Leapin' lizards! With more than 400 performances under her belt, the new U.S. National Tour of ANNIE will play the National Theatre for one week only, March 15 - 20, 2016. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic 1977 Tony Award-winning original.
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
Thus, we are happy to present the return of one our most popular features: The Nashville Theater Calendar, a comprehensive - maybe even exhaustive (lord knows we're exhausted from putting it together, gathering all the info from all over the interwebs!) - listing of theatrical openings for the 2015/16 season. We'll update the calendar every Monday, clearing out the shows that have closed and adding additional information on the shows still to come. Something's missing? That's an easy fix: just send us a message here, on Facebook, or by email at jeffreyellis37215@att.com.
An adaptation of the book STANDING TALL - the emails, journals and creative writings of 9/11 is being presented tonight, November 7th at 7:00 PM at ArtNY Bruce Mitchell Theatre, 520 Eighth Avenue, 3rd Floor produced by FACT Theatre Company.
Halloween's all done in, there are still three weeks ahead before we officially give thanks, and Christmas - and all its accompanying frenzy and frivolity - is about seven weeks away! So what's there to do for all the theatrical types jonesing for a trip to make believe? Plenty! Theater companies all over middle Tennessee are showing off their best and brightest, with a number of eagerly anticipated shows opening this weekend and/or continuing from their earlier opening nights and next Tuesday there's a sparkling new Broadway musical swinging through Music City to entertain you…
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
The director and designers behind Rubicon Theatre Company's acclaimed environmental productions ofFiddler on the Roof and Man of La Mancha have reunited on the two-piano chamber version of the legendary Lerner and Loewe's classic My Fair Lady. Based on George Bernard Shaw's play Pygmalion, the musical tells the story of Professor Henry Higgins, an arrogant and attractive phonetician who makes a wager that he can transform a 'deliciously low' Cockney flower-seller (Eliza Doolittle) into an elegant lady by teaching her to speak more beautifully. The magnificent score includes 'I Could Have Danced All Night,' 'On the Street Where You Live,' 'Wouldn't It Be Loverly,' and 'I've Grown Accustomed to Her Face.' For Rubicon's production, Director James O'Neil returns to the source material to explore the Shavian themes of class struggle, social reform and women's rights.
Celebrate the storied history of this classic stage musical, whose screen version is being released in a breathtaking new restoration.
An adaptation of the book STANDING TALL - the emails, journals and creative writings of 9/11 is being presented November 7th at 7:00 PM at ArtNY Bruce Mitchell Theatre, 520 Eighth Avenue, 3rd Floor produced by FACT Theatre Company.
What qualities define a leading man? Charisma, soul-searching masculinity, and a deep, lustrous voice--once upon a time, we had entertainers who possessed them all. With his Cafe Carlyle debut show that opened last night, Plays With Music--following his Tony-Award winning Broadway performances, 12 years on the road in concert, a couple of recent, all too brief New York theatrical turns, and television work--Brian Stokes Mitchell proves that few such leading men exist. Soon it may be like finding unicorns.
The Kentucky Symphony Orchestra and Music Director James R. Cassidy close the Symphony's 20th anniversary Summer Series in Devou Park, Saturday, September 5 at 7:30 p.m. with a free program dubbed "The Battle of Broadway: Sondheim vs. Webber." Composers Stephen Sondheim and Andrew Lloyd Webber (who coincidently have the same birthday - March 22) ruled the boards on Broadway and the West End for most of the 1970s-80s compiling hit song after hit song in a string of award winning musicals. Home-grown bonafide Broadway stars Pamela Myers and Jessica Hendy will be featured, singing the hit tunes of these living legends.
Paris Je t'dore! And Vive La France! French-flavored Broadway shows and songs are tres magnifique. The romantic 'City of Lights' and the lure of romance with a French accent has served as the inspiration for many musicals through the years. And since France and all of the world's Francophiles celebrated Bastille Day earlier this week, BroadwayWorld's Jeff Walker and Matt Tamanini are taking a look at the shows and tunes that make us go 'oo-la-la!'
MY FAIR LADY is a classic musical, and a perfect opening show for The Muny's 97th season. Even the threat of rain couldn't dampen the high spirits of this show, and in most unlikely fashion, the skies cleared and provided us with a terrific evening of song, dance, and romance. Based on G.B. Shaw's superb play Pygmalion, whose basic story has been reworked for all manner of media, there's no denying how well the concept still holds up. The incredibly memorable score (book & lyrics Alan Jay Lerner, music by Frederick Lowe), in combination with a marvelous cast, makes for a full evening of wit and charm. The Muny's production is truly an elegant must-see presentation!
Broadway Across America/Baltimore is proud to announce that the new U.S. National Tour of ANNIE will play tonight, January 20- February 1, 2015 at the Hippodrome Theatre in Baltimore. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE will be a brand new physical incarnation of the iconic Tony Award-winning original.
Broadway Across America/Baltimore is proud to announce that the new U.S. National Tour of ANNIE will play January 20- February 1, 2015 at the Hippodrome Theatre in Baltimore. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE will be a brand new physical incarnation of the iconic Tony Award-winning original.
Performance-only tickets are now on sale to the general public for ACT TWO: A SWELL PARTY WITH MOSS HART AND FRIENDS, An Evening of Songs Sketches, Scenes and More Celebrating the Genius of Moss Hart, Monday April 21 at 8pm at the Vivian Beaumont Theater (150 West 65 Street). Performers scheduled to appear in the entertainment, which will serve as the centerpiece of Lincoln Center Theater's Annual Benefit and which will be directed by Bartlett Sher, are Victoria Clark, Stephen Colbert, David Garrison, Malcolm Gets, Renee Elise Goldsberry, Byron Jennings, Kelli O'Hara, Steven Pasquale, and Lewis J. Stadlen.
The National Alliance for Musical Theatre (NAMT) will present SHOW OFF!, a benefit concert celebrating 25 years of NAMT's Annual Festival of New Musicals tonight, October 20 at 7pm at New York University's Skirball Center for the Performing Arts (566 LaGuardia Place at Washington Square).
MY FAIR LADY is a venerable warhorse of the stage, and though it used to be performed with a frightening degree of regularity, it's been a while since I've seen it, other than catching the film version on TCM recently. I must say I'm impressed with the current production by Stages St. Louis. It manages to maintain an intimacy that's lost in some of the larger stagings the work has received. In the cozy confines of the Robert G. Reim Auditorium we're able to appreciate the story as well as the staging, and being based on G.B. Shaw's superb play Pygmalion, it's important that that actually come through. It does. Marvelously so. Couple that with the insanely memorable score (book & lyrics Alan Jay Lerner, music by Frederick Lowe) and you have an full evening of wit and charm ahead of you. This is an elegant must-see!
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