Ann Miller News

The Boldt Arts Alive! Series line-up is filled with clever tricks and artistic treats this October at the Fox Cities Performing Arts Center.

The Rrazz Room at Hotel Nikko is a night club offering the finest in cabaret, jazz, comedy and popular music entertainment.

The Boldt Arts Alive! Series line-up is filled with clever tricks and artistic treats this October at the Fox Cities Performing Arts Center.

Surflight Theatre Board President Gene Hammond announced today that Broadway producer (and Surflight alum) Roy Miller has been appointed to the leadership position of Producer at Surflight Theatre.

Lead producers Margo Lion and Hal Luftig announced today that the new musical CATCH ME IF YOU CAN will open on Broadway Sunday, April 10, 2011 at a Nederlander theatre to be announced. This new musical, created by a team of Tony winners, features a book by Terrence McNally, music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman, choreography by Jerry Mitchell and is directed by Jack O'Brien. Previews begin March 7, 2011. Casting and additional design team will be announced shortly.

For tickets, and all ticketing issues, please phone TicketWeb at (866) 468-3399

Fresh from the wildly successful Off Broadway run of his play, 'My Trip Down the Pink Carpet,' Leslie Jordanreturns to his favorite intimate cabaret venue The Rrazz Room for five fabulous nights filled with storytelling and lots of Hollywood dish.

The Fox Cities Performing Arts Center launches its biggest season yet with the Boldt Arts Alive! fall on sale on Monday, September 13, 2010.

Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.

The Fox Cities Performing Arts Center launches its biggest season yet with the Boldt Arts Alive! fall on sale on Monday, September 13, 2010.

The RRazz room at Hotel Nikko San Francisco, 222 Mason Street (between Ellis and O'Farrell), San Francisco, California 94102, announces its September 2010 events.

Tonight, I conducted an InDepth InterView with Tony- winning choreographer and director Jerry Mitchell in which we discussed his irreproachable and much-celebrated work on each year's Broadway Bares benefits in addition to his Broadway credits which include YOU'RE A GOOD MAN CHARLIE BROWN, HAIRSPRAY, LEGALLY BLONDE, as well as the forthcoming Broadway productions LOVE NEVER DIES and a revival of BALLROOM. We also discussed working with legendary stars of Hollywood and Broadway like Ann Miller, Lauren Bacall, Donna McKechnie, Harvey Fierstein, Matthew Morrison, Laura Bell Bundy and many more! Here is an exclusive Sneak Peek coming in the wake of raising more than a million dollars for the BC/EFA with Broadway Bares XX: Strip-Opoly, setting a new record!

Cumming's impish charm is undiminished. The show was 15 minutes shorter, with 12 songs instead of 15. The best anecdotes are still in, like Ann Miller's obscene comment about Eyes Wide Shut, and there are a few new ones, like about his 45th birthday tupperware party and the hilarious saga of his participation in Macy's Thanksgiving Day Parade 2009, but the banter is still fresh and spontaneous and typically Cumming-esque. 7 songs remain from the CD I Bought a Blue Car Today and a couple of new songs have been added. I especially loved the medley of Bacharach and Sondheim - 'I Still Have That Other Girl'/'Losing My Mind' that do work beautifully together, the original song 'I Want To See You' - take away all that plastic surgery! - written by Cumming and Lance Horne, and Horne's satirical tune about what it means to be 'American'. Cumming with a G, not Cummings with an S - is as precious as ever. I overheard someone say 'I just want to take him home with me!' I can just imagine how his deliciously quick-witted brain would react to that comment! He's one unique individual that makes a show forever fascinating, always gutsy and real and totally entertaining!

Today, in conjunction with Part II of the BWW Exclusive InDepth InterView: Donna McKechnie, we are taking a look at some clips from two productions of the masterpiece musical known as FOLLIES written by Stephen Sondheim and James Goldman and originally co-directed on Broadway by Hal Prince and Michael Bennett (who also choreographed). 'Who's That Woman' is one of the most legendary - and brilliant, and biting, and unique - dance numbers in Broadway history and in this clip the original choreography is recreated by the star-studded cast of the ‘98 Papermill Playhouse revival starring Donna McKechnie, Dee Hoty, Tony Roberts and Laurence Guittard, as well as Kaye Ballard, Liliane Montevecci, Phyllis Newman and Ann Miller under the supervision of Robert Longbottom and Jerry Mitchell. As a bonus, we also have the number as performed in the original Broadway production. This is something any tried and true Broadway baby surely can't miss!

In celebration of the highly anticipated BROADWAY BARES: STRIP-OPOLY on Sunday, June 20, series creator Jerry Mitchell was the featured guest on Seth's Broadway Chatterbox on Thursday, June 17th, at 6:00 PM. While there, Mitchell talked about all of his current slate of projects. Among them, Mitchell has just redone the opening number of LOVE NEVER DIES, featuring bearded ladies and other 'freaks' with a new song while making other trims throughout the show. The highly-anticipated CATCH ME IF YOU CAN will have a reading next week with 'amazing' new material and the same leads that played the show from Seattle (Kerry Butler, Norbert Leo Butz, Aaoron Tveit and Tom Wopat). The chorus has been expanded from 4 girls to 10 amongst other changes. The show is prepping for January rehearsals for a Broadway bow. Mitchell also just directed a reading of BALLROOM with Tyne Daly that he is directing and developing for a hopeful 2011 production.

Comedian Rip Taylor has been entertaining audiences for over 50 years with a fast-paced delivery of stupid jokes and hysterical one-liners accompanied by a visual menagerie of props that won't quit. You really have to focus in to keep up with him; once he lets loose with a punchline, that's it; whether you caught it or not, it's on to the next, in a barrage of 50 or more, shot out and sprayed around in machine gun style. As Charles Pierce used to say, 'I hope you're wearing pampers, my dear, because you're going to pee!' Taylor is a scream and audiences have always had a ball.

Today we are taking a look at the extended streak of genius exhibited by Stephen Sondheim, along with director/producer Hal Prince, following the resounding success of COMPANY in 1970. Throughout the rest of the 70s they would continue to change the form of theatre itself with four momentous musicals tackling every topic from aging showgirls singing one last tune to Ingmar Bergman sunsets and a topic for a concept musical no less epic than the westernization of Japan in the wake of Commodore Perry - plus, who could forget the remorseful Barber and his knife (or should that be “wife“?). Without question, these are four richly-encrusted crowning achievements of a legendary career and these musical jewels are still sparkling and shining, as glistening and beautiful as ever dazzling us and enticing us to inspect them closer...

The theatrical definition of a triple threat is someone who can act, sing and dance, but Lee Roy Reams takes this definition to even greater heights by not only being a great performer, but director and choreographer as well.

Even if we've seen and heard it a million times over, the old show biz debate about devotion to stage versus film is a treat as served up in Kaufman and Ferber's Stage Door, being given a red carpet production at the Open Fist Theatre.

Hearts will race for the thrilling romance Free Style, riding onto DVD February 9 from Twentieth Century Fox Home Entertainment.