The Curran and Stanford Live at Stanford University, in association with Magic Theatre and Pomegranate Arts, announced today tickets for Taylor Mac's groundbreaking performance art concert A 24-DECADE HISTORY OF POPULAR MUSIC, will go on sale to the general public on Tuesday, July 4th at 10:00am PT.
Abingdon Theatre Company continues its Ghostlight Reading Series with readings of THE SUBJECT by Chisa Hutchinson and directed by Jade King Carroll on Monday, June 5th at 7pm and CARLO AT THE WEDDING by Bryna Turner and directed by Jenna Worsham on Monday, June 12th at 7pm.
Abingdon Theatre Company, under the artistic direction of Tony Speciale, presents the world premiere of CHESS MATCH NO. 5, conceived and directed by Anne Bogart, with text arranged by Jocelyn Clarke from the words of John Cage. Created by Siti Company, CHESS MATCH NO. 5 began previews March 9, and opened officially last night, March 19, in Abingdon's June Havoc Theatre (312 West 36th Street).
Abingdon Theatre Company, under the Artistic Direction of Tony Speciale, offers talkbacks following performances of SITI Company's world premiere CHESS MATCH NO. 5 on March 21 and 22 at 7:00PM with co-stars Will Bond (Bob) and Ellen Lauren (Room); and on March 30 at 7:00PM and March 31 at 8:00PM with director Anne Bogart at Abingdon's June Havoc Theatre (312 West 36th Street).
Abingdon Theatre Company, under the artistic direction of Tony Speciale, presents the world premiere of CHESS MATCH NO. 5, conceived and directed by Anne Bogart, with text arranged by Jocelyn Clarke from the words of John Cage. Created by SITI Company, CHESS MATCH NO. 5 began previews March 9, with an official press opening March 19, in Abingdon's June Havoc Theatre (312 West 36th Street).
Abingdon Theatre Company, under the artistic direction of Tony Speciale, presents the world premiere of CHESS MATCH NO. 5, conceived and directed by Anne Bogart, with text arranged by Jocelyn Clarke from the words of John Cage.
Abingdon Theatre Company, under the artistic direction of Tony Speciale, continues its Studio Series with four Monday night classes on Audition prep for Actors Singers and Dancers.
Abingdon Theatre Company, under the artistic direction of Tony Speciale, presents the world premiere of CHESS MATCH NO. 5, conceived and directed by Anne Bogart, with text arranged by Jocelyn Clarke from the words of John Cage.
Abingdon Theatre Company continues its Ghostlight Reading Series with TALL SKINNY CRUEL CRUEL BOYS by Caroline V. McGraw, author of Ultimate Beauty Bible (Page 73), on Thursday, December 15 at 7pm. The reading is free and open to the public at Abingdon Theatre Company's June Havoc Theatre (312 West 36th Street). Danya Taymor is set to direct.
Abingdon Theatre Company continues its Ghostlight Reading Series with JERICHO by Michael Weller on Monday, December 19 at 7pm. The reading is free and open to the public at Abingdon Theatre Company's June Havoc Theatre (312 West 36th Street). Austin Pendleton is set to direct.
Abingdon Theatre Company launches its Ghostlight Reading Series with LIFE OF GEORGE WASHINGTON by Charles Mee on November 28 at 7pm. The reading is free and open to the public at Abingdon Theatre Company's June Havoc Theatre (312 West 36th Street). Leon Ingulsrud is set to direct.
Where do you start to describe Heresy, "Ireland's first electronic opera" by composer Roger Doyle? You can't, and I won't. Besides, there is no point. It's not about the story. It's not about the singing. To some extent, it's not even about the music. Heresy is, from start to finish, an exquisitely conceptual and sophisticated piece of metatheatre in disguise of an opera.
Six D.C.-area playmakers have been selected to participate in the third installment of Playwrights' Arena, a year-long program that invites a small group of local theater makers to investigate their artistic process and develop their dramaturgical practice. The program is co-facilitated by Arena Stage Deputy Artistic Director Seema Sueko and Dramaturg Jocelyn Clarke, and participants convene once per month at Arena Stage at the Mead Center for American Theater.
Where do you start to describe Heresy, "Ireland's first electronic opera" by composer Roger Doyle? You can't, and I won't. Besides, there is no point. It's not about the story. It's not about the singing. To some extent, it's not even about the music. Heresy is, from start to finish, an exquisitely conceptual and sophisticated piece of metatheatre in disguise of an opera.
Heresy is the world premiere and first opera by renowned Irish composer, Roger Doyle. Mr. Doyle, considered 'The Godfather of Irish Electronic Music,' speaks of his vast body of compositions as 'a celebration of the multiplicity of musical languages and evolving technologies.'
Heresy is the world premiere and first opera by renowned Irish composer, Roger Doyle. Mr. Doyle, considered 'The Godfather of Irish Electronic Music,' speaks of his vast body of compositions as 'a celebration of the multiplicity of musical languages and evolving technologies.'
In an ongoing mission to nurture and develop new work by emerging artists, Abingdon Theatre Company proudly announces Dominique Fishback & Amy E. Witting as recipients of its inaugural Residency Program.
Abingdon Theatre Company will present two world-premiere plays and a new musical in the June Havoc Theatre as part of its 2016-2017 Season of new works by established and emerging writers, marking the first full season programmed by Artistic Director Tony Speciale.
Heresy is the world premiere and first opera by renowned Irish composer, Roger Doyle. Mr. Doyle, considered 'The Godfather of Irish Electronic Music,' speaks of his vast body of compositions as 'a celebration of the multiplicity of musical languages and evolving technologies.'