The Dallas Opera is proud to present the six distinguished professionals selected to participate in the third annual residency of the Linda and Mitch Hart Institute for Women Conductors at The Dallas Opera in two public concerts:
The Martina Arroyo Foundation's 13th Annual Gala, a celebration of Prelude to Performance, Role Class and Outreach Programs, will be held on Monday, November 13, 2017 beginning 6:30pm in the Grand Salon of the JW Marriott Essex House, 160 Central Park South, NYC.
Kentucky Opera brings their premiere of Jake Heggie's Dead Man Walking to Louisville audiences this week. And composer Heggie was also in town to celebrate this production, one of more than 60 mounted of this work around the world since its 2000 premiere.
Houston Grand Opera (HGO) will present Glory Denied, the story of an American family during the turbulent Vietnam War era, on Monday, November 6 and Thursday, November 9, at 7:30 p.m. at the 1940 Air Terminal Museum Hangar at Hobby Airport.
American Lyric Theater presents A Toast to Ten Years, a wine tasting recital in celebration of the 10th Anniversary of the company's lauded Composer Librettist Development Program (CLDP), on Friday, November 17, 2017 at 7pm at The Players.
Juilliard Opera's season opens with W.A. Mozart's romantic comedy La finta giardiniera on November 15, 17, and 19, 2017, led by distinguished Metropolitan Opera conductor Joseph Colaneri, who makes his Juilliard Orchestra debut, and directed by faculty member Mary Birnbaum.
The New York premieres and world premiere production of Gordon Getty's Scare Pair, a double-bill by the San Francisco-based composer, pairs his two one act-operas -- Usher House and The Canterville Ghost - together for the first time on October 19 and 21 (7:30pm) at The Sylvia and Danny Kaye Playhouse at Hunter College (located at East 68th Street, between Lexington and Park Avenues).
Celebrated baritone Christiaan Smith will make his Carnegie Hall debut this fall with 'Songs We Know,' presented by Trespass Productions, Saturday, November 18 at 8PM in Weill Recital Hall.
The Dallas Opera is proud to present the initial mainstage offering of the 2017-2018 Motives Unmasked! Season: Camille Saint-Sa ns' glorious nineteenth-century grand opera, SAMSON & DALILA, opening with The Linda and Mitch Hart Season Opening Night Performance on Friday, October 20, 2017 at 8:00 p.m. (note special curtain time), the first of five performances in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in Downtown Dallas. Saint-Sa ns' 1877 masterpiece features a tremendous ensemble cast that includes Russian superstar Olga Borodina, Clifton Forbis, Richard Paul Fink, Michael Chioldi and Ryan Kuster.
The Atlanta Opera opens its main stage season with a stunning, all-new production of Richard Wagner's The Flying Dutchman, featuring an internationally recognized cast and extraordinary visuals to present the old folktale in a new way.
The New York premieres and world premiere production of Gordon Getty's Scare Pair, a double-bill by the San Francisco-based composer, pairs his two one act-operas -- Usher House and The Canterville Ghost -- together for the first time on October 19 and 21 (7:30pm) at The Sylvia and Danny Kaye Playhouse at Hunter College (located at East 68th Street, between Lexington and Park Avenues). Both works, with the libretto and music by Mr. Getty, will be sung in English and have a running time of 60 minutes each.
The Atlanta Opera's Discoveries series brings Kurt Weill and Bertolt Brecht's The Seven Deadly Sins to Atlanta for the first time. Brian Clowdus, Artistic Director of Serenbe Playhouse, makes his Atlanta Opera directorial debut.
American Lyric Theater presents The New Crew, a salon including performances by and discussions with American Lyric Theater's newest Resident Artists in the Composer Librettist Development Program: composers Shuying Li, Andy Teirstein, and Liliya Ugay; librettists Lorene Cary, Julian Crouch, and Lila Palmer; and dramaturg Antigoni Gaitana.
The New York premieres and world premiere production of Gordon Getty's Scare Pair, a double-bill by the San Francisco-based composer, pairs his two one act-operas -- Usher House and The Canterville Ghost - together for the first time on October 19 and 21 (7:30pm) at The Sylvia and Danny Kaye Playhouse at Hunter College (located at East 68th Street, between Lexington and Park Avenues).
Since our resident opera critic, Steve Callahan, was appearing in one of the pocket operas produced this past weekend (September 8-9, 2017) by the STL Opera Collective, he asked if I would cover the shows, and I was happy to do so. This is a group that is just in their second season, but judging by the quality of the performances presented they show a great deal of promise. Two short operas were showcased on this occasion; TESLA'S PIGEON (by Melissa Dunphy) and TO HELL AND BACK (music by Jake Heggie and libretto by Gene Scheer). Both are striking, artful productions that move and challenge an audience, and I found them both to be highly engaging and superbly performed.