18th & Union is pleased to announce a baker's half-dozen of portable performances to welcome the New Year. Continuing with our mission to introduce audiences to artistic adventures, our Winter series has been curated by local artists Andrew Lee Creech and Keira McDonald.
18th & Union is pleased to announce a baker's half-dozen of portable performances to welcome the New Year. Continuing with our mission to introduce audiences to artistic adventures, our Winter series has been curated by local artists Andrew Lee Creech and Keira McDonald.
Some of Seattle's most talented actors will be hard at work in collaboration with writers from around the country in the rehearsal halls of The 5th Avenue Theatre this month as the company's NextFest: A Festival of New Musicals launches its three week intensive development cycle this weekend.
There are certain plays out there that remain enduring classics. Maybe they're just that good. Or maybe they still pack a punch all these years later and resonate with attitudes of today. Well the Seattle Rep is presenting one on those classics with Lorraine Hansberry's "A Raisin in the Sun" and while it falls firmly into that first category of "just that good" unfortunately watching it last night I also felt how far we have and haven't come since it debuted in 1959 as many of the themes of inequality and prejudice on display are still all too prevalent today.
Seattle Repertory Theatre today announced the full ensemble cast of its season opening production, A Raisin in the Sun, a classic Lorraine Hansberry's drama, directed by Timothy McCuen Piggee.
A few months back another group in Seattle put up an immersive production of "Romeo and Juliet" that blew me away and finally gave me the chance to see a completely solid production that I liked. But even while watching that I knew that Seattle Shakespeare Company would be closing out their season with their own intimate production of the show and I worried that the chances of getting another great production might be tempting fate or the theater Gods or the odds or whatever. Well unfortunately my fears were well founded as this new staging, while having a few stand out supporting performances, ultimately falls flat with a severe lack of passion or love (crucial for a love story) and an overarching theme that at best feels confusing and tacked on and at worst, pretentious.