Whimsical, lyrical, and magical. A cornucopia of imaginatively crafted and elegantly integrated design elements. Charmingly acted portrayals of delightfully distinct characters. Rich with touchingly expressed insights about the journey to human connection. The vision of Melissa James Gibson's BROOKLYN BRIDGE has been fully realized in Ricky Araiza's staging of the play at the Paul V. Galvin Playhouse on ASU's Tempe campus, featuring Olga Bezpaltchikova and a marvelous cast.
Ballet West closes its' 50th anniversary season with their annual production of Innovations, a program thought up by Artistic Director Adam Sklute 7 years ago. Innovations is a concept that allows choreographers to try out new material and give all the artists of Ballet West an opportunity to create and experiment with new works.
It will be a night of firsts for performing arts in Austin, Texas! The First Annual Greater Austin High School Musical Theatre Awards (GAHSMTA) will be held at the Long Center, tonight, April 17 at 7:30pm. Not only will it be the first large scale project fully produced in-house by Austin's iconic performing arts venue on Lady Bird Lake, but also it will be the first time the Long Center has partnered with ZACH Theatre and The University of Texas at Austin College of Fine Arts.
It will be a night of firsts for performing arts in Austin, Texas! The First Annual Greater Austin High School Musical Theatre Awards (GAHSMTA) will be held at the Long Center, April 17 at 7:30pm. Not only will it be the first large scale project fully produced in-house by Austin's iconic performing arts venue on Lady Bird Lake, but also it will be the first time the Long Center has partnered with ZACH Theatre and The University of Texas at Austin College of Fine Arts.
It's been speculated that Queen Elizabeth I enjoyed the character of Falstaff so much she asked Shakespeare to write something else with him in it. Thus, we have one of the earliest examples of a sequel of sorts with THE MERRY WIVES OF WINDSOR. Though it definitely lacks brevity, it's an amusing trifle for the most part, and St. Louis Shakespeare has put together a generally fine production of the play.
This fall, the Whole Backstage Theatre is offering its young theatre-going community to a chance to experience a show all its own. PETER PAN, written by J. M. Barrie and adapted by Kathryn Schultz Miller, will bring children of all ages a new and spectacular version of the timeless fairytale.
This fall, the Whole Backstage Theatre is offering its young theatre-going community to a chance to experience a show all its own. PETER PAN, written by J. M. Barrie and adapted by Kathryn Schultz Miller, will bring children of all ages a new and spectacular version of the timeless fairytale.
This fall, the Whole Backstage Theatre is offering its young theatre-going community to a chance to experience a show all its own. PETER PAN, written by J. M. Barrie and adapted by Kathryn Schultz Miller, will bring children of all ages a new and spectacular version of the timeless fairytale.
Choreographer Rebecca Kelly has long used dance to celebrate the sheer beauty of the moving form while reflecting on human challenges and current events. Rebecca Kelly Ballet's (RKB)'s three performances April 22-24, at the Ailey Citigroup Theater will consider themes surrounding the human desire to be known, that drive us toward intimacy, anonymity, or independence.
Choreographer Rebecca Kelly has long used dance to celebrate the sheer beauty of the moving form while reflecting on human challenges and current events. Rebecca Kelly Ballet's (RKB)'s three performances April 22-24, at the Ailey Citigroup Theater will consider themes surrounding the human desire to be known, that drive us toward intimacy, anonymity, or independence.
Choreographer Rebecca Kelly has long used dance to celebrate the sheer beauty of the moving form while reflecting on human challenges and current events. Rebecca Kelly Ballet's (RKB)'s three performances April 22-24, at the Ailey Citigroup Theater will consider themes surrounding the human desire to be known, that drive us toward intimacy, anonymity, or independence.
Choreographer Rebecca Kelly has long used dance to celebrate the sheer beauty of the moving form while reflecting on human challenges and current events. Rebecca Kelly Ballet's (RKB)'s three performances April 22-24, at the Ailey Citigroup Theater will consider themes surrounding the human desire to be known, that drive us toward intimacy, anonymity, or independence.
