A festival of awe-inspiring musical performances awaits as the dedicated students of Pacific Symphony Youth Ensembles (PSYE) present three season finale performances after an enriching season of musical growth. Bursting with youthful energy and stimulating music, the weekend kicks off at 3 p.m. today, May 9, with Pacific Symphony Santiago Strings (PSSS), as it invites the audience to experience "How Suite It Is," an artistic celebration of the orchestral suite and its adaptations over time. Tomorrow, May 10 at 1 p.m., Pacific Symphony Youth Wind Ensemble (PSYWE) dives into works old and new during "Collaborations," which includes Bach's Fantasia in G Major, Katoh's "Madrid Inspiration" featuring guest saxophonist Kenneth Tse, and the world premiere of "The Rising Tide" by Pacific Symphony Composer-in-Residence Narong Prangcharoen. At 7 p.m. on May 10, Pacific Symphony Youth Orchestra (PSYO) shines the spotlight on the four winners of this season's concerto competition and concludes with a musical journey through Soviet Russia by performing Shostakovich's Symphony No. 5.
A festival of awe-inspiring musical performances awaits as the dedicated students of Pacific Symphony Youth Ensembles (PSYE) present three season finale performances after an enriching season of musical growth. Bursting with youthful energy and stimulating music, the weekend kicks off at 3 p.m. on Saturday, May 9, with Pacific Symphony Santiago Strings (PSSS), as it invites the audience to experience “How Suite It Is,” an artistic celebration of the orchestral suite and its adaptations over time. On Sunday, May 10 at 1 p.m., Pacific Symphony Youth Wind Ensemble (PSYWE) dives into works old and new during “Collaborations,” which includes Bach's Fantasia in G Major, Katoh's “Madrid Inspiration” featuring guest saxophonist Kenneth Tse, and the world premiere of “The Rising Tide” by Pacific Symphony Composer-in-Residence Narong Prangcharoen. At 7 p.m. on May 10, Pacific Symphony Youth Orchestra (PSYO) shines the spotlight on the four winners of this season's concerto competition and concludes with a musical journey through Soviet Russia by performing Shostakovich's Symphony No. 5.
A festival of awe-inspiring musical performances awaits as the dedicated students of Pacific Symphony Youth Ensembles (PSYE) present three season finale performances after an enriching season of musical growth.
Working Man?s Clothes is thrilled to celebrate the world premiere production of Chisa Hutchinson?s She Like Girls, directed by Jared Culverhouse, which was named Outstanding New York Theatre, Off-Off Broadway by the GLAAD media awards.
WOODSTOCK FRINGE in association with JUDSON ARTS is pleased to announce the world premiere production of OH VIRGIL! A THEATRICAL PROTRAIT by Woodstock Fringe Producing Artistic Director, Wallace Norman, in collaboration with Larry Alan Smith, under the musical direction of Michael Conley and directed by Nicola Sheara.
WOODSTOCK FRINGE in association with JUDSON ARTS is pleased to announce the world premiere production of OH VIRGIL! A THEATRICAL PROTRAIT by Woodstock Fringe Producing Artistic Director, Wallace Norman, in collaboration with Larry Alan Smith, under the musical direction of Michael Conley and directed by Nicola Sheara. OH VIRGIL! A THEATRICAL PORTRAIT plays a two-week limited engagement at the Judson Memorial Church (55 Washington Square South). Performances begin Friday, May 1st and continue through Sunday, May 10th. Opening Night is Friday, May 1st at 8 p.m.
Working Man's Clothes Productions opened the World Premiere of Bekah Brunstetter's I Used To Write On Walls at The Gene Frankel Theatre (24 Bond Street). Directed by Diana Basmajian and Isaac Byrne; performances run through October 24.
Working Man's Clothes Productions is proud to present the World Premiere of Bekah Brunstetter's I Used To Write On Walls. Performances will run from October 4 to October 27; opening October 11 at The Gene Frankel Theatre Underground (24 Bond Street); directed by Diana Basmajian and Isaac Byrne.
Working Man's Clothes Productions is proud to present the World Premiere of Bekah Brunstetter's I Used To Write On Walls. Performances will run from October 4 to October 27; opening October 11 at The Gene Frankel Theatre Underground (24 Bond Street); directed by Diana Basmajian and Isaac Byrne.
Working Man's Clothes Productions will present the NY Premiere of Anthony Neilson's Penetrator.
Eric Sanders' Oceanside Parkway and Bekah Brunstetter's Arms will run for four performances from May 12th through 20th as part of the More for Your Money '06 Festival
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