In a late development, Twentieth Century Fox Television will return GLEE to Comic-Con for the fourth straight year with a star-studded panel that is sure to be standing-room only for GLEEks of all ages. The panel is scheduled to take place in the Indigo Room on Saturday, July 14 from 6:00-7:00 PM PT and will be moderated by TVLine.com's Michael Ausiello.
FOX has released a promo for the upcoming fourth season of GLEE. The promo begins, "Graduation's over, but there's so much more in store!" Get a sneak peek at next season below!
The stars of the National Hockey League will come together with celebrities from music, stage and screen for a celebration of hockey at the 2012 NHL Awards™ at the Encore Theater at the Wynn Las Vegas on Wednesday, June 20.
Oxygen's 'The Glee Project' gains 'Glee' guest mentors Samuel Larsen, Cory Monteith and Naya Rivera (June 12, June 19 and June 26, respectively). Hot off his season one win, Larsen will return to the set where it all began with 'Dance-ability.' Monteith will follow in an emotionally driven episode, 'Vulnerability,' which will focus primarily on bullying. Then, Rivera will help the contenders bring a spark to the screen with the theme of 'Sexuality' for the fourth episode of the series. 'The Glee Project' season two will premiere on Tuesday, June 5 at 10 PM ET/PT with Lea Michele as the first guest mentor.
According to The Hollywood Reporter, GLEE cast members Cory Monteith, Naya Rivera and newcomer Samuel Larsen will be appearing in the upcoming season of Oxygen's THE GLEE PROJECT in the role of mentors.
On last night's season three finale of GLEE, graduation day arrived, as McKinley High's class of 2012 looked to the past and present, all while contemplating the future. Check out behind-the-scenes photos from the episode below!
The Boss to the Beatles to Madonna to Rod Stewart, GLEE's emotional and invigorating season finale was pretty much everything a gleek could have asked for in a grand send-off to the original crew of McKinley High's New Directions - at least insofar as we have seen them thus far - as the musical dramedy series ends its third season and heads into uncertain new terrain with Season Four and the purportedly revolutionary new dual-show concept GLEE mastermind Ryan Murphy and company plan to incorporate while bringing in guest stars Sarah Jessica Parker and Kate Hudson and THE GLEE PROJECT winners. As seen in "Goodbye", the future looks quite uncertain for many of the McKinley graduates - Rachel (Lea Michele) may have gotten into NYADA at the eleventh hour and arrived on Broadway to fulfill her theatre dreams, but Finn (Cory Monteith) and Kurt did not get into their performing arts academies of their choice. So, what now? So, too, will Quinn (Dianna Agron) assumedly head for the East Coast and Princeton, while Santana (Naya Rivera) will apparently be joining Rachel in New York - but, to do what? The future is evidently more promising for some than for others, but what we will see play out is infuriatingly indeterminable at this stage of the game. Anticipation is building, in any event - and GLEE continues to entice. What's next for the rest of the glee club we will have to wait until next season to witness, but we can rest assured that Blaine (Darren Criss), Sam (Chord Overstreet), Joe (Samuel Larsen), Sugar (Vanessa Lengies) and Artie (Kevin McHale) will be around, with the fates of some of the original glee clubbers who graduated a little less cut and dry as far as their character's trajectories are concerned - particularly Puck (Mark Salling), Mike (Harry Shum, Jr.), Tina (Jenna Ushkowitz) and Mercedes (Amber Riley). And, as for Mr. Shu (Matt Morrison), Sue Sylvester (Jane Lynch), Coach Beiste (Dot-Marie Jones) and Emma (Jayma Mays)? We will definitely be seeing much more of them in September. While we can always rely on GLEE to provide us with outrageous jokes, outlandish characterizations, unexpected dramatic and thematic twists and turns, shockingly touching domestic drama and many incredibly heartwarming moments and socially progressive messages, the music - more importantly, the musical numbers - is what makes GLEE stand out from every other serial television series before or since and why the show will unquestionably be remembered as something revolutionary and indisputably idiosyncratic in the scheme of TV history.
Next week on the season finale of GLEE, graduation is finally here, as McKinley High's class of 2012 looks to the past and present, all while contemplating the future in the all-new "Goodbye" season finale episode. Go behind the scenes with the cast as Lea Michele, Dianna Agron, Cory Monteith, Jenna Ushkowitz, Maya Rivera, Amber Riley, Harry Shum Jr., Darren Criss and more talk about filming the emotional episode in the video below!
On the edge of glory, GLEE momentarily brought back the ecstatic excitement and indescribably infectious joy which made the musical dramedy series a huge hit in its first and second seasons, then commanding upwards of twelve million viewers a week. Now sixty-plus episodes into the series, in a two-hour episode helmed by co-creator Ian Brennan, last night's two-episode gorge-worthy and gorgeous feast - 'Props' and 'Nationals', by the hour - was a reminder of everything that cynics have cited as lacking from episodes in Season Three, as flagging ratings and a general media lull plagues the once seemingly indomitable mega-show despite its continued inventiveness and dramatic daringness. It was fresh and sassy and outrageous, but touching and heartfelt - attributes ascribed to the best episodes of the show. Yet, it was so much more, too - and then there's the music! Both hours were a totally over-the-top tribute to all things big and wow-worthy, coming at just the right moment to pump some energizing lifeblood into the audience base - passing references to Stephen Sondheim, Andrew Lloyd Webber, Marvin Hamlisch and Elton John as well as multiple winks at DANCE OF THE VAMPIRES songwriter and BAT OUT OF HELL mastermind Jim Steinman collectively pushing the theatre insider reference quotient into the stratosphere; and appreciably so. Yes, indeed, last night's double-dose of GLEE was an OD-worthy escapade worthy of returning to time and time again - Lea Michele's solo spots of Jason Mraz's 'I Won't Give Up' and Celine Dion's Grammy-winning 'It's All Coming Back To Me Now' alone were standouts of not only this or any season, but the series itself. With more than fifteen songs performed - everything from Lady Gaga, Nicki Minaj and The Who to STARLIGHT EXPRESS, TOMMY, FLASHDANCE and KISS ME, KATE - there was something for everyone in the two-hour GLEE extravaganza overflowing with the witty one-liners, out-of-this-world twists, outlandish characterizations, as well as the idiosyncratic theatrical reality that only GLEE can create. It was a true return to form to prove any and all naysayers wrong, and, this, coming after last week's Ryan Murphy-penned 'Prom-asaurus' season highlight, no less.
The past couple of days have been full of announcements about 2012 television pickups. In addition to the return of SMASH in January 2013, NBC's upcoming fall line-up will include new shows GO ON, starring Broadway's Laura Benanti and THE NEW NORMAL, starring THE BOOK OF MORMON's Andrew Rannells. GLEE will of course be back on FOX, but next season on Thursday nights!
"Prom-asaurus" proved that GLEE can still pack a powerful pop culture punch when required to do so; and when it wants to - and spike it with some effervescence and make it pop, too. Even those among us who don't partake in drinking the GLEE Kool-Aid, all must agree that there was more than one episode's fair share of fun, frivolity, twists and tunes, with some very fitting dramatic and musicals moments that we have by now come to anticipate from the genre-hopping musical dramedy enterprise - all of it integrated effectively into the stream-lined storyline, as well. Prom. It's all about prom this time of year and GLEE always makes a point to pay tribute to the month of May in this way. It is in pop culture melding mega-moments like last night's One Direction cover by way of GLEE - "What You Makes You Beautiful" - that we are again reminded of the special place GLEE holds in the American pop pantheon of the 21st century - using real, of-the-moment pop songs and utilizing them to comment on current events while musicalizing and dramatizing the lives of high school students. The classic cuts that come along are a bonus, really, when one considers GLEE from this viewpoint, though the contemporary covers have become the bread and butter of song sales for the mega-music-selling series - "Teenage Dream" by Blaine & The Warblers, as well as the Troubletones's Adele "Someone Like You/Rumor Has It" mash-up sold nearly as many copies as their predecessors - the originals - as far as iTunes sales go. Though FOX channel-mate Simon Cowell of course discovered and shepherds the international pop smash super group One Direction, their musical appearance on GLEE this season marks the continued exposure of the of-the-moment boy band phenomena we have not seen the likes of in over a decade - not since the days of N*SYNC and the Backstreet Boys - after the New Directions success with The Wanted's "Glad You Came" a few episodes back and their upcoming continued presence, no doubt, in addition. What makes GLEE must-see-TV week after week is more often than not the try-anything approach of the creators and cast - some sequences shockingly come off brilliantly and hit all-too-squarely their intended targets, while others fall far short and flop completely, even embarrassingly so. To crib a phrase from One Direction's hit single, what makes GLEE beautiful is that GLEE does not always know what makes it beautiful - experiencing drama coming to us delivered from that rocky, risky-to-mount precipice is sometimes frustrating, sometimes rewarding, but almost always somehow more than merely satisfying.
On tonight's episode of GLEE entitled 'Prom-asaurus', the students celebrate the end of the school year by partying and performing at the dinosaur-themed McKinley High prom. Check out photos and audio clips from the episode below, which include: 'What Makes You Beautiful,' 'Big Girls Don't Cry,' and more!
Check out these snaps of Lea Michelle, Darren Criss, Chris Colfer, Matthew Morrison, Cory Monteith, and Jane Lynch at the Glee Academy Screening in Los Angeles.
Rachel doesn't seem likely to be headed to New York and NYADA - nope, not this time. Mucking up her major shot at Broadway glory - at least as far as high school auditions go - by messing up the words to "Don't Rain On My Parade" from FUNNY GIRL, her anthem, no less - the focus on GLEE's appropriately titled "Choke" episode brought to mind a lyric from Stephen Sondheim's MERRILY WE ROLL ALONG, a musical about the sacrifices we make to get what we thought we wanted - "still with dreams, / just reshaping them. / Growing up…." And that is Season Three of GLEE in a nutshell - the senior members of New Directions learning to let go of childhood and move ahead into the unknown world of maturity; whether the future may bring college, career or pool-cleaning. With more musical theatre references per minute than any episode of the twenty so far in GLEE S3, "Choke" was filled with the stylized storytelling and absurd, although always appreciable surprises along the way that makes GLEE consistently, near-constantly compelling. No, no, no - GLEE has not flagged in the least sixty-odd episodes into the series so far, although the rating may have slightly. Last night's GLEE was a good example of the shifting focus and repeated reinvention that keeps the series fresh - and the comedy is as fearless and biting as ever.
Significantly more right than wrong and much more than merely just OK, last night's GLEE tribute to the song catalogue of pop/R&B icon Whitney Houston was a welcome return to Season Two levels of euphoria and razzle dazzle entertainment value that GLEE has proven time and time again it is the one stop shop for on TV these days, as dazzling in their own way as sequences on SMASH may be as that freshman musical-themed series increases in popularity and GLEE, now nearly finished with Season Three (and almost 60 episodes in as a series so far), is seeing a decline in viewership and a dip in popularity.
The cast of GLEE pays homage to the late, great Whitney Houston on tonight's episode entitled 'Dance With Somebody'. The episode will feature Houston's heartfelt tunes to help the graduating seniors cope with their impending goodbyes. GLEE airs Tuesdays, 8:00-9:00 PM ET/PT on FOX.
Tonight on GLEE, the glee club pays homage to a true icon when they cover Whitney Houston's greatest hits. Meanwhile, Emma and Will are one step closer to their dream wedding in the all-new 'Dance with Somebody' episode of GLEE airing Tuesday, April 24 (8:00-9:00 PM ET/PT) on FOX. Check out phosts and full audio clips from the episode below!
As first reported on TVLine.com, the FOX network has announced that it will combine the 20th and 21st episodes of GLEE into one, two-hour event on Tuesday May 15th.
The cast of GLEE pays homage to the late, great Whitney Houston on the April 24th episode entitled 'Dance With Somebody'. The episode will feature Houston's heartfelt tunes to help the graduating seniors cope with their impending goodbyes. The episode airs Tuesday, 8:00-9:00 PM ET/PT on FOX. Get a first look at the cast singing Houston's 'How Will I Know?' below!
The answer to the question we have been waiting eight weeks to be answered finally arrived last night on GLEE: Quinn is still standing - well, more or less. And, she's singing, too! Duetting on Elton John's ear-worm 80s up-tempo classic with similarly wheelchair bound Artie (Kevin McHale), Quinn (Dianna Agron) acted as last night's GLEE's moral figurehead of the hour, while guest star Matt Bomer provided some serious skills in the dramatic and musical fronts in the form of two tremendous duets with brother Blaine (Darren Criss). Besides Blaine's big brother and Quinn's quick recovery from her potentially fatal crash on the mid-season finale back in February, GLEE's "Big Brother" return showed GLEE back in fine form and remaining as outrageous, outlandish, hilarious, spontaneously brilliant and always invigorating as always and how we have come to expect it to be over the course of the uneven three seasons of the series so far. The winning streak continues, and the uniformly strong Season Three barrels on and cements its place as the show's strongest season overall so far. If this episode didn't have enough implicit excitement in evidence already, Bomer and Criss covered one of the biggest songs of 2012 by taking on Australian rising star Gotye's hypnotic pop anthem "Somebody That I Used To Know" in dual-bro mode - instantly becoming an of-the-moment GLEE cultural meta-musical mini-masterpiece to stand proudly with Lea Michele and Jonathan Groff's reinvention of Adele's "Rolling In The Deep" and Michele and Menzel's reworking of Lady Gaga's "Poker Face" from previous seasons. GLEE tells stories in a wholly unique way, and, in moments like this, we are reminded why it will remain appointment TV for fans of musical storytelling as long as it remains as relevant, pertinent and surprisingly profound as it often is - more often than not, as we have seen throughout this season. While hot button, water cooler entertainment of the freshest and hottest manner it may not always be anymore, GLEE is a well-oiled machine that fans can rely on to deliver what they want - and, given the proposed revolutionary Season Four concept devised by series mastermind Ryan Murphy, GLEE may reclaim its place as the most must-see show on TV once again. As it is, roughly sixty episodes in, it remains consistently surprising and uniformly entertaining, anyway - perhaps not even halfway through what we can predict its eventual total episode tally may be. But, before Season Four in September, let's discuss the first of the back 8 episodes of GLEE Season Three.
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