The Houston Symphony's 2016-17 season, Andres Orozco-Estrada's third season as music director, celebrates more than a century of leadership in Houston's cultural landscape. In its 103rd year, the Houston Symphony announced the upcoming season at Jones Hall on Monday, January 25, in front of several hundred guests and supporters, emphasizing the institution's ongoing collaboration with living composers, a continued focus on new music, a renewed concentration on innovative programming, and world-class musicianship and entertainment. Houston Symphony Music Director Orozco-Estrada, Principal POPS Conductor Michael Krajewski, and Executive Director/CEO Mark C. Hanson were on hand to unveil the new season and share their favorite highlights.
The Houston Symphony's 2016-17 season, Andres Orozco-Estrada's third season as music director, celebrates more than a century of leadership in Houston's cultural landscape. In its 103rd year, the Houston Symphony announced the upcoming season at Jones Hall on Monday, January 25, in front of several hundred guests and supporters, emphasizing the institution's ongoing collaboration with living composers, a continued focus on new music, a renewed concentration on innovative programming, and world-class musicianship and entertainment.
From tonight, May 28 - June 7, 2015 Houston Ballet offers up a mixed repertory program titled Morris, Welch & Kylian featuring three of today's most dynamic and musical choreographers.
From May 28 - June 7, 2015 Houston Ballet offers up a mixed repertory program titled Morris, Welch & Kylian featuring three of today's most dynamic and musical choreographers. A world premiere of The Letter V by acclaimed American choreographer Mark Morris, the world premiere of Stanton Welch's Zodiac and the revival of Ji?i Kylian's iconic Svadebka make this program a must-see for all ballet lovers. Zodiac is made possible through the generosity of Leticia Loya. Houston Ballet will give six performances of Morris, Welch & Kylian at Wortham Theater Center in downtown Houston. Tickets start at $20, and may be purchased at www.houstonballet.org, or by calling 713 227 2787.
Houston, March 12, 2015—Houston Grand Opera (HGO) will present its highly anticipated La Fura dels Baus staging of Wagner's Die Walküre with an all-star cast and Stephen Sondheim's thrilling Sweeney Todd in April, after notching critical and sales successes with its winter productions of Puccini's Madame Butterfly and Mozart's The Magic Flute. Butterfly's six performances averaged a total capacity of 102% (including resale of returned seats) while Flute's five performances averaged 104% capacity.
I am taken back to the first Opera I saw as a kid and the pomp and circumstance with wearing a tux and walking to the lavish theatre; this was when I fell in love with classical music. Often times we hear opera and other classical art forms are inaccessible to the people, but Houston Grand Opera's English translation of Mozart's THE MAGIC FLUTE (Die Zauberflote) proved that opera isn't a stuffy, highbrow art form for the bourgeois. THE MAGIC FLUTE premiered on September 30, 1791 at Emanuel Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, and Mozart conducted the orchestra. The MAGIC FLUTE often referenced as a singspiel, is an opus with spoken dialogue which lends itself to the elements of classical musical theatre. The heart of this new work was an excerpt from the oriental genie tales collected by poet Christoph Martin Wieland but transitioned to have Masonic elements from the novel Sethos by Abbe Jean Terrasson.
I found myself rapt when Chicago-born soprano Nicole Heaston spoke. She was warm, passionate and driven about her art, and generous and unguarded with her thoughts and opinions. Heaston is Pamina to David Portillo's Tamino in Houston Grand Opera's production of THE MAGIC FLUTE.
Houston Grand Opera is proud to present The Magic Flute, one of two Mozart offerings for the 2014–15 season. From the coloratura pyrotechnics of the Queen of the Night to Pamina's anguished lament, to the comic love duet of Papageno and Papagena, Mozart's genius is evident as the music in The Magic Flute illustrates his unique and profound understanding of humanity. The Magic Flute marks the American premiere of Sir Nicholas Hytner's iconic English National Opera staging, in a revival directed by Ian Rutherford.
After a resoundingly successful fall season and the launch of its new holiday opera series with the world premiere of Iain Bell and Simon Callow's A Christmas Carol, Houston Grand Opera (HGO) rings in 2015 with two beloved productions: a reprise of Michael Grandage's knockout staging of Puccini's Madame Butterfly, which triumphed at its 2010 Houston debut, and the American premiere of Sir Nicholas Hytner's iconic English National Opera staging of Mozart's The Magic Flute in a revival directed by Ian Rutherford.
Houston Grand Opera is proud to present The Magic Flute, one of two Mozart offerings for the 2014–15 season. From the coloratura pyrotechnics of the Queen of the Night to Pamina's anguished lament, to the comic love duet of Papageno and Papagena, Mozart's genius is evident as the music in The Magic Flute illustrates his unique and profound understanding of humanity. The Magic Flute marks the American premiere of Sir Nicholas Hytner's iconic English National Opera staging, in a revival directed by Ian Rutherford.
In celebration of Stanton Welch's tenth anniversary as Artistic Director at Houston Ballet, the company is presenting a mixed repertory program that showcases his work as a choreographer. Across the three acts, audiences are treated to stunningly beautiful stage pictures, fascinating movement, and breathtaking feats of agility and poise. With their THE YOUNG PERSON'S GUIDE TO THE ORCHESTRA program, Houston Ballet splendidly illustrates why Houston is truly to lucky to have Stanton Welch in our city.
