Jim Mezon News

Review: WAITING FOR GODOT at Coal Mine Theatre

by Ilana Lucas — September 25, 2025

Coal Mine’s dedication to text and its intimate quarters mean that you don’t need to shell out for Broadway to get closer to Godot.

WAITING FOR GODOT Comes To The Coal Mine Theatre

by Stephi Wild — August 20, 2025

COAL MINE THEATRE will return for their 11th season this September with Nobel Prize-winning Playwright Samuel Beckett's existential masterpiece, WAITING FOR GODOT.

EUREKA DAY and More Set for Coal Mine Theatre 2025-26 Season

by Chloe Rabinowitz — June 25, 2025

Toronto's COAL MINE THEATRE has unveiled its 2025/26 season.

Daniel Maclvor and Louis Pitre Join Canadian Premiere of THE INHERITANCE: PARTS 1 & 2

by Stephi Wild — February 14, 2024

Canadian Stage will present the Canadian premiere of the celebrated award-winner THE INHERITANCE: PARTS 1 & 2, running March 22 – April 14.

Buddies in Bad Times Theatre to Celebrate 45th Anniversary Season with Exciting Lineup

by Chloe Rabinowitz — August 1, 2023

Get the scoop on Buddies in Bad Times Theatre's highly anticipated 45th anniversary season, featuring a vibrant lineup of LGBTQ+ theatre productions and events.

Interview: Peter Krantz, Jesse Dwyre, & George Masswohl on OUTLAW at The Rose Studio

by Team BWW — July 6, 2023

BroadwayWorld caught up with Peter Krantz, Jesse Dwyre, and George Masswohl to talk about bringing this show to Brampton ahead of opening night!

Review: NETWORK Opens the Citadel Theatre's 2022-2023 Season

by Sarah Dussome — September 25, 2022

The 1976 satire film comes to life on stage.

Casting Announced For Famous Courtroom Drama A FEW GOOD MEN In St. Jacobs

by Chloe Rabinowitz — February 12, 2020

Can audiences 'handle the truth?' That is the pivotal question at the centre of the famed legal drama A Few Good Men, which opens the highly-anticipated 2020 Season at the St.

BWW Review: Complex Themes and Sharp Dialogue Make for a Cutting Production of KNIVES IN HENS

by Isabella Perrone — September 27, 2019

The examination of existence, language, and self is nothing new within the walls of a theatre, but KNIVES IN HENS manages to expand on all these themes a?" and then some a?" using straightforward and highly effective text in this new production of the 1995 David Harrower play.

Coal Mine Theatre Kicks off Season Six with KNIVES IN HENS

by Julie Musbach — August 27, 2019

COAL MINE THEATRE kicks off its powerhouse Season Six with a tremendous modern Scottish classic.

Coal Mine Theatre Announces Its Sixth Season

by Julie Musbach — July 31, 2019

COAL MINE THEATRE, Toronto's Off-Off Broadview Theatre, has just announced its extraordinary Season Six.

Electric Company Theatre Presents the World Premiere of THE FULL LIGHT OF DAY

by Stephi Wild — November 23, 2018

Electric Company Theatre presents the world premiere of Daniel Brooks' groundbreaking new work, The Full Light of Day, directed by Kim Collier, from January 7-12, 2019 at the Vancouver Playhouse.

BWW Review: Powerhouse Performances Deliver a Riveting LEAR

by Taylor Long — January 14, 2018

I'll start by saying that LEAR was one of the most powerful theatrical experiences I've ever had.

Groundling Theatre Company Returns To The Stage With LEAR; Tickets on Sale Now

by BWW News Desk — October 4, 2017

Graham Abbey, Groundling Theatre Company's founder and artistic director, today announced the theatre company's next production is William Shakespeare's LEAR, starring Seana McKenna in the title role.

BWW Review: THE MADNESS OF GEORGE III at SHAW FESTIVAL

by Michael Rabice — June 19, 2017

McCAMUS IS BRILLIANT AS KING GEORGE III Mental illness in the 18h Century, aka madness, was as in some respects as poorly understood and accepted then as it is today.

Artistic Director Tim Carroll to Make Shaw Festival Debut Helming SAINT JOAN

by BWW News Desk — May 1, 2017

When the Shaw Festival's 2017 production of Bernard Shaw's Saint Joan begins previews on May 3 at the Festival Theatre, it marks two milestones for Artistic Director Tim Carroll - a Shaw Festival directorial debut and his first undertaking of a work by the Festival's namesake.