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2nd Annual CHICAGO MUSICAL THEATRE FESTIVAL Kicks Off Today at The Den Theatre

Underscore Theatre Company presents its second annual CHICAGO MUSICAL THEATRE FESTIVAL, featuring an unprecedented 13 world-premiere musicals by local artists. Created to showcase Chicago's burgeoning field of musical theatre creators, this year's festival will include ten full-length musicals and three one-acts.

Theatre 20 Sets 2015-16 Season

Under the stars on the patio at Vagabondo Italian Ristorante + Lounge in downtown Toronto, Theatre 20 announced its 2015/2016 season. The sold-out event, which included food, drinks, and a first glimpse into the season, also included preview performances from the upcoming season presented by Nathan Carroll, Colleen Dauncey, Lauren Toffan, Kevin Dennis, Nora McLellan, and David Keeley, with musical accompaniment provided byScott Christian and Mark Selby.

David Mamet's 'GHOST STORIES' Double Bill Opens Tonight at Atlantic Theater

Atlantic Theater Company presents revivals of Ghost Stories: The Shawl and Prairie du Chien, two haunting short plays by Atlantic co-founder and Pulitzer Prize winner David Mamet. Ghost Stories: The Shawl and Prairie du Chien began previews on May 27 and officially open tonight, June 16, for a limited engagement through Sunday, June 28 Off Broadway at Atlantic Stage 2 (330 West 16th Street).

Elisabeth Moss is Keeping Busy With Movie Roles Since Ending MAD MEN

According to Deadline, Elisabeth Moss, known for her roles in MAD MEN and her Tony Award-nominated performance in the Broadway revival of Wendy Wasserstein's Pulitzer Prize play THE HEIDI CHRONICLES, has secured roles in two upcoming movies.

Vs. Theatre Company to Stage World Premiere of GUS'S FASHIONS & SHOES

Vs. Theatre Company ('Best of the Decade' - LA Weekly) is thrilled to announce that its critically-acclaimed, smash-hit, World Premiere production of GUS'S FASHIONS & SHOES, written and directed by Ron Klier is EXTENDING through THURSDAY, JUNE 25 at Vs. Theatre Company. 5453 W. Pico Blvd. in Los Angeles.

2nd Annual CHICAGO MUSICAL THEATRE FESTIVAL to Kick Off 6/30 at The Den Theatre

Underscore Theatre Company is pleased to announce the line-up and full casting for its second annual CHICAGO MUSICAL THEATRE FESTIVAL, featuring an unprecedented 13 world-premiere musicals by local artists. Created to showcase Chicago's burgeoning field of musical theatre creators, this year's festival will include ten full-length musicals and three one-acts.

Vs. Theatre's World Premiere of GUS'S FASHIONS AND SHOES Opens Tonight

Fresh off its sold-out run of Itamar Moses' Completeness, the award-winning Vs. Theatre Company ('Best of the Decade' - LA Weekly) continues its tenth anniversary season with the World Premiere of GUS'S FASHIONS & SHOES, written and directed by Ron Klier. Rounding out the season will be the West Coast Premiere of Tracy Letts' adaptation of Anton Chekov's masterpiece, THREE SISTERS. Opening in Winter, 2016.

Vs. Theatre Presents World Premiere of GUS'S FASHIONS AND SHOES, Now thru 5/30

Fresh off its sold-out run of Itamar Moses' Completeness, the award-winning Vs. Theatre Company ('Best of the Decade' - LA Weekly) continues its tenth anniversary season with the World Premiere of GUS'S FASHIONS & SHOES, written and directed by Ron Klier. Rounding out the season will be the West Coast Premiere of Tracy Letts' adaptation of Anton Chekov's masterpiece, THREE SISTERS. Opening in Winter, 2016.

BWW Reviews: Round House Breathes Fresh Air Into UNCLE VANYA

Armed with a new, more relevant, adaptation by Annie Baker, director John Vreeke has pulled together a lively and energetic take on Chekov that is a hilarious as it is heartbreaking. A great team of designers and extraordinary cast has made Round House Theatre's take on UNCLE VANYA a highlight of the season.

BWW Reviews: Chuckling with Chekov, VANYA AND MASHA AND SONIA AND SPIKE

A quaint, well-loved home is where the scene is set. Minimal set dressings to mask the beautiful awkwardness of the first scene - with remnants of Anton Chekov's greatest works scattered upon the mantle. A seagull, a sister, a cluster of cherry blossoms, and a brood of hens watch over the home from their perch. These little trinkets are entirely appropriate since three of the four title roles were named after Chekov's characters. Vanya, the brother in the play, blames the unfortunate circumstance of his unusual name on his having professors for parents.

Vs. Theatre to Present World Premiere of GUS'S FASHIONS AND SHOES, 4/22-5/30

Fresh off its sold-out run of Itamar Moses' Completeness, the award-winning Vs. Theatre Company ('Best of the Decade' - LA Weekly) continues its tenth anniversary season with the World Premiere of GUS'S FASHIONS & SHOES, written and directed by Ron Klier. Rounding out the season will be the West Coast Premiere of Tracy Letts' adaptation of Anton Chekov's masterpiece, THREE SISTERS. Opening in Winter, 2016.

BWW Review: A DAY IN HOLLYWOOD/A NIGHT IN THE UKRAINE Brings Old Hollywood Fun to Winter Park Playhouse

Winter Park Playhouse prides itself on being the home of feel-good musical theatre in Central Florida, and their traditional slate of familiar titles and standard-centric revues almost always has you leaving with a smile on your face. However, with their current show, A DAY IN HOLLYWOOD/A NIGHT IN THE UKRAINE, running through March 28th, the beloved theatre company has seemingly risen to a new level of satisfying warm and fuzziness. The show, which was nominated for nine Tonys in 1980, won two statues; the first for Tommy Tune (who also directed) and Thommie Walsh's choreography, while Priscilla Lopez took home the award for Best Featured Actress. With book and lyrics by Dick Vosburgh and music by Frank Lazarus, the play consists of two loosely connected, toe-tapping, side-splitting acts that pay homage to old Hollywood. Despite the show's pedigree, it is rarely ever produced, but with Michael Edwards' extremely tight direction, and the best collection of talent that I have ever seen at WPP, it makes you wonder why this musical bundle of joy isn't part of every regional theatre's repertoire.

Capital Stage Presents SEXUAL PERVERSITY IN CHICAGO, Now thru 2/21

Capital Stage continues its commitment to training the next generation of professional artists with the presentation of SEXUAL PERVERSITY IN CHICAGO, by David Mamet. The Third Annual Apprentice Showcase features the work of the 2014-2015 Capital Stage Apprentice Corps, and all aspects of the production-acting, directing, design, and administration-will be done by the Apprentices. Performances of SEXUAL PERVERSITY IN CHICAGO will run from tonight, February 6-21, 2015 and will perform immediately following select performances of IDEATION by Aaron Loeb at Capital Stage.

BWW Review: Crow's Theatre THE SEAGULL

The production of Chekov's 'The Seagull,' now on at the Berkley Street Theatre, is an uneven disappointment. It fails to engage. Like Theatre 20's production of Stephen Sondheim's 'Company,' presented in the same venue last year, this Crow's Theatre production does not deliver on its exciting promise.

Capital Stage to Present SEXUAL PERVERSITY IN CHICAGO, 2/6-21

Capital Stage continues its commitment to training the next generation of professional artists with the presentation of SEXUAL PERVERSITY IN CHICAGO, by David Mamet. The Third Annual Apprentice Showcase features the work of the 2014-2015 Capital Stage Apprentice Corps, and all aspects of the production-acting, directing, design, and administration-will be done by the Apprentices. Performances of SEXUAL PERVERSITY IN CHICAGO will run from February 6-21, 2015 and will perform immediately following select performances of IDEATION by Aaron Loeb at Capital Stage.

BWW Reviews: Theatre J Strikes Comic Gold with LIFE SUCKS

Filled with laughs and anarchic asides, as well as a healthy dose of audience participation, Theatre J has an unqualified hit in Aaron Posner's Life Sucks [Or the Present Ridiculous]. Here we have Posner's thoroughly irreverent, Jewish take on Uncle Vanya, Russian playwright Anton Chekov's classic tale of unrequited love and unfulfilled lives. Forget the theatre history lecture, however; this is pure slapstick at Chekhov's expense and nothing to be intimidated by in the least.

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