Acclaimed stage and screen actor Richard Coyle will return to the West End to play the iconic role of Atticus Finch in the critically acclaimed production of Harper Lee's To Kill a Mockingbird – a new play by Aaron Sorkin, directed by Bartlett Sher.
With the production currently playing to critical acclaim and capacity houses, To Kill a Mockingbird is continuing to implement a series of education and outreach initiatives to run alongside the production.
Aaron Sorkin’s adaptation of Harper Lee’s classic novel To Kill A Mockingbird officially opened last night at the Gielgud Theatre.
Barry Diller and Sonia Friedman today announce the extension of the critically acclaimed West End production of Harper Lee's To Kill a Mockingbird – a new play by Aaron Sorkin – with the production now running at the Gielgud Theatre until 19 November, 2022.
All new photos have been released of the West End production of To Kill a Mockingbird.
Ahead of previews starting this Thursday 10 March, To Kill a Mockingbird today announces the launch of the All Rise ticket scheme in an exclusive partnership with TodayTix, offering £15 seats for every performance across the run.
Joining the previously announced Rafe Spall (Atticus Finch) are Harry Attwell (Mr Cunningham/Boo Radley), Amanda Boxer (Mrs Henry Dubose), Poppy Lee Friar (Mayella Ewell), John Hastings (Bailiff), Simon Hepworth (Mr Roscoe/Dr Reynolds), Laura Howard (Miss Stephanie/Dill's Mother), and more.
This Christmas, a new musical production of The Chimes, inspired by the biting wit and moral outrage of Dickens's 1844 novel, and prompted by the harsh realities of poverty in 21st-century Britain, will play at St John's Church in Cardiff from 7 to 16 December and St John's Church in Waterloo from 1
Cel Spellman, George Turvey, Andy Secombe, and Molly McNerney will join Matthew Jure to form the cast of Eric Bogosian's Pulitzer Prize-nominated Talk Radio.
In Eric Bogosian's 1987 Pulitzer Prize-nominated and Drama Desk-winning play Talk Radio, troubled Cleveland shock jock Barry Champlain finally snaps and asks his callers why they seem fascinated by 'how deep into the muck we can immerse ourselves', despite all the possibilities afforded by 'marvelou
