Semyon Bychkov will return to the New York Philharmonic to conduct Mahler's Symphony No. 6, Thursday, February 11, 2016, at 7:30 p.m.; Friday, February 12 at 8:00 p.m.; Saturday, February 13 at 8:00 p.m.; and Tuesday, February 16 at 7:30 p.m.
Mezzo-soprano Stephanie Blythe returns to Carnegie Hall with pianist Alan Louis Smith to lead an audience sing-slong concert, Sing, America!, on Saturday, January 23 at 2:00 p.m. in Stern Auditorium / Perelman Stage as part of Carnegie Hall's annual series The Song Continues. Audience members have the opportunity to join in and sing along to some of America's most popular songs from the early 1900s including "Oh, You Beautiful Doll," "Let Me Call You Sweetheart," "By the Beautiful Sea," and many more.
In the second year of a four-year partnership between Music Academy of the West and the New York Philharmonic, ten Academy musicians will travel to New York in January 2016 to participate in the New York Philharmonic Global Academy Fellowship Program (Jan 2-12), developing their career skills through what President and CEO of the Music Academy of the West Scott Reed called "an extraordinary opportunity to gain valuable experience alongside the musicians of one of the world's greatest orchestras."
Wolfe Video's acclaimed international drama HOW TO WIN AT CHECKERS (EVERY TIME) will be released on DVD and VOD on February 2, 2016.
Following last season's acclaimed series of master classes, open to the public and reaching viewers around the world online at medici.tv, mezzo-soprano Joyce DiDonato returns to Carnegie Hall's Resnick Education Wing for three additional master classes focusing on opera arias on January 8-10, 2016. Four young professional singers-soprano Amalia Avilan Castillo, mezzo-soprano Miya Higashiyama, countertenor Daniel Moody, and bass Anthony Robin Schneider-have been selected to participate, along with pianists Justina Lee and Adam Nielsen. In addition to being open to the public (see ticket information below), the master classes will be available for free on medici.tv, where they will be streamed live and will remain available on-demand for one year following the classes. Additional private sessions on breathing, movement, and career development complete the program.
In the second year of a four-year partnership between Music Academy of the West and the New York Philharmonic, ten Academy musicians will travel to New York in January 2016 to participate in the New York Philharmonic Global Academy Fellowship Program (Jan 2-12), developing their career skills through what President and CEO of the Music Academy of the West Scott Reed called "an extraordinary opportunity to gain valuable experience alongside the musicians of one of the world's greatest orchestras."
Bass-baritone Eric Owens will continue his tenure as The Mary and James G. Wallach Artist-in- Residence with performances, led by Music Director Alan Gilbert, of Richard Strauss songs - "Ruhe, meine Seele," Op. 27, No. 1; "Ca?cilie," Op. 27, No. 2; "Pilgers Morgenlied," Op. 33, No. 4 - and the Final Scene from Act III of Die Walku?re, alongside soprano Heidi Melton in her Philharmonic debut. The program also includes Wagner's Ride of the Valkyries and Sibelius's En saga, one of several programs this season honoring the 150th anniversary of Sibelius's birth. The performances take place Thursday, January 7, 2016, at 7:30 p.m.; Friday, January 8 at 8:00 p.m.; Saturday, January 9 at 8:00 p.m.; and Tuesday, January 12 at 7:30 p.m.
The New York Philharmonic will present Rachmaninoff: A Philharmonic Festival, tonight, November 10-28, 2015, featuring 24-year-old Russian pianist Daniil Trifonov performing three of the composer's piano concertos and the Rhapsody on a Theme of Paganini over the course of three consecutive all-Rachmaninoff programs, each led by a different conductor: Cristian Macelaru (in his Philharmonic debut), Neeme Jarvi, and Ludovic Morlot.
The New York Philharmonic has announced the 2015-16 season's free Insights at the Atrium series. All held at the David Rubenstein Atrium and beginning at 7:30 p.m., these events combine discussion, often with live performance and video, to explore themes of the season.
Music Director Alan Gilbert will conduct the New York Philharmonic in an all-Mozart program: his Divertimento in D major, K.136/125a; Horn Concerto No. 2, with Principal Horn Philip Myers; and Serenade for 13 Winds, Gran partita. The concerts take place tonight, November 4, 2015, at 7:30 p.m.; Thursday, November 5 at 7:30 p.m.; Friday, November 6 at 8:00 p.m.; and Saturday, November 7 at 8:00 p.m.
Jaap van Zweden will return to the New York Philharmonic to conduct Mozart's Piano Concerto No. 23, with Artist-in-Association Inon Barnatan as soloist; Britten's Sinfonia da Requiem; and Beethoven's Symphony No. 5. The performances take place tonight, October 29, 2015, at 7:30 p.m.; Friday, October 30 at 2:00 p.m.; and Saturday, October 31 at 8:00 p.m.
One thing you should know about Richard Strauss's ELEKTRA: When it's done right, the audience works itself into a fever pitch and—after the orchestra has played the final notes—it stands and screams its head off. I've seen this before and it happened again the other night, with sopranos Christine Goerke in the title role and Gun-Brit Barkmin as her sister Chrysothemis, in an exhilarating performance with the Boston Symphony Orchestra under its music director Andris Nelsons.
Semyon Bychkov will return to the New York Philharmonic to conduct works composed or inspired by Brahms: Brahms's Double Concerto for Violin and Cello, with violinist Lisa Batiashvili and cellist Gautier Capuc?on; Detlev Glanert's Brahms-Fantasie; and Brahms's Symphony No. 1.
The New York Philharmonic will present Rachmaninoff: A Philharmonic Festival, November 10-28, 2015, featuring 24-year-old Russian pianist Daniil Trifonov performing three of the composer's piano concertos and the Rhapsody on a Theme of Paganini over the course of three consecutive all-Rachmaninoff programs, each led by a different conductor: Cristian Macelaru (in his Philharmonic debut), Neeme Jarvi, and Ludovic Morlot.
This weekend found the New York Philharmonic in Ann Arbor, Michigan, for the inaugural performance residency of its five-year partnership with the University Musical Society of the University of Michigan, in conjunction with the University of Michigan School of Music, Theatre & Dance. Alan Gilbert led the Orchestra in works by Beethoven, Magnus Lindberg, Esa-Pekka Salonen, and Richard Strauss; David Newman led the score to On the Waterfrontas the complete film was screened; Philharmonic musicians led master classes; and Alan Gilbert conducted a thousand — Philharmonic brass plus the Michigan Marching Band, Michigan Alumni Band, and UMS Choral Union — at the Michigan Homecoming football game halftime show. Go Blue!
Eric Owens will begin his tenure as The Mary and James G. Wallach Artist-in-Residence by curating, hosting, and performing in In Their Footsteps: Great African American Singers and Their Legacy, conducted by Thomas Wilkins in his Philharmonic debut.
Celebrating 25 years since his Carnegie Hall debut, pianist Evgeny Kissin shares his extraordinary musicality with New York audiences over a series of six concerts as a 2015-2016 Perspectives artist.
Music Director Alan Gilbert will lead the New York Philharmonic on the CALIFORNIA 2016 tour, May 3-7, 2016. The tour will feature four orchestral concerts with appearances in Costa Mesa, San Diego, and San Francisco.
Music Director Alan Gilbert will conduct the New York Philharmonic in an all-Mozart program: his Divertimento in D major, K.136/125a; Horn Concerto No. 2, with Principal Horn Philip Myers; and Serenade for 13 Winds, Gran partita. The concerts take place Wednesday, November 4, 2015, at 7:30 p.m.; Thursday, November 5 at 7:30 p.m.; Friday, November 6 at 8:00 p.m.; and Saturday, November 7 at 8:00 p.m.
The New York Philharmonic's 2015-16 season reflects Music Director Alan Gilbert's and the organization's belief in the rich rewards of collaboration with artistic and institutional leaders, and in expanding the idea of what a symphony orchestra can be through a range of diverse programming and educational activities. Artistic partnerships will grow through enhanced curatorial influences, and national and international collaborations will continue to further cement the Orchestra's role as a resource in New York City and around the world.
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