42nd Street Moon is concluding its online Moonbeams series on a rather deliciously demented high note with Don’t Touch That Dial: DC & Peter’s Glorious Romp through the Golden Age of TV Theme Songs. Just like the timeworn sitcoms that generated most of its songs, Don’t Touch That Dial wants nothing more than to entertain, packing in dozens of catchy tunes you maybe didn’t even know you knew in a fast-moving hourlong fantasia of fizzy humor and gimlet-eyed nostalgia. Although Moon’s remit is normally to revisit stage musicals, rather than television shows, this enterprise isn’t quite as far afield for them as you might imagine. It, too, comes wrapped in affectionate homage to times past.
After the myriad stresses of the past year, we could all use some straight-up entertainment and 42nd Street Moon is providing just that with Don’t Touch That Dial: DC and Peter’s Glorious Romp Through the Golden Age of TV Theme Songs. Conceived and directed by DC Scarpelli and Peter Budinger, the show promises, a light-hearted, celebratory stroll down memory lane as Scarpelli and Budinger guide us through the decades of catchy sitcom themes and the evolution of television. The large, diverse cast also includes Moon stalwarts like Meg McKay and Keith Pinto among a host of multi-talented performers who may be new to you. Don’t Touch That Dial is available to stream from June 5 – 27, 2021 as part of 42nd Street Moon’s paid virtual ticketed MoonBeams series. Tickets and further information are available at www.42ndstmoon.org/moonbeams.
I had the pleasure of speaking with Budinger and Scarpelli last week as they were still putting the finishing touches on the video presentation. As Scarpelli says, “We’re not satisfied with any musical number until it’s utterly dripping with charm and delight.” If you ever run into them at a party, these are definitely the guys you want to talk to as they are both a barrel of fun and an endless font of information about classic TV and musical theater. A married couple, the two have been working together for years as well as performing individually, and their combined theater credits read like a recent history of Bay Area musical theater. The freewheeling conversation covered how they conceived the show and put it together, which obscure songs didn’t make the final cut, and shows they’d love for Moon to mount in the future.
