Come Halloween, all San Francisco will see - and hear -- how the West was sung when the City's only professional musical theatre company, 42nd Street Moon (www.42ndstreetmoon.org) continues its 2009 / 2010 season with the classic western musical Destry Rides Again starring beloved local chanteuse Connie Champagne as 'Frenchy', the enticing dance hall girl made famous by Marlene Dietrich in the film version.
The guys are gambling, the dolls are dancing, and the audience will come up a winner when Cabrillo Music Theatre launches its 2009-2010 season with Guys and Dolls. Returning is Director Nick DeGruccio, whose previous Cabrillo production of Jekyll & Hyde led to three Ovation Awards, including Best Director. Returning with DeGruccio is Choreographer Roger Castellano, Ovation-nominated for Jekyll. Musical Direction is by Darryl Archibald, and the production will be overseen by Artistic Director Lewis Wilkenfeld. Cabrillo?s production of Guys and Dolls, created exclusively for the Thousand Oaks Civic Arts Plaza, will open on Friday, October 16th, 2009 and run through Sunday, October 25th, for Cabrillo Music Theatre in the 1,800-seat Kavli Theatre at the Thousand Oaks Civic Arts Plaza, located at 2100 Thousand Oaks Boulevard in Thousand Oaks.
The guys are gambling, the dolls are dancing, and the audience will come up a winner when Cabrillo Music Theatre launches its 2009-2010 season with Guys and Dolls. Returning is Director Nick DeGruccio, whose previous Cabrillo production of Jekyll & Hyde led to three Ovation Awards, including Best Director. Returning with DeGruccio is Choreographer Roger Castellano, Ovation-nominated for Jekyll. Musical Direction is by Darryl Archibald, and the production will be overseen by Artistic Director Lewis Wilkenfeld. Cabrillo?s production of Guys and Dolls, created exclusively for the Thousand Oaks Civic Arts Plaza, will open on Friday, October 16th, 2009 and run through Sunday, October 25th, for Cabrillo Music Theatre in the 1,800-seat Kavli Theatre at the Thousand Oaks Civic Arts Plaza, located at 2100 Thousand Oaks Boulevard in Thousand Oaks.
The guys are gambling, the dolls are dancing, and the audience will come up a winner when Cabrillo Music Theatre launches its 2009-2010 season with Guys and Dolls. Returning is Director Nick DeGruccio, whose previous Cabrillo production of Jekyll & Hyde led to three Ovation Awards, including Best Director. Returning with DeGruccio is Choreographer Roger Castellano, Ovation-nominated for Jekyll. Musical Direction is by Darryl Archibald, and the production will be overseen by Artistic Director Lewis Wilkenfeld. Cabrillo?s production of Guys and Dolls, created exclusively for the Thousand Oaks Civic Arts Plaza, will open on Friday, October 16th, 2009 and run through Sunday, October 25th, for Cabrillo Music Theatre in the 1,800-seat Kavli Theatre at the Thousand Oaks Civic Arts Plaza, located at 2100 Thousand Oaks Boulevard in Thousand Oaks.
The guys are gambling, the dolls are dancing, and the audience will come up a winner when Cabrillo Music Theatre launches its 2009-2010 season with Guys and Dolls. Returning is Director Nick DeGruccio, whose previous Cabrillo production of Jekyll & Hyde led to three Ovation Awards, including Best Director. Returning with DeGruccio is Choreographer Roger Castellano, Ovation-nominated for Jekyll. Musical Direction is by Darryl Archibald, and the production will be overseen by Artistic Director Lewis Wilkenfeld. Cabrillo?s production of Guys and Dolls, created exclusively for the Thousand Oaks Civic Arts Plaza, will open on Friday, October 16th, 2009 and run through Sunday, October 25th, for Cabrillo Music Theatre in the 1,800-seat Kavli Theatre at the Thousand Oaks Civic Arts Plaza, located at 2100 Thousand Oaks Boulevard in Thousand Oaks.
The guys are gambling, the dolls are dancing, and the audience will come up a winner when Cabrillo Music Theatre launches its 2009-2010 season with Guys and Dolls. Returning is Director Nick DeGruccio, whose previous Cabrillo production of Jekyll & Hyde led to three Ovation Awards, including Best Director. Returning with DeGruccio is Choreographer Roger Castellano, Ovation-nominated for Jekyll. Musical Direction is by Darryl Archibald, and the production will be overseen by Artistic Director Lewis Wilkenfeld. Cabrillo?s production of Guys and Dolls, created exclusively for the Thousand Oaks Civic Arts Plaza, will open on Friday, October 16th, 2009 and run through Sunday, October 25th, for Cabrillo Music Theatre in the 1,800-seat Kavli Theatre at the Thousand Oaks Civic Arts Plaza, located at 2100 Thousand Oaks Boulevard in Thousand Oaks.
Come Halloween, all San Francisco will see - and hear -- how the West was sung when the City's only professional musical theatre company, 42nd Street Moon (www.42ndstreetmoon.org) continues its 2009 / 2010 season with the classic western musical Destry Rides Again starring beloved local chanteuse Connie Champagne as 'Frenchy', the enticing dance hall girl made famous by Marlene Dietrich in the film version.
The guys are gambling, the dolls are dancing, and the audience will come up a winner when Cabrillo Music Theatre launches its 2009-2010 season with Guys and Dolls. Returning is Director Nick DeGruccio, whose previous Cabrillo production of Jekyll & Hyde led to three Ovation Awards, including Best Director. Returning with DeGruccio is Choreographer Roger Castellano, Ovation-nominated for Jekyll. Musical Direction is by Darryl Archibald, and the production will be overseen by Artistic Director Lewis Wilkenfeld. Cabrillo?s production of Guys and Dolls, created exclusively for the Thousand Oaks Civic Arts Plaza, will open on Friday, October 16th, 2009 and run through Sunday, October 25th, for Cabrillo Music Theatre in the 1,800-seat Kavli Theatre at the Thousand Oaks Civic Arts Plaza, located at 2100 Thousand Oaks Boulevard in Thousand Oaks.
The hit rock musical comedy that entertained sold-out houses in L.A. for over four months arrives in San Diego this September. Get ready for the Divas of Domesticity! Corinne Dekker, Jamey Hood and Jayme Lake ('Megawatt performances' - Coast to Coast Newspapers) reprise their roles as The Housewives, three young homemakers who form a band for their PTA talent show - then go on to become bigger than Brillo with their hilarious brand of 'domestic' rock 'n roll. The limited 4-week engagement opens September 4 at the Tenth Avenue Theatre in San Diego.
If you liked Hank Williams - Lost Highway, you will love Barter Theatre's acclaimed production of Keep on the Sunny Side: the Songs and Story of the Carter Family being presented at Electric City Playhouse in Anderson, SC.
If you liked Hank Williams - Lost Highway, you will love Barter Theatre's acclaimed production of Keep on the Sunny Side: the Songs and Story of the Carter Family being presented at Electric City Playhouse in Anderson, SC.
The hit rock musical comedy that entertained sold-out houses in L.A. for over four months arrives in San Diego this September. Get ready for the Divas of Domesticity! Corinne Dekker, Jamey Hood and Jayme Lake ('Megawatt performances' - Coast to Coast Newspapers) reprise their roles as The Housewives, three young homemakers who form a band for their PTA talent show - then go on to become bigger than Brillo with their hilarious brand of 'domestic' rock 'n roll. The limited 4-week engagement opens September 4 at the Tenth Avenue Theatre in San Diego.
If you liked Hank Williams - Lost Highway, you will love Barter Theatre's acclaimed production of Keep on the Sunny Side: the Songs and Story of the Carter Family being presented at Electric City Playhouse in Anderson, SC.
On paper, Catherine Schreiber has attained success, both as a writer and as an actor, since leaving her home town of Great Neck, New York. 'I have had an adventure-filled career,' Schreiber admits. 'But there have also been some frustrating mis-adventures along the way.'
With writing partner Joshua Grenrock, Schreiber has chronicled many of these jaundiced milestones in the stage play, Desperate Writers: The Final Draft, starring Brian Krause (Charmed) and British actress Kate Hollinshead (Emerdale).
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'