The French Institute Alliance Francaise (FIAF), New York's premiere French cultural center, has announced the Crossing the Line Festival 2017, the eleventh annual edition of its path-breaking fall arts festival.
The UK's finest multi-arts festival returns for its 12th edition promising an unrivalled breadth, depth and quality of arts programming.
As part of the 2016 edition of Crossing the Line, the French Institute Alliance Francaise (FIAF)'s celebrated contemporary arts festival, FIAF and Abrons Arts Center are thrilled to present award-winning, UK-based drag fabulist, Dickie Beau in the US Premiere of his solo show Blackouts, Today through Saturday, October 6-8and 13-15 at Abrons Arts Center.
Due to unexpected travel circumstances, all performances of Blackouts by UK-based drag fabulist Dickie Beau have been postponed to 2017. The U.S. premiere was scheduled to take place October 6-15 at Abrons Arts Center as part of the 2016 edition of Crossing the Line, the French Institute Alliance Francaise (FIAF)'s contemporary arts festival. All ticket buyers have been issued a full refund.
As part of the 2016 edition of Crossing the Line, the French Institute Alliance Francaise (FIAF)'s celebrated contemporary arts festival, FIAF and Abrons Arts Center are thrilled to present award-winning, UK-based drag fabulist, Dickie Beau in the US Premiere of his solo show Blackouts, Thursday through Saturday, October 6-8and 13-15 at Abrons Arts Center.
The French Institute Alliance Francaise (FIAF), New York's premiere French cultural center, is thrilled to announce the full program for the Crossing the LineFestival 2016, the tenth annual edition of its celebrated fall arts festival, presenting interdisciplinary works and performances by artists from around the world. Crossing the Line runs from September 22 through November 3 in venues and public spaces throughout New York City. Tickets will go on saleAugust 15.
On February 12, 1915, the Abrons Arts Center's Henry Street Settlement Playhouse opened its doors on the Lower East Side. Since that day, it has remained a vital cultural resource, providing audiences with artistically bold work while offering artists opportunities to dynamically grow. Since becoming Artistic Director in 2006, Jay Wegman has done much more than maintain "one of the last standing locations for avant-garde performance downtown" (The New York Times, 2009). He has created an arts venue that is unique to the city's cultural landscape, presenting an international mix of cutting-edge performing and visual artists, both established and emerging, from across the country and around the world, as well as from New York City. In a 2015 New York Times profile, Wegman says Abrons is "a place for people to succeed or fail or land somewhere in between."
Abrons Arts Center and UK's Live Art Development Agency (LADA) in collaboration with Chelsea Theatre present Just Like a Woman, (October 23-25), a three day program of performances, installations, cabarets, screenings, panels and book launches that examine the performance of identity - the ways femininity can be 'performed' and how representations of gender can be queered through performance.
Abrons Arts Center and UK's Live Art Development Agency (LADA) in collaboration with Chelsea Theatre present Just Like a Woman, (October 23-25), a three day program of performances, installations, cabarets, screenings, panels and book launches that examine the performance of identity - the ways femininity can be 'performed' and how representations of gender can be queered through performance.
On February 12, 1915, the Abrons Arts Center's Henry Street Settlement Playhouse opened its doors on the Lower East Side. Since that day, it has remained a vital cultural resource, providing audiences with artistically bold work while offering artists opportunities to dynamically grow. Since becoming Abrons Director in 2006, Jay Wegman has done much more than maintain 'one of the last standing locations for avant-garde performance downtown' (The New York Times, 2009). He has created an arts venue that is unique on the city's cultural landscape, presenting an international mix of cutting-edge performing and visual artists, both established and emerging, from across the country and around the world, as well as from New York City.
Inky Cloak (www.inkycloak.co.uk) are delighted to present this work-in-progress preview in association with Hatched, The Albany's programme for new writing. We Raise Our Hands in the Sanctuary will run for one night only on July 2nd.
Gary Naylor finds little to kvetch about at The Kings Head's revival of Steven Berkoff's Kvetch.
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