In celebration of Bastille Day, Tony Award-winning AN AMERICAN IN PARIS director/choreographer Christopher Wheeldon will be featured on Reddit.com's "Ask Me Anything" (AMA) on Thursday, July 14 at 12:00pm EST. Mr. Wheeldon will be standing by on www.Reddit.com and available to answer questions about the hit musical and his body of work in the dance world. The hit musical AN AMERICAN IN PARIS is now playing at the Palace Theatre (47th Street and 7th Avenue).
In this episode: Susann Fletcher- a whore for Tommy Tune, a Stripper for Jerome Robbins, and a damsel in distress in Bloodsucking Pharoahs in Pittsburgh. She has enough career stories to fill a novel. At her emotional core she is just grateful to still be in this business with her tribe. She plans to continue to break down barriers, mentor the future, and persevere when the inner demons want to set up shop in her head. All the greatness came out of the need to correct a childhood club foot.
Earlier this month, BroadwayWorld announced the results for our first annual Broadway's Backbone Best Musical Ensemble Award, which went to the company of Allegiance. Darren Lee accepted the award on behalf of his cast, with the help of Broadway favorite Sean Palmer and you can check out how it all went down below!
Just announced, the Tony Award-winning musical An American in Paris will close on Sunday, January 1, 2017. Since the first performance at Broadway's Palace Theatre on March 13, 2015, An American in Paris will have played 719 regular performances and 29 previews.
Chiseled morning show hosts, rock-hard reality show contestants and pumped up politicos took over the airwaves at this year's ratings-raising edition of Broadway Bares, an evening of elaborately staged burlesque production numbers that gave a new meaning to 'Bares TV.'
In this episode: Elma Linz Kanefield is the only exclusive psychotherapist dealing specifically with the performing artist in New York City. She created the counseling services at Juilliard 30 years ago by herself and now it thrives with ten social workers. She discusses getting unstuck, getting out of your own way, training your gut and most importantly, the need to change self-talk and the insidious thinking that prevents performers from reaching their performance potential.
In this episode: Broadway Costume Designer Gregg Barnes- In order for the ensemble to finish the storytelling, they need certain tools, and costumes are one of them. Two-time Tony-winning costume designer Gregg Barnes treats designing the ensemble as if each member is the star of the show. His goal isn't only to make every person on stage look beautiful, but feel beautiful. In one of the most joyful interviews, this artistic genius talks about how to communicate with the designer, how the fitting room can be part of the characters creation, and how important it is to give everyone their dignity.
In this episode: Tripp Hanson is currently in Act 2 of his career, and he sees the possibility of there being four. Tripp started as a street performer, landed on Broadway, toured with Tommy Tune, and now is an acupuncturist with his own practice. Few people are given the arts of healing and musical theatre, but Tripp is a one of a kind creation. When asked how it feels to have left showbiz, he responded, 'I didn't leave my tribe, I just went from warrior to medicine man.'
In this episode: Broadways Scott Barnhardt- Scott was saying "Hello" years before Adele. As a self-proclaimed theatre nerd, this Book of Mormon original cast member discusses the differences between a workshop and a lab, how to survive a bad review and dares to ask the questions, "What else is out there?"
In this episode: Susan Stroman maybe the most awarded female director/choreographer in history, but it is her truth as an artist that has made her work ever-evolving. She deservedly has received legendary status and her contributions to the theatre are far from over. In this podcast, "Stro" shares inspiration, guidance, laughter, and reality: with a quantity of quotes that are mantra-worthy. It is Stroman's love for the theatre, respect for the craft and compassion for the performer that makes her an extraordinary woman in a creative yet complicated career.
In this episode: Sean Palmer- Before he was Prince Eric he was swinging and dancing Fosse, Cilento, and Blankenbuehler. Sean shares how to survive a face plant, find your magic, and come to terms with when your insides don't match your outside. At the heart of the interview is a shy leading man finding his true authentic self in a industry of judgement. ?
In this episode: Waitress' Lorin Latarro- as choreographer of Broadway's "Waitress', Lorin is serving as her main course storytelling through movement that is organic and inventive. As an artist, her menu has included: Swing, Understudy, Ensemble, Dance Captain, and Associate Choreographer. For dessert, make sure you grab a slice of her girl power.
In this episode: Broadway's Mary Ann Lamb. If you look up the word 'powerhouse' in the dictionary, you will find a picture of Mary Ann Lamb. She lives her life fully onstage and off, and is a prime example of how you do one thing influences how you do another. She talks about the legends she's worked with, but in the eyes of the theatre community, she herself is a legend.
The Tony Award-winning hit musical AN AMERICAN IN PARIS celebrates its first year on Broadway tonight, Tuesday, April 12. Since it opened on April 12, 2015 at the Palace Theatre, AN AMERICAN IN PARIS has played 416 regular performances and 29 previews and has been seen by over 650,000 people. Following the performance on April 12, the cast will be treated to a special anniversary cake provided by Carlo's Bakery.
In this episode: FIDDLER ON THE ROOF's Jeffrey Schecter (aka Scheky) has understudied the masters, created his own path, and worked non-stop since putting on his tap shoes. After making his big break as 'Mike' in A CHORUS LINE and gaining recognition from "Every Little Step," he is gracious and grateful that the ensemble is a home he can return to, even if just temporarily.
The world-premiere production of WRINGER, a new musical by Jacob Yandura and Rebekah Greer Melocik. Produced by the award-winning New York City Children's Theater, begins today at New York City Center Stage II. The production continues through April 17, 2016.
The full cast and creative team have been announced for the world-premiere production of WRINGER, a new musical by Jacob Yandura and Rebekah Greer Melocik. Produced by the award-winning New York City Children's Theater, WRINGER will play New York City Center Stage II April 8-17, 2016.
In this episode: At the next Broadway-Con they should sell a game called '6 Degrees of Darren Lee,' because he's worked with the best of the best since being a child on the original Star Search. In this episode, Darren talks about going from featured dancer to character man, working non-stop to taking a step back, and from playing against type and dealing with racial stereotypes. At the end of the day Darren talent got him his start, but acknowledging his weaknesses and making them better is what gave him longevity.
In this episode: Bright Star choreographer and associate choreographer Josh Rhodes and Lee Wilkins- this creative pair is a prime example of complimenting each other and making the show and process productive and enjoyable. This may be because of the 20 years offstage they've spent practicing their partnership. This married couple talks about how being part of the ensemble has paved the way for creating and choreographing the ensemble and how persistence and perseverance will pave a bumpy road.
In this episode: On The 20th Century's Drew King made his debut in this show and won an Astaire Award along with his fellow Porters. Drew's road to Broadway was like the local train taking its time to get to its destination. In this episode, Drew breaks down his journey to NYC and talks about everything from EMC points, anxiety, college applications, open calls and insecurities- Broadway 101 or novice's guide to trying to making it on Broadway.
