Canada's greatest achievement in music, LOUIS RIEL, is returning to the Canadian Opera Company stage in a new production to help mark the 150th anniversary of the country's confederation. LOUIS RIEL is one of six landmark operas unveiled today at the public launch of the COC's 2016/2017 season at the Four Seasons Centre for the Performing Arts.
North Carolina Opera kicks off the 2015/16 season this fall with a fully staged production of Puccini's timeless tale, Madama Butterfly, (sung in Italian with English supertitles),presented on October 30 and November 1 at Raleigh's Memorial Auditorium in the Duke Energy Center for the Performing Arts.
RALEIGH, N.C. – North Carolina Opera kicks off the 2015/16 season this fall with a fully staged production of Puccini's timeless tale, Madama Butterfly, (sung in Italian with English supertitles),presented on October 30 and November 1 at Raleigh's Memorial Auditorium in the Duke Energy Center for the Performing Arts.
North Carolina Opera kicks off the 2015/16 season this fall with a fully staged production of Puccini's timeless tale, Madama Butterfly, (sung in Italian with English supertitles),presented on October 30 and November 1 at Raleigh's Memorial Auditorium in the Duke Energy Center for the Performing Arts.
RALEIGH, N.C. – North Carolina Opera kicks off the 2015/16 season this fall with a fully staged production of Puccini's timeless tale, Madama Butterfly, (sung in Italian with English supertitles),presented on October 30 and November 1 at Raleigh's Memorial Auditorium in the Duke Energy Center for the Performing Arts.
Last night North Carolina Opera's Artistic Director & Principal Conductor Timothy Myers revealed our new season at CAM Raleigh to fans and friends of the organization. Thank you to all who came out to support us as we head into a very exciting new season of opera performances!
(WASHINGTON)—Washington National Opera (WNO), led by Artistic Director Francesca Zambello, today announced its 60th anniversary season, one that highlights classic, contemporary, and American works. The 2015-2016 season includes a new-to-Washington staging of Bizet's Carmen, the world premiere of a newly revised version of Appomattox by composer Philip Glass and librettist Christopher Hampton, a revival of WNO's charming holiday production of Hansel and Gretel, the company premiere of Kurt Weill's Lost in the Stars in a gripping production from Cape Town Opera, and WNO's first complete staging of Wagner's extraordinary four-part Ring Cycle, with a world-class cast under the direction of Francesca Zambello and featuring the WNO Orchestra conducted by WNO Music Director Philippe Auguin. Highlights from the 2015-2016 season will be performed by the WNO Orchestra and special guests at a free preview concert on Wednesday, May 20, 2015 at 6 p.m. as part of the Kennedy Center Millennium Stage.
Richard Wagner's Die Walküre is opera at its most epic with incredible vocal demands, a 110-piece orchestra and a story about gods and mortals, all played out to one of opera's most powerful and iconic scores. This immense work returns to the Canadian Opera Company this winter with a critically acclaimed production by renowned Canadian directorAtom Egoyan, with COC Music DirectorJohannes Debus conducting, and one of the most hotly anticipated role debuts of the opera world this season: Grammy Award-winning soprano Christine Goerke as the Valkyrie Brünnhilde. Die Walküre is sung in German with English SURTITLESTM and runs for seven performances at the Four Seasons Centre for the Performing Arts tonight, January 31, and February 4, 7, 10, 13, 19, 22, 2015.
Richard Wagner's Die Walküre is opera at its most epic with incredible vocal demands, a 110-piece orchestra and a story about gods and mortals, all played out to one of opera's most powerful and iconic scores. This immense work returns to the Canadian Opera Company this winter with a critically acclaimed production by renowned Canadian directorAtom Egoyan, with COC Music DirectorJohannes Debus conducting, and one of the most hotly anticipated role debuts of the opera world this season: Grammy Award-winning soprano Christine Goerke as the Valkyrie Brünnhilde. Die Walküre is sung in German with English SURTITLESTM and runs for seven performances at the Four Seasons Centre for the Performing Arts on January 31,February 4, 7, 10, 13, 19, 22, 2015.
Richard Wagner's Die Walküre is opera at its most epic with incredible vocal demands, a 110-piece orchestra and a story about gods and mortals, all played out to one of opera's most powerful and iconic scores. This immense work returns to the Canadian Opera Company this winter with a critically acclaimed production by renowned Canadian director Atom Egoyan, with COC Music Director Johannes Debus conducting, and one of the most hotly anticipated role debuts of the opera world this season: Grammy Award-winning soprano Christine Goerke as the Valkyrie Brünnhilde. Die Walküre is sung in German with English SURTITLESTM and runs for seven performances at the Four Seasons Centre for the Performing Arts on January 31, February 4, 7, 10, 13, 19, 22, 2015.
Washington National Opera (WNO) today announced complete casting for its first full presentation of Richard Wagner's four-part Ring cycle. Three cycles will be presented from April 30 to May 22, 2016 and will be directed by Artistic Director Francesca Zambello and conducted by WNO Music Director Philippe Auguin. Contribution packages with priority seating for The Ring are on sale now. For more information, go to WNO's Ring website.
The Met: Live in HD presents the cinematic premiere of Wagner's Ring Cycle and the behind-the-scenes documentary Wagner's Dream. The two-week event begins today May 7 across the U.S. and Canada. See photos from each of the operas below!
The Met: Live in HD presents the cinematic premiere of Wagner's Ring Cycle and the behind-the-scenes documentary Wagner's Dream. The two-week event begins May 7 across the U.S. and Canada. See photos from each of the operas below!
While Alexander Pushkin's original verse novel, EUGENE ONEGIN, had its protagonist at the center of attention, composer Peter Illyich Tchaikovsky and writer Konstantin Shilovsky's operatic adaptation (with an English translation by David Lloyd-Jones) instead focuses on Tatiana, the woman whose heart is broken by Onegin when he rejects her. This fundamental change in perspective actually makes for a more tragic and emotional experience, and coming from Tatiana's point of view, works perfectly for the world of opera. The Opera Theatre of St. Louis is presenting a lush and dramatic production of EUGENE ONEGIN as part of their season now playing at the Loretto-Hilton.
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