Cutting Ball Theater announces that it will add an additional five performances of its current production of Eugene Ionesco's THE CHAIRS. This tragic farce, in the tradition of Cutting Ball's hit productions of Ionesco's The Bald Soprano (2010) and Victims of Duty (2008), is as comedic as it is heartbreaking. Annie Elias (Tenderloin) directs THE CHAIRS, featuring David Sinaiko, Tamar Cohn, and Derek Fischer. THE CHAIRS plays now through April 7 (added performances: Thursday April 4, 7:30pm; Friday, April 5, 8:00pm; Saturday, April 6, 2pm, 8:00pm; Sunday April 7, 5pm) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets and more information, the public may visit cuttingball.com or call 415-525-1205.
The curtain will rise on Eugene Ionesco's absurdist classic Exit the Kingwhen Palm Beach Dramamworks resumes its 2012-13 season on Friday, March 29 (8PM) at the Don & Ann Brown Theatre (201 Clematis Street).
William Shakespeare's most horrific and bloody tragedy, MACBETH, is getting an update via a new all-African American feature film adaptation, with no less than Terrence Howard and Sanaa Lathan headlining the cast.
Award-winning square product theatre presents the Regional Premiere of Brenda Withers' new comedy The Ding Dongs (or What is the Penalty in Portugal?). The production will mark only the second ever full production of this lauded play.
The Brown University/Trinity Rep MFA Programs will present a three week run of two unique and rarely produced plays running in repertory next month at the Pell Chafee Performance Center (PCPC), Providence, RI.
A Raisin in the Sun, Lorraine Hansberry's drama, will extend its performance schedule through March 9th at Palm Beach Dramaworks' Don & Ann Brown Theatre (201 Clematis Street). The production will play the following additional performances: Thursday 3/7 at 8pm, Friday 3/8 at 8pm and Saturday 3/9 at 2 & 8pm.
The Brown University/Trinity Rep MFA Programs will present a three week run of two unique and rarely produced plays running in repertory next month at the Pell Chafee Performance Center (PCPC), Providence, RI.
When the audience left the theater after Kitchen Dog Theater's The Chairs on opening night, its safe to assume reactions ranged from sighs of relief to exaggerated eyerolls to nervous laughter. When it's done right, Ionesco will do that to you.
Cutting Ball Theater continues its 14th season with Eugene Ionesco's THE CHAIRS, in a new translation by Rob Melrose. This tragic farce, in the tradition of Cutting Ball's hit productions of Ionesco's The Bald Soprano (2010) and Victims of Duty (2008), is as comedic as it is heartbreaking. Annie Elias (Tenderloin) directs THE CHAIRS, featuring David Sinaiko, Tamar Cohn, and Derek Fischer, March 1 through 31 (Press opening: March 7) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets ($10-50) and more information, the public may visit cuttingball.com or call 415-525-1205.
Cutting Ball Theater continues its 14th season with Eugene Ionesco's THE CHAIRS, in a new translation by Rob Melrose. This tragic farce, in the tradition of Cutting Ball's hit productions of Ionesco's The Bald Soprano (2010) and Victims of Duty (2008), is as comedic as it is heartbreaking. THE CHAIRS follows an elderly couple who pass their time in an abandoned seaside building playing private games and telling each other half-remembered stories. Adrift in a world of their own, the Old Man resolves to convey his wisdom to a lifetime of friends, but while the Old Woman frantically sets out chairs, all of their invited guests appear to be imaginary. An eccentric meditation on the human condition, THE CHAIRS humorously blurs the line between fantasy and hallucination as the couple's game becomes their reality. Directed by Annie Elias (Tenderloin), and featuring David Sinaiko, Tamar Cohn, and Derek Fischer, Melrose's new translation offers a fresh take on this absurdist masterpiece.
The Metropolitan Playhouse and JAJ Production present the World Premiere of David Koteles' My First Lady, directed by Jason Jacobs as part of the Metropolitan Playhouse Founder's Festival (running tonight, January 14-27) The Playhouse is located at 220 East 4th Street.
The Metropolitan Playhouse and JAJ Production present the World Premiere of David Koteles' My First Lady, directed by Jason Jacobs as part of the Metropolitan Playhouse Founder's Festival (running January 14- 27) The Playhouse is located at 220 East 4th Street.
Considered by many to be one of the greatest plays of the 20th century, A Raisin in the Sun, Lorraine Hansberry's powerful drama, will open Friday, February 1 (8PM) at Palm Beach Dramaworks' Don & Ann Brown Theatre (201 Clematis Street). The production will play a strictly limited engagement through March 3, with specially priced preview performances on January 30 & 31. For twelve years, West Palm Beach's only professional, multi-award-winning resident theatre has brought to the Palm Beaches a distinguished roster of plays under the guidance of Producing Artistic Director William Hayes.
Palm Beach Dramaworks, which mounted its first productions of works by Edward Albee in 2002, renews its exploration of his remarkable career with two important presentations. A Delicate Balance, the first of his three Pulitzer Prize-winning plays, opens tonight, December 7 and runs through January 6.
Palm Beach Dramaworks, which mounted its first productions of works by Edward Albee in 2002, renews its exploration of his remarkable career with two important presentations. A Delicate Balance, the first of his three Pulitzer Prize-winning plays, opens on December 7 and runs through January 6. Following that, on January 8, will be the Southeastern premiere of The Stages of Edward Albee, the acclaimed new documentary that examines the playwright's life and work.
dog & pony dc is hosting a play... a play with a game inside...a game of crisis and survival, quick decisions and chance. In A Killing Game, performers and audience discover themselves at ground zero of a plague outbreak. A plague with high contagion and fatality rates. Where will they turn for assistance-the media, the government, the community? Do they have what it takes to stay alive?