CENTERSTAGE Artistic Director Kwame Kwei-Armah announces this week that Gleam, an adaptation of Zora Neale Hurston's beloved novel Their Eyes Were Watching God, by Bonnie Lee Moss Rattner, will fill the third slot of the 2011-12 Season, running Jan 4-Feb 5, 2012.
Park Square Theatre presents its annual production of THE DIARY OF ANNE FRANK, based on one of the 20th Century's most inspiring and enduring narratives.
In partnerships with the Open Society Institute, Urbanite, and Enoch Pratt Library, CENTERSTAGE presents a series of expert panels exploring Gleam, the stage adaptation of the groundbreaking novel Their Eyes Were Watching God by controversial Harlem Renaissance writer Zora Neale Hurston.
Bonnie Lee Moss Rattner's adaptation of Zora Neale Hurston's THEIR EYES WERE WATCHING GOD receives its third production-the first in nearly 25 years-at CENTERSTAGE.
In partnerships with the Open Society Institute, Urbanite, and Enoch Pratt Library, CENTERSTAGE presents a series of expert panels exploring Gleam, the stage adaptation of the groundbreaking novel Their Eyes Were Watching God by controversial Harlem Renaissance writer Zora Neale Hurston.
In partnerships with the Open Society Institute, Urbanite, and Enoch Pratt Library, CENTERSTAGE presents a series of expert panels exploring Gleam, the stage adaptation of the groundbreaking novel Their Eyes Were Watching God by controversial Harlem Renaissance writer Zora Neale Hurston.
CENTERSTAGE Artistic Director Kwame Kwei-Armah announces this week that Gleam, an adaptation of Zora Neale Hurston's beloved novel Their Eyes Were Watching God, by Bonnie Lee Moss Rattner, will fill the third slot of the 2011-12 Season, running Jan 4-Feb 5, 2012.
David Mamet play ends its run December 11, 2011
At 16, Janie faces a marriage of convenience and a life of quiet drudgery.
Mixed Blood Theatre's Center of the Margins festival offers it all in a line-up of three disparate but complementary plays that explore the complex world of disability.
Mixed Blood Theatre's Center of the Margins festival offers it all in a line-up of three disparate but complementary plays that explore the complex world of disability.
CENTERSTAGE Artistic Director Kwame Kwei-Armah announces this week that Gleam, an adaptation of Zora Neale Hurston's beloved novel Their Eyes Were Watching God, by Bonnie Lee Moss Rattner, will fill the third slot of the 2011-12 Season, running Jan 4-Feb 5, 2012.
I WISH YOU LOVE playwright Dominic Taylor riffs on black theatre history and his new Nat King Cole bio-drama pl.
Fresh Ink, Illusion's annual summer series, gives space for artists to develop creative-often experimental-new works.
Fresh Ink, Illusion's annual summer series, gives space for artists to develop creative-often experimental-new works.
With the goal of revolutionizing access to theatre, Mixed Blood Theatre announced today the launch of Radical Hospitality, which will offer no-cost admission to all mainstage productions for all audience members beginning with the upcoming 2011-12 season.
Pillsbury House Theatre, in a co-production with The Mount Curve Company and presented by the Guthrie Theater, today announced complete casting for the area premiere of Tarell Alvin McCraney's In the Red and Brown Water, May 12 - June 5, 2011, in the Dowling Studio at the Guthrie.
Can a huge novel be transferred to a 90 minute play with three actors?
Hot on the heels of a successful run of Little Eyes at The Guthrie, The Workhaus Collective is proud to present the World Premiere of Glyph, a play that tackles the legacy that slavery has left across the land and its long-lasting affects on a community.
Hot on the heels of a successful run of Little Eyes at The Guthrie, The Workhaus Collective is proud to present the World Premiere of Glyph, a play that tackles the legacy that slavery has left across the land and its long-lasting affects on a community.
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