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Elevator Repair Service Presents EVERYONE'S FINE WITH VIRGINIA WOOLF

Elevator Repair Service, "one of the city's few truly essential theater companies" (New York Times), is pleased to present the world premiere of Everyone's Fine With Virginia Woolf, a new play written by longtime company member Kate Scelsa and directed by Elevator Repair Service Artistic Director John Collins.

Elevator Repair Service Presents EVERYONE'S FINE WITH VIRGINIA WOOLF

Elevator Repair Service, "one of the city's few truly essential theater companies" (New York Times), is pleased to present the world premiere of Everyone's Fine With Virginia Woolf, a new play written by longtime company member Kate Scelsa and directed by Elevator Repair Service Artistic Director John Collins.

Rady&Bloom Premieres DING DONG IT'S THE OCEAN

Writer Alex Borinsky reunites with the creative team behind Clubbed Thumb's Of Government - director Jeremy Bloom and composer Joe White - for this new piece by their inventive company Rady&Bloom. An arts collective gathers to celebrate their director's birthday; fueled by Moscow Mules, the partygoers sprawl across the apartment, decompressing from their ongoing rehearsal process. They speculate about the end of the world.

Eliza Bent's ALOHA, ALOHA, OR WHEN I WAS QUEEN Comes to Abrons Arts Center

Abrons Arts Center is pleased to present the world premiere of Aloha, Aloha, or When I Was a Queen (April 4-21), a solo play written and performed by Eliza Bent and directed by Knud Adams. In 1996, a young Eliza Bent, along with a friend, created, directed and starred in an amateur historical film for a school project. In it, Bent portrayed Hawaii's last reigning monarch, Queen Liliuokalani. 22 years later, Bent uses her home movie as a jumping off point to lead audiences on a journey that grapples with personal history, legacy, and cultural appropriation. In the tradition of Spalding Gray, Fran Lebowitz, and David Sedaris, Bent's humorous cringe-inducing stories chart a young Bostonian's education in race and appropriation.

Clubbed Thumb Announces Full Line-Up for 2018 SUMMERWORKS Festival

Five-time Obie Award-winning theater company Clubbed Thumb (Maria Striar, Producing Artistic Director; Michael Bulger, Associate Artistic Director) is proud to announce the line-up for SUMMERWORKS, its annual series of new plays. Now in its 23rd season, SUMMERWORKS will run May 19 through June 30 at The Wild Project (195 E 3rd Street) in Manhattan, and will feature productions of three new plays: TIN CAT SHOES by Trish Harnetiaux and directed by Knud Adams; WILDER GONE by Angela Hanks; and PLANO by Will Arbery and directed by Taylor Reynolds.

Premiere Stages At Kean University Announces 2018 Play Festival Finalists

Premiere Stages, the professional theatre company in residence at Kean University, has selected its four finalists for the 2018 Premiere Play Festival and will increase its cash awards for honored playwrights by one-third, the theatre announced today. Premiere Stages received a record 572 submissions for the festival, an annual competition for unproduced scripts that offers developmental opportunities to playwrights with strong affiliations to New York, New Jersey, Connecticut, Pennsylvania, and Delaware. The 572 submissions marked a 43% jump from 2017, and represented playwrights of all backgrounds and ages. For the first time in the festival's 14-year history, three of the four finalist scripts selected were requested from synopses submitted by playwrights.

Abrons Arts Center presents Eliza Bent's ALOHA, ALOHA, OR WHEN I WAS QUEEN

Abrons Arts Center is pleased to present the world premiere of Aloha, Aloha, or When I Was a Queen (April 4-21), a solo play written and performed by Eliza Bent and directed by Knud Adams. In 1996, a young Eliza Bent, along with a friend, created, directed and starred in an amateur historical film for a school project. In it, Bent portrayed Hawaii's last reigning monarch, Queen Liliuokalani. 22 years later, Bent uses her home movie as a jumping off point to lead audiences on a journey that grapples with personal history, legacy, and cultural appropriation. In the tradition of Spaulding Gray, Fran Leibowitz, and David Sedaris, Bent's humorous cringe-inducing stories chart a young Bostonian's education in race and appropriation.

The Drama League Announces Its 2018 Resident Artists

The Drama League (Gabriel Stelian-Shanks, Executive Artistic Director) has announced the theater directors and ensembles chosen to develop new plays and musicals as part of the 2018 Drama League Artist Residency Program. Public work-in-progress presentations will be held periodically throughout the year at The Drama League Theater Center, 32 Avenue of the Americas, in Tribeca. Schedules are available at www.dramaleague.org or by calling (212) 244-9494.

BWW Review: GRIMLY HANDSOME, Royal Court

Chloe Lamford and Sam Pritchard have collaborated on a piece that perplexes and entices. This was my first visit to The Site, (the exterior space located across from the stage door), and I was amazed by its capability to totally transport you from the streets of Sloane Square, into the world of an unnamed American city, where strange things are occurring.

Atlantic Theater Kicks Off 2017-18 Amplified Reading Series Today

Atlantic Theater Company recently announced its 2017-2018 Amplified Reading Series selections, presenting six bold new plays throughout Atlantic's season with an expanded rehearsal process for more meaningful engagement with the material and the playwright.

Martin E. Segal Theatre Center Announces 2017 PRELUDE Festival

The Martin E. Segal Theatre Center presents its annual PRELUDE FESTIVAL on October 4, 5, and 6 at The Graduate Center, CUNY, The City University of New York, curated by Andrew Kircher in collaboration with Frank Hentschker.

JACK Unveils Fall 2017 Season of Key Experimenting Artists in Theater, Dance & Music

Recognized by The Village Voice as 'Best Scrappy Brooklyn Theater' in their Best of 2016 issue, JACK presents a flurry of some of today's key experimenting artists in theater, dance and music, with new work by playwrights Virginia Grise, Azure Osborne-Lee, nicHi douglas, Karma Mayetand Justin Kuritzkes, by choreographer Nicole Bindler, and by composer Justin Hicks with director Charlotte Brathwaite.

ASSHOLE by Justin Kuritzkes Comes to JACK

Asshole is a bracing new play by Justin Kuritzkes about a doctor who works for the government and is obsessed with the smell of his own asshole. He has a patient whom he can't seem to get out of his mind. In fact, he finds her continued presence to be a little...disturbing. Directed and designed by Knud Adams, this world premiere features Polly Lee and Ikechukwu Ufomadu. 

EX HABITUS, Satirical Take on Millennial Podcasting, Comes to Corkscrew Theater Festival

Corkscrew Theater Festival presents the world premiere of Ex Habitus by Lilla Goettler and Katie Hathaway, directed by Goettler. Running August 23-September 3, Ex Habitus is a wild satire set in the world of millennial podcasting. Performed by Emma Hathaway, Alexander Katz, Derek Christopher Murphy, Renee Rises, and Jill Shackner*, Ex Habitus continues the inaugural season of Corkscrew Theater Festival, a new summer theater festival that provides early-career artists with a high level of production support.

Royal Court Announces Autumn/Winter 2017-18 Season

Royal Court Theatre announces new season of work. The programme includes five world premieres, five international playwrights from Argentina, Chile, Syria, Ukraine & US, the return of a landmark Royal Court play, a body of work in Tottenham and Pimlico, series two of Playwright's Podcasts and a major 5 year scheme for 25 trainees funded by The Sackler Trust.

In a FringeNYC-less Summer, New Corkscrew Theater Festival Features 5 Premieres & 5 Readings

???????Tickets are now on sale to the inaugural Corkscrew Theater Festival, running August 7 - September 3 at the Paradise Factory (64 East 4th Street, Manhattan). Presented by The Brewing Dept. and Fortress Productions, this new summer theater festival provides early-career artists a high level of production support and features five world premieres and five readings performed in repertory over four weeks. Special attention has been given to theater makers who are developing work through innovative and unusual collaborative models. A majority of the participating artists identify as female.

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