In The New York Times' Sunday Fall Arts Preview earlier this year, dance critic Claudia LaRocca proclaimed, 'If I had to see only one show you simply must see this fall, it would be Ralph Lemon's,' and on September 16, 2010 at the Krannert Center in Urbana, Illinois , the choregrapher and visual artist premiered his first major work in six years to audience and critical acclaim. During its multi-city U.S. tour, REDCAT is proud to present the Los Angeles premiere of Ralph Lemon/Cross Performance's How Can You Stay in the House All Day and Not Go Anywhere? at the Roy and Edna Disney/CalArts Theater with performances beginning on Wednesday, November 10, 2010 and running through Sunday, November 14, 2010.
Clubbed Thumb (Maria Striar, Producing Artistic Director; Diana Maxine Konopka, Associate Director) and Playwrights Horizons (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director) today announced the launch of SuperLab, an innovative new play development program. A series of collaboratively curated play laboratories, SuperLab will support the creation of bold, risk-taking new works by living American playwrights. Supported by funds granted to Clubbed Thumb by Metlife/Theatre Communications Group's A-ha! Program, created to foster creative thinking and action among its member theaters, these two like-minded companies will join forces to produce a six-play development lab. Clubbed Thumb and Playwrights Horizons, who share a commitment to advancing distinctive new voices, will bridge a gap between downtown and uptown theater sensibilities, methodologies and artist rosters, expanding the range of experience and opportunity for all.
Clubbed Thumb (Maria Striar, Producing Artistic Director; Diana Maxine Konopka, Associate Director) and Playwrights Horizons (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director) today announced the launch of SuperLab, an innovative new play development program. A series of collaboratively curated play laboratories, SuperLab will support the creation of bold, risk-taking new works by living American playwrights. Supported by funds granted to Clubbed Thumb by Metlife/Theatre Communications Group's A-ha! Program, created to foster creative thinking and action among its member theaters, these two like- minded companies will join forces to produce a six-play development lab. Clubbed Thumb and Playwrights Horizons, who share a commitment to advancing distinctive new voices, will bridge a gap between downtown and uptown theater sensibilities, methodologies and artist rosters, expanding the range of experience and opportunity for all.
Playwrights Horizons opened After the Revolution on November 10, the limited engagement will play through Sunday, November 28 at Playwrights Horizons' Peter Jay Sharp Theater 416 West 42nd Street. AFTER THE REVOLUTION will be the second production of the theater company's 40th Anniversary Season.
In The New York Times' Sunday Fall Arts Preview earlier this year, dance critic Claudia LaRocca proclaimed, 'If I had to see only one show you simply must see this fall, it would be Ralph Lemon's,' and on September 16, 2010 at the Krannert Center in Urbana, Illinois , the choregrapher and visual artist premiered his first major work in six years to audience and critical acclaim. During its multi-city U.S. tour, REDCAT is proud to present the Los Angeles premiere of Ralph Lemon/Cross Performance's How Can You Stay in the House All Day and Not Go Anywhere? at the Roy and Edna Disney/CalArts Theater with performances beginning on Wednesday, November 10, 2010 and running through Sunday, November 14, 2010.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will present post-show discussions following select performances of Richard Nelson's That Hopey Changey Thing, the first play of the 2010-2011 Public LAB season.
Audiences will have the opportunity to see a full spectrum of dance companies, local and international, on The Joyce Theater stage during its 2011 spring / summer season.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
New York Theatre Workshop (NYTW) Artistic Director James C. Nicola and Managing Director William Russo have announced that Three Pianos, written, arranged, and performed by Rick Burkhardt, Alec Duffy, and Dave Malloy, and directed by Rachel Chavkin, will begin performances Tuesday, December 7, at 7pm, at NYTW, 79 East 4th Street, between Second Avenue and Bowery. Opening night is scheduled for Sunday, December 19 at 7:00pm. The production runs through January 9, 2011.
The Harris Theater for Music and Dance is thrilled to present the return of Eduardo Vilaro, founder of Chicago's own Luna Negra Dance Theater, with his new company, New York City's acclaimed Ballet Hispanico, for a one-night-only engagement, Friday, November 5, 2010 at 7:30 pm.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will present post-show discussions following select performances of Richard Nelson's That Hopey Changey Thing, the first play of the 2010-2011 Public LAB season.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) opened the world premiere of THAT HOPEY CHANGEY THING, written and directed by Richard Nelson last night, November 2. THAT HOPEY CHANGEY THING, the first play of the 2010-2011 Public LAB season, will run through November 14 in The Public's Anspacher Theater. BroadwayWorld was on hand for the opening and brings you photo coverage below.
The NATIONAL NEW PLAY NETWORK (NNPN), the country's alliance of non-profit theaters that champions the development, production, and continued life of new plays, is accepting submissions for the fifth annual Smith Prize. Funded by a gift from writer Timothy Jay Smith and a group of socially conscious donors, The Smith Prize is awarded to a full-length, non-musical political play that illuminates issues that can only be dealt with at the national or global level, even if the story is told from an individual perspective.
The Joyce Theater Foundation is pleased to present Jane Comfort and Company's re-staging of Faith Healing, October 27-31, as part of its American Masterpieces Series which takes place at Joyce SoHo.
The New York Theatre Workshop has announced the complete cast for its upcoming production of Lillian Hellman's THE LITTLE FOXES. In addition to the previously announced Elizabeth Marvel as Regina Giddens, the production will feature Tina Benko, Marton Csokas, Lynda Gravatt, Cristin Milioti, Thomas Jay Ryan, Greig Sargeant, Sanjit De Silva, Christopher Evan Welch, and Nick Westrate.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will present post-show discussions following select performances of Richard Nelson's That Hopey Changey Thing, the first play of the 2010-2011 Public LAB season.
The Thank-You Bar- '(Johnson) could become postmodern dance's hottest new talent... Johnson's is a sensibility with remarkable depth and clarity.'
-Star Tribune
