Firehouse Theater Company presents The Christmas Spirit. Performances will be November 24 through December 22, 2018 with shows Friday and Saturday nights at 7:30 PM, plus Sunday matinees at 2:00 PM. Tickets are $23 for adults/$20 for students, seniors and military or $18 for groups of 10 or more.
Firehouse Theater Company is thrilled to present The Christmas Spirit. Performances will be November 24 through December 22, 2018 with shows Friday and Saturday nights at 7:30 PM, plus Sunday matinees at 2:00 PM. Tickets are $23 for adults/$20 for students, seniors and military or $18 for groups of 10 or more.
Everybody loves a good cheatin' country song. From classics like Hank Williams 'Your Cheatin' Heart' to Carrie Underwood's 'Before He Cheats.' In the new hashtag world of female empowerment, Nashville based contemporary country singer Corinne Cook delivers her gritty country-rock single 'Last Thing To Go.' saying it loud for all those joining the #stopcheating and #cheaters movement.
BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature A RAISIN IN THE SUN at Arena Stage, JESUS CHRIST SUPERSTAR in Raleigh, and SCOTTSBORO BOYS in Phoenix, just to name a few. Check out our top features below!
In what is shaping up to be a very exciting summer for Evie Archer, the fast rising New Jersey based pop songstress has just received her second Hollywood Music in Media Award (HMMA) nomination in the Pop category for her song 'Bad Behavior.”
Vintage Theatre presents 'And Then There Was Nun' by Richard T. Witter and Bruce W. Gilray, directed by Peter Hughes, running tonight, May 17 - June 16, 2013.
A parody of the great Agatha Christie thrillers of the 1940's, And Then There Was Nun is a vampy cross-dressing cocktail of humor and "whodunit" as actors emulate your favorite movie stars of the past. Who committed murder? Was it Joan Crawford, Bette Davis, Katherine Hepburn, Judy Garland or Marilyn Monroe?
The play essentially deals with the constant power and ego struggles of who is more important in the filmmaking process - the producer, the screenwriter, or the director?