Lantern Theater Company opens its 2010/11 season with a celebration of the influential work of Russian playwright, short-story writer, and physician Anton Chekhov (1860-1904) during the 150th anniversary year of his birth. The Lantern will present its first-ever production of a full-length Chekhov work with Uncle Vanya (Oct. 21 - Nov. 21), directed by the Lantern's Associate Artistic Director Kathryn MacMillan. The company will also present a weekend of special events with The Chekhov Festival from November 5 - 7.
Lantern Theater Company opens its 2010/11 season with a celebration of the influential work of Russian playwright, short-story writer, and physician Anton Chekhov (1860-1904) during the 150th anniversary year of his birth. The Lantern will present its first-ever production of a full-length Chekhov work with Uncle Vanya (Oct. 21 - Nov. 21), directed by the Lantern's Associate Artistic Director Kathryn MacMillan. The company will also present a weekend of special events with The Chekhov Festival from November 5 - 7.
Lantern Theater Company opens its 2010/11 season with a celebration of the influential work of Russian playwright, short-story writer, and physician Anton Chekhov (1860-1904) during the 150th anniversary year of his birth. The Lantern will present its first-ever production of a full-length Chekhov work with Uncle Vanya (Oct. 21 - Nov. 21), directed by the Lantern's Associate Artistic Director Kathryn MacMillan. The company will also present a weekend of special events with The Chekhov Festival from November 5 - 7.
Lantern Theater Company opens its 2010/11 season with a celebration of the influential work of Russian playwright, short-story writer, and physician Anton Chekhov (1860-1904) during the 150th anniversary year of his birth. The Lantern will present its first-ever production of a full-length Chekhov work with Uncle Vanya (Oct. 21 - Nov. 21), directed by the Lantern's Associate Artistic Director Kathryn MacMillan. The company will also present a weekend of special events with The Chekhov Festival from November 5 - 7.
Temple Repertory Theater, a newly-created professional company of artists closely associated with the Department of Theater at Temple University, announces the launch of its inaugural season this summer in Philadelphia.
Amaryllis Theatre Company opens its 2009-2010 season with Samuel Beckett's masterpiece, Waiting for Godot, from November 10 through 22 at Amaryllis Theatre Company's home in The Playground at the Adrienne (2030 Sansom Street).
Amaryllis Theatre Company opens its 2009-2010 season with Samuel Beckett's masterpiece, Waiting for Godot, from November 10 through 22 at Amaryllis Theatre Company's home in The Playground at the Adrienne (2030 Sansom Street).
Ker-pow! Act II Playhouse Producing Artistic Director Bud Martin announced that its 11th season opener, the Tony Award-winning hit comedy Boeing-Boeing, has been extended by a week, to Oct. 24.
Ker-pow! Act II Playhouse Producing Artistic Director Bud Martin announced that its 11th season opener, the Tony Award-winning hit comedy Boeing-Boeing, has been extended by a week, to Oct. 24.
Happy Days By Samuel Beckett Directed by David O'Connor runs Now - October 18, 2009
Since the Lantern's first-ever production of Beckett's Waiting for Godot in 1994, we've built a reputation for approaching major works in new ways.
Broadway comes to Ambler, as Act II Playhouse opens its 11th season in September with the Tony Award-winning hit play Boeing-Boeing. Act II Associate Artistic Director Harriet Power directs the post-Broadway world premiere of the smash-hit revival of Marc Camoletti's 1960s effervescent farce.
Amaryllis Theatre Company opens its 2009-2010 season with Samuel Beckett's masterpiece, Waiting for Godot, from November 10 through 22 at Amaryllis Theatre Company's home in The Playground at the Adrienne (2030 Sansom Street).
Ker-pow! Act II Playhouse Producing Artistic Director Bud Martin announced that its 11th season opener, the Tony Award-winning hit comedy Boeing-Boeing, has been extended by a week, to Oct. 24.
Happy Days By Samuel Beckett Directed by David O'Connor runs Now - October 18, 2009
Since the Lantern's first-ever production of Beckett's Waiting for Godot in 1994, we've built a reputation for approaching major works in new ways.
Broadway comes to Ambler, as Act II Playhouse opens its 11th season in September with the Tony Award-winning hit play Boeing-Boeing. Act II Associate Artistic Director Harriet Power directs the post-Broadway world premiere of the smash-hit revival of Marc Camoletti's 1960s effervescent farce.
Broadway comes to Ambler, as Act II Playhouse opens its 11th season in September with the Tony Award-winning hit play Boeing-Boeing. Act II Associate Artistic Director Harriet Power directs the post-Broadway world premiere of the smash-hit revival of Marc Camoletti's 1960s effervescent farce.
Lantern Theater Company?s 15th Anniversary 2008-09 Season continues with Sizwe Bansi is Dead by Athol Fugard, John Kani and Winston Ntshona from January 30 ? March 1, 2009 at St. Stephen?s Theater in Center City. From South Africa's most celebrated playwright comes a drama as powerful today as in its first performance 35 years ago. Styles, an enterprising photographer, has a small storefront in a Port Elizabeth township. When Sizwe, a migrant worker, comes in to have his picture taken, the two explore issues of image and identity under South Africa's oppressive regime. Both soaring and personal, the play's attack on the dehumanizing laws of the apartheid era resonates with surprising humor and uplifting faith in the human spirit.
Lantern Theater Company?s 15th Anniversary 2008-09 Season continues with Sizwe Bansi is Dead by Athol Fugard, John Kani and Winston Ntshona from January 30 ? March 1, 2009 at St. Stephen?s Theater in Center City. From South Africa's most celebrated playwright comes a drama as powerful today as in its first performance 35 years ago. Styles, an enterprising photographer, has a small storefront in a Port Elizabeth township. When Sizwe, a migrant worker, comes in to have his picture taken, the two explore issues of image and identity under South Africa's oppressive regime. Both soaring and personal, the play's attack on the dehumanizing laws of the apartheid era resonates with surprising humor and uplifting faith in the human spirit.
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