Ammirati BELLA'S DREAM begins performances June 16 prior to an official press opening of June 18 at the Flamboyan Theater located at the Clemente Soto Velez Cultural & Educational Center (107 Suffolk Street) in Manhattan.
While Ira Levin will forever be remembered as the novelist who made the phrases 'Rosemary's Baby' and 'Stepford Wives' indelible entries into American pop culture, devotees of musical theatre fondly regard him as the bookwriter/lyricist for one of Broadway's more intriguing flops, 1965's Drat! The Cat!
Opening Doors Theatre revival of Drat! The Cat! welcomes Edward Juvier* (Broadway: Les Miserables; Off-Broadway: Smoking Bloomberg) to the cast.
Connecticut Repertory Theatre (CRT), the professional producing arm of the Department of Dramatic Arts at the University of Connecticut in Storrs, continues its Nutmeg Summer Series with the David Ives' comedy, All in the Timing, playing June 10 through 20, 2010 in the Nafe Katter Theatre.
Connecticut Repertory Theatre (CRT), the professional producing arm of the Department of Dramatic Arts at the University of Connecticut in Storrs, continues its Nutmeg Summer Series with the David Ives' comedy, All in the Timing, playing June 10 through 20, 2010 in the Nafe Katter Theatre.
Connecticut Repertory Theatre (CRT), the professional producing arm of the Department of Dramatic Arts at the University of Connecticut in Storrs, continues its Nutmeg Summer Series with the David Ives' comedy, All in the Timing, playing June 10 through 20, 2010 in the Nafe Katter Theatre.
Connecticut Repertory Theatre (CRT), the professional producing arm of the Department of Dramatic Arts at the University of Connecticut in Storrs, continues its Nutmeg Summer Series with the David Ives' comedy, All in the Timing, playing June 10 through 20, 2010 in the Nafe Katter Theatre.
Connecticut Repertory Theatre (CRT), the professional producing arm of the Department of Dramatic Arts at the University of Connecticut in Storrs, continues its Nutmeg Summer Series with the David Ives' comedy, All in the Timing, playing June 10 through 20, 2010 in the Nafe Katter Theatre.
Award-winning NYC cabaret performer Hector Coris brings his debut solo show Life is Wonderful back to Don't Tell Mama on Sunday, November 22nd at 5:30PM.
One of the many reasons I've been a fan of the Opening Doors Theatre Company since their debut production of Bring Back Birdie two-and-a-half years ago is the consistent ability of their directors and choreographers to have as many as a dozen actors singing and dancing on the small cabaret stage of The Duplex (already occupied by a piano) without ever looking crowded. But that's not a concern with their newest venture, the hilarious and tuneful Cy Coleman/Michael Stewart 1977 musical, I Love My Wife.
'Exciting' is not a word normally associated with productions of Thornton Wilder's Our Town. Heartwarming? Sure. Chilling? When its climax is done well, certainly. But director David Cromer's non-traditional take on the play - which remains completely faithful to the author's text and themes - is one of the most exciting theatre events of the season.
It's my firm belief that if composer Leroy Anderson, lyricist Joan Ford and bookwriter/lyricists Walter & Jean Kerr had named their brash and funny 1958 musical comedy about the love/hate relationship between a silent movie director and his reluctant star anything other than Goldilocks, it might not only have had a longer run than its five months on Broadway, but would have been a popular choice among regional and amateur theatres as well. With a good collection of snazzy tunes and well-crafted lyrics (most notably the semi-standard torcher, 'I Never Know When To Say When') and a book loaded with guffaws and wise-cracks (originally quipped by stars Elaine Stritch and Don Ameche), Goldilocks is a solid example of a show that, if not exactly a musical theatre triumph, provided a fun night out for audiences in an era when affordable ticket prices meant that not every Broadway production had to be a huge event.
The history of Broadway's attempts to make commercially successful sequels of hit musicals is not a pretty one. But the Opening Doors Theatre Company, now in its second season at The Duplex staging pocket-sized versions of some of Broadway's most beloved flops, can offer a fabulously fun time from even the most legendary disaster. Having premiered their Closing Notice series a year and a half ago with Bring Back Birdie, this small but increasingly impressive company headed by Producer/Artistic Director Suzanne Adams now offers a fast and funny mounting of The Best Little Whorehouse Goes Public.
The second act of Stephen Sondheim and James Lapine's 1984 musical, Sunday In The Park With George is centered on a then-contemporary artist/inventor named George who has created a series of machines called chromolumes, which electronically fill rooms with color and light. His latest, 'Chromolume #7' is intended to present a variation on themes inspired from Georges Seurat's revolutionary work of pointillism 'Sunday Afternoon on the Island of La Grande Jatte' (1884-86), the creation of which is the subject of the musical's first act. When a technical glitch short circuits the machine and causes a temporary delay in the chromolume's premiere presentation, George sheepishly explains to those gathered, 'No electricity, no art.'
Award-winning NYC cabaret performer Hector Coris brings his debut solo show Life is Wonderful back to Don't Tell Mama on Sunday, November 22nd at 5:30PM.
Award-winning NYC cabaret performer Hector Coris brings his debut solo show Life is Wonderful. at Don't Tell Mama (343 West 46th Street, NYC - 212-757-0788; www.donttellmamanyc.com). Show dates are Tuesday, September 8th @ 7:15PM and Sunday, October 11th @ 6:30PM.
Videos
