SCYTHIAN STONES by Yara Arts Group Ends Run at for La MaMa, 5/2

Yara Arts Group will end its run of "Scythian Stones," an original, experimental World Music Theater piece with choreography, at La MaMa E.T.C. May 2. The work, created by Virlana Tkacz, features famed Ukrainian singer Nina Matvienko, her daughter Tonia and artists from Kyrgyzstan.

"Scythian Stones" constructs parallel journeys for two young women, from village life and nomadic tradition into the city. Their separate journeys become epic descents into the Great Below: the modern global desert where songs, skills and languages vanish, leaving behind only mute markers like the Scythian Stones found today throughout the grasslands of Ukraine and Central Asia. The production, staged by Virlana Tkacz and Watoku Ueno, will feature traditional music from Ukraine and Kyrgyzstan as well as modern music, design and movement. Interweaving performances in Ukrainian, Kyrgyz and English, "Scythian Stones" will be completely accessible to American audiences.

Yara Arts Group has made multiple trips to both Ukraine and Kyrgyzstan to create interdisciplinary dramatic pieces based on regional epics. This piece will be developed in Kiev from March 5 to 27, after which the company will return to NYC and rehearse here with Yara artists.

"Scythian Stones" incorporates traditional songs from Ukraine and Kyrgyzstan into the structure of an ancient Sumerian epic about the Descent of Inanna (perhaps the oldest piece of literature on Earth, dating from 2000 BCE, about a goddess who goes to the Great Below). Virlana Tkacz says, "Epics are usually male stories about growing up, but not this one. We wanted to do an epic story about a woman, and examine how quickly so many cultures are disappearing today. The piece imagines an alternative ending, linking the past with a future in which poetry would carry the familial into the cosmos."

"Scythian Stones" is Yara's first production to combine artists from Ukraine and Kyrgyzstan. The piece will feature singers Nina Matvienko (who has been regarded as the "Voice of Ukraine" and has appeared in Yara's "Waterfall/Reflections" in 1995), her daughter Tonia Matvienko, Kenzhegul Satybaldieva (who played the title role in Yara's "Janyl" in 2007) and Ainura Kachkynbek kyzy (who created the part of Bektoro, the Spirit Girl in Yara's "Er Toshtuk" last year). Nurbek Serkebaev (from Kyrgyzstan) will perform on ancient instruments, including the kyl-kiyak (a small, bowed, unfretted fiddle with two strings and a plaintive tone), the chopo cho'or (a pottery ocarina), the temir o komuz (a metal jaw's harp) and the jygach ooz komuz (a wooden jaw's harp with one string, unique to Kyrgyz music, which sounds like throat singing). The Greek Chorus in the Great Below will be portrayed by The Debutante Hour, a New York girl group with musical roots in American country, blues and the occasional Carpathian Mountain stomp. Yara artists working on the piece include Cecilia Arana, Eleanor Lipat and MerEdith Wright. The production is designed by Watoku Ueno, who received the Edith Lutyens and Norman Bel Geddes Foundation Award for his work on Yara's production of "Er Toshtuk" last year. Movement is by Katja Kolcio, who teaches at Wesleyan and previously worked with Yara Arts Group on its production of "Howling."

Tkacz says, "Tradition is not static, it's constantly evolving. We are asking, 'How do you engage people today to create a link to the future?'" All of her theatrical creations to-date have been new works that contain fragments of ancient art forms, but none of them have tackled this question so directly.

Virlana Tkacz and Watoku Ueno are founding members of Yara Arts Group and have created twenty original theater pieces with the company, all of which had their American premieres at La MaMa. Reviewing "Circle" (2000), a collaboration with theater artists of the Buryat National Theater (near lake Baikal), The Village Voice (Eva Yaa Asantewaa) called the production "a stunningly beautiful work that rushes at your senses, makes your heart pound, and shakes your feelings loose." Reviewing Tkacz's production of "The Warrior's Sister" (2004), based on a Siberian epic, Laura Shea wrote in American Theatre Web, "Multilingual, though easily accessible to English-speaking audiences, the performance reminds us of what theater should be and rarely is--the opportunity to step in to a world that is virtually unknown to us." In 2009, when Tkacz created "Er Toshtuk" with Kyrgyz artists, Backstage wrote, "The epic is full of humor and terrific physicality... the performance ought to be a requirement for every actor in New York, particularly those interested in physical work."

Founded in 1990, Yara Arts Group, a resident company of La MaMa, creates original pieces that explore timely issues rooted in the East through the diverse cultural perspectives of the group's members. Yara artists bring together poetry, song, historical materials and scientific texts, primarily from the East, to form what one critic described as "extended meditation on an idea." The company has created ten pieces based on materials from Ukraine and Eastern Europe, including "A Light from the East," "Blind Sight," "Yara's Forest Song," "Swan" and "Waterfall/Reflections." The last of these was developed with folk singer Nina Matvienko, and The New York Times (D.J.R. Bruckner) called it "a theatrical enchantment given cohesion by choreographed movement and by music on a prodigal scale." Yara has also created six theater pieces with Buryat artists from Siberia, three with artists from Kyrgyzstan and two based on Japanese material.

"Scythian Stones" was made possible in part by the Self-Reliance Federal Credit Union, public funds from the U.S. Embassy in Kiev, the New York City Department of Culture, the New York State Council on the Arts and the numerous friends of Yara Arts Group, a resident company of La MaMa Experimental Theater in New York. (Critics are invited on or after April 17.)

Photo by Margaret Morton

 

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