American Repertory Theater News

The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus and Executive Director Diane Quinn, is currently presenting Trans Scripts, Part I: The Women, written by Paul Lucas and directed by Jo Bonney. Performances run through Sunday, February 5 at the Loeb Drama Center, 64 Brattle St, Cambridge. Click below to go behind the scenes with the cast!

American Lyric Theater (ALT) and Merkin Concert Hall at Kaufman Music Center present InsightALT: Sherlock Holmes and the Case of the Fallen Giant on March 26, 2017 at 3pm, 129 W. 67th Street, NYC.

Yale Repertory Theatre presents the world premiere of IMOGEN SAYS NOTHING by Aditi Brennan Kapil, directed by Laurie Woolery, at Yale Repertory Theatre (1120 Chapel Street), January 20-February 11. Opening Night is Thursday, January 26.

At 5:30pm tonight, January 19, 2017, at sunset the eve of the Inauguration, more than 500 theaters, ensembles and companies, high school and university theater programs will gather across the country to light a light and make a pledge to stand for and protect the values of inclusion, participation, and compassion for everyone - regardless of race, class, religion, country of origin, immigration status, (dis)ability, gender identity, or sexual orientation.

The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus and Executive Director Diane Quinn, will present Trans Scripts, Part I: The Women, written by Paul Lucas and directed by Jo Bonney. Performances begin today, January 19 and run through Sunday, February 5 at the Loeb Drama Center, 64 Brattle St, Cambridge.

The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus and Executive Director Diane Quinn, announced today that during the run of its production of Trans Scripts, Part I: The Women, written by Paul Lucas and directed by Jo Bonney, each performance will be followed by a second act of moderated discussions, featuring a roster of activists, students, medical professionals, artists, and scholars.

As previously announced, at 5:30pm on January 19, 2017, at sunset the eve of the Inauguration, more than 500 theaters, ensembles and companies, high school and university theater programs will gather across the country to light a light and make a pledge to stand for and protect the values of inclusion, participation, and compassion for everyone - regardless of race, class, religion, country of origin, immigration status, (dis)ability, gender identity, or sexual orientation.

Caborca will present HAMLET, a fiercely contemporary take on Shakespeare's most celebrated play directed by Javier Antonio Gonzalez, January 26-29, at the Jersey City Theater Center (339 Newark Avenue, Jersey City, NJ), minutes from Manhattan.

Members of the cast and creative team of NATASHA, PIERRE & THE GREAT COMET OF 1812 and author Steven Suskin celebrated the release of the book The Great Comet: The Journey of a New Musical to Broadway at Barnes & Noble and BroadwayWorld was there to capture the event!

Asolo Repertory Theatre continues its 2016-17 season and the fifth and final year of its American Character Project with Academy Award-winner Garson Kanin's irresistible girl-meets-world comedy BORN YESTERDAY.

As part of the twelfth edition of PS122's Coil festival, Performance Space 122 and The Chocolate Factory Theater present Daniel Fish's latest, untitled work. Made for a very small audience, and performed during daylight hours, Untitled uses light, set and sound to ruminate on the passage of time, our perception of it, and to pose questions about how alert an audience can be as both individuals and a group.

In Its Award-Winning Arts Center in Downtown Brooklyn, BRIC Presents and Incubates Fresh Work by Artists and Media-Makers Reflecting NYC's Diversity.

Coming off a winter hiatus, the American Repertory Theater of WNY continues the celebration of the company's tenth season and the second-half of the 2016-17 season with renowned comic actor and author of PICASSO AT LAPIN AGILE, Steve Martin's wild satire adaptation of the classic 1910 German farce DIE HOSE by the playwright Carl Sternheim.

Christine Bonansea, a French-born, NYC-based dancer and choreographer known for her expressive, virtuosic, improvisation-driven works infused with live music and strong visuals, is presenting her new solo OnlyHuman as an APAP showcase.

The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus and Executive Director Diane Quinn, is pleased to announce that it has received an NEA Art Works grant of $50,000 for its production of Trans Scripts, written by Paul Lucas and directed by Jo Bonney. The production begins performances on January 19 and runs through February 5, 2017 at the Loeb Drama Center, 64 Brattle Street, Cambridge.

Performance Space 122's annual performance festival, Coil, returns for its twelfth edition with 13 individual events.

The Hypocrites welcomes David Cromer back to Chicago for a dynamic reading of Our Town. Many of the original 2008 cast returns for this extremely special benefit event.

Christine Bonansea, a French-born, NYC-based dancer and choreographer known for her expressive, virtuosic, improvisation-driven works infused with live music and strong visuals, is presenting her new solo OnlyHuman as an APAP showcase.

The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus and Executive Director Diane Quinn, has announced that due to popular demand for its production of James and the Giant Peach, it has added two performances, on Saturday, January 7 at 10AM and Sunday, January 8 at 10AM.

As part of the twelfth edition of PS122's Coil festival, Performance Space 122 and The Chocolate Factory Theater present Daniel Fish's latest, untitled work. Made for a very small audience, and performed during daylight hours, Untitled uses light, set and sound to ruminate on the passage of time, our perception of it, and to pose questions about how alert an audience can be as both individuals and a group.