Roundabout Theatre Company announced today casting for the Wharton Center engagement of the national tour of Sam Mendes (Spectre, American Beauty) and Rob Marshall's (Into the Woods and Chicago, the films) Tony Award-winning production of CABARET.
David Mirvish will present the national tour of Sam Mendes (Spectre, American Beauty) and Rob Marshall's (Into the Woods and Chicago, the films) Tony Award-winning production of CABARET. CABARET will play a strictly one-week engagement, February 14 - 19 at the Princess of Wales Theatre.
The Fabulous Fox Theatre announced today casting for the St. Louis premiere of the national tour of Sam Mendes (Spectre, American Beauty) and Rob Marshall's (Into the Woods and Chicago, the films) Tony Award®-winning production ofCABARET.
Roundabout Theatre Company has announced new casting for the national tour of Sam Mendes (Spectre, American Beauty) and Rob Marshall's (Into the Woods and Chicago, the films) Tony Award-winning production of CABARET.
Roundabout Theatre Company's North American tour of its award-winning CABARET revival is a stunning production that stands out in high relief to the theatrics playing in our nation's capital. Fifty years after the pre-Broadway Kander and Ebb musical tried out in Boston, the show still packs a punch. Randy Harrison is mesmerizing as the Emcee, eschewing any references to the powerhouse pair of actors who preceded him in the role.
Direct from Broadway, the musical masterpiece comes to the Fox Cities! As part of their 50th Anniversary Season, the critically acclaimed and award-winning Roundabout Theatre Company is proud to present the national tour of Sam Mendes (Skyfall , American Beauty) and Rob Marshall's (Into the Woods and Chicago, the films) Tony Award-winning production of CABARET, playing Feb. 28 through March 5 at the Fox Cities Performing Arts Center as part of the Kimberly-Clark Broadway Across America Series.
David Mirvish will present the national tour of Sam Mendes (Spectre, American Beauty) and Rob Marshall's (Into the Woods and Chicago, the films) Tony Award-winning production of CABARET. CABARET will play a strictly one-week engagement, February 14 - 19 at the Princess of Wales Theatre.
Roundabout Theatre Company announced casting for the Fort Lauderdale premiere of the national tour of Sam Mendes (Spectre, American Beauty) and Rob Marshall's (Into the Woods and Chicago, the films) Tony Award®-winning production of CABARET. CABARET is coming to the Broward Center for the Performing Arts for a limited two week run, January 10 - 22, 2017.
Roundabout Theatre Company announced casting for the Fort Lauderdale premiere of the national tour of Sam Mendes (Spectre, American Beauty) and Rob Marshall's (Into the Woods and Chicago, the films) Tony Award®-winning production of CABARET. CABARET is coming to the Broward Center for the Performing Arts for a limited two week run, January 10 - 22, 2017.
Fifth Third Bank Broadway in Atlanta announced today that individual tickets for the Atlanta engagement of Roundabout Theatre Company's CABARET will go on sale Sunday, August 28 at 10 a.m.
The Broward Center for the Performing Arts announced today that individual tickets for the Fort Lauderdale engagement of Roundabout Theatre Company's CABARET will go on sale Friday, November 4, 2016 at 10:00 a.m.
CABARET, the musical masterpiece, returns direct from Broadway!
Fifth Third Bank Broadway in Atlanta announced today that individual tickets for the Atlanta engagement of Roundabout Theatre Company's CABARET will go on sale Sunday, August 28 at 10 a.m.
Maine State Music Theatre continues its impressive 2016 lineup of shows with two performances on June 20, 2016, of A Grand Night for Singing, a musical revue conceived by Walter Bobbie to showcase the glorious songs of Richard Rodgers and Oscar Hammerstein II. Directed and choreographed by Curt Dale Clark with tap choreography by Raymond Marc Dumont, the revue features a sixteen-member cast of young professionals drawn from the intern company and local Maine performers, who turn in a performance that offers not only grand singing and dancing, but also speaks to the huge reservoirs of talent that MSMT is proud to possess. The original 1993 twenty-seven song revue skillfully weaves together a wide range of Rodgers and Hammerstein's works in arrangements by Fred Wells (and lovely orchestrations by Michael Gibson and Jonathan Tunick) from both their smash hits like Oklahoma, Carousel, South Pacific, The Sound of Music, The King and I, and Cinderella, as well as gems from lesser-known shows like Allegro, State Fair, Flower Drum Song, and Pipe Dream. Patrick Fanning serves as MSMT's Music Director, conducting the wealth of melodic material with elan, delicious detail, and nuance and eliciting from the young cast lyrical and idiomatic renditions of beloved sings such as 'We Kiss in a Shadow,' 'Maria,' 'If I Loved You,' and 'This Nearly Was Mine' or upbeat numbers like 'Honey Bun' and 'Oh, What a Beautiful Morning!' The dynamically staged and imaginatively choreographed production by MSMT's Artistic Director Curt Dale Clark - with a dazzling, intricate tap number created by Raymond Marc Dumont for 'Kansas City' - is brimming with class, warmth, and humor. Clark inspires the cast to bring to their music and vignettes an infectious and embracing energy, an eloquence of emotion spiced with mischievous moments. His pacing is brisk, and he effectively builds a lively sense of character and communication among the cast members, who share their enthusiasm with the public, even interacting on several occasions with the audience in the house. By retooling the contexts of many of the songs, he is able to add a contemporary and universal touch to their appeal. Most of all, he helps these young artists find and share the timeless heart in this treasure trove of American musical theatre. Using the bare bones of the Ghost set makes for a minimal but attractive decor. The characterful casual and subsequently elegantly formal costumes by Travis S. Grant are carefully chosen for their complementary pastel hues; the kinetic lighting by Heather Reynolds and a well-balanced sound design by Nate Dickson contribute to making this revue offers a feast for eyes and ears. Working seamlessly as an ensemble, the youthful cast gives their all both in the big production numbers and in focused solos, amply illustrating the meaning of the musical theatre term 'triple threat.' They sing beautifully; they dance with technical aplomb, and they act with irresistible charm. Moreover, each and every one of them knows how to interpret a song - to make it more than a lyrical moment. Each has several occasions to shine, and Clark and Dumont have skillfully mined their individual strengths. Among the many highlights are a perky rendition of 'Surrey with the Fringe on Top' (Eric Berry-Sandelin, Katie Whittemore, Cameron Wright, Rachel Grindle, Hugh Cipparone, Berkley Jones), inspired vocal interpretations of 'If I Loved You (Jennifer Kennedy), 'It Might As Well Be Spring' (Berkely Jones)'This Nearly Was Mine,'(Matthew LaBerge), a smoldering account of 'Maria' (Alex Drost), a romantic 'We Kiss in a Shadow' (Giovanni DiGabrieli), a winsome 'All At Once' (Marty Lauter, Cipparone), and a single verse in 'Love Look Away' to bring tears to the eyes (Lauter), a feisty 'Stepsisters' Lament,' (Ali Sarnacchiaro, Haley Ostir, Megan Flynn), a spirited 'I Can't Say No' (Molly Keane-Dreyer, Kennedy), and a witty 'The Gentleman Is A Dope' (Alex Drost, Kyle Laing, Ostir, DiGabrieli, Lauter). The numerous ensemble numbers are enhanced by the strong camaraderie and chemistry among the players, making for some memorable comic and romantic moments such as the women's septet in sunny 'Wash That Man' and the men's octet in a plaintive 'Love Look Away.' The choreography is expressive, lyrical, and catchy by turns - ranging from ballet and modern to jazz and tap - with such numbers as the sweeping polka of 'Shall We Dance?' or the dueling tap in 'Kansas City' garnering special attention. Special mention to Berkely Jones, Marty Lauter, and Kyle Laing for their dance solos and impressive technique. To spend an evening with these magnificent Rodgers and Hammerstein classics makes it impossible not to take away a renewed appreciation for their geniuses and a love of their legacy. But A Grand Night for Singing does something else as well. It proves to be one more piece of evidence that MSMT is truly, as its catchphrase promises, 'Bringing Broadway to Brunswick.' Photos courtesy of MSMT, Roger S.Duncan, potographer Evita which begins on June 29 - July 16 at the Pickard Theater, 1 Bath Rd., Brunswick, ME, on Monday, June 20 at 2:00 p.m. and 7:30 p.m. For tickets call box office at 207-725-8769 or visit online at www.msmt.org
Join MITF for John Chatterton's final series of new 10-minute works in the May Short Play Lab before he begins his super summer season. MITF's year-round festivals provide New York theatre-goers with a constant supply of new and thought-provoking live theater.
Join MITF for John Chatterton's final series of new 10-minute works in the May Short Play Lab before he begins his super summer season. MITF's year-round festivals provide New York theatre-goers with a constant supply of new and thought-provoking live theater.
This Sally (Andrea Goss) is definitely British, definitely a waif and of limited talent, and has her eyes wide open to the hell her generation of revelers is headed toward in a handcart. Her biggest number, Cabaret, is delivered as nearly a de profundis, a wail of a trauma victim.
Based on John Van Druten's play I Am a Camera which was adapted from Christopher Isherwood's short story Goodbye to Berlin, Cabaret is based in the nightlife at the seedy Kit Kat Klub as the Nazis were rising to power in Berlin back in 1931. The action is overseen by a Master of Ceremonies with the club serving as a metaphor for some of the ominous political developments in late Weimar Germany. The story revolves around 19-year-old English cabaret performer Sally Bowles and her relationship with the young American writer Clifford Bradshaw. A sub-plot involves a doomed romance between German boarding house owner Fraulein Schneider and her suitor Herr Schultz.
CABARET, the musical masterpiece comes direct from Broadway to the Adrienne Arsht Center for the Performing Arts of Miami-Dade County, tonight, April 12, through April 17, 2016. BroadwayWorld has a sneak peek at the cast in action below!
CABARET, the musical masterpiece comes direct from Broadway to the Adrienne Arsht Center for the Performing Arts of Miami-Dade County, April 12 - 17, 2016. As part of their 50th Anniversary Season, Roundabout Theatre Company is proud to announce casting for the national tour of Sam Mendes (Spectre, American Beauty) and Rob Marshall's (Into the Woods and Chicago, the films) Tony Award-winning production of CABARET. Currently celebrating its 10th Anniversary Season, the Arsht Center, along with Broadway Across America and presenting sponsor Bank of America, are proud to close the 2015-2016 Broadway in Miami season with the hit musical. BroadwayWorld has a sneak peek at the cast in action below!
