The latest reviews and critic recommendations from Nashville.
Eppler's obvious affection for the genre is apparent from the play's very first moments-Caldwell gives a high-spirited reading of his role, delivering Eppler's tongue-twisting dialogue with high caliber self-assurance, while Gore makes the first of his hilarious appearances in the play-and he once a
Although the events of the story are nearly 50 years old, they resonate deeply-particularly for us Southerners in whose memories they continue to reverberate-and they offer younger audiences a sepia-toned look back at the not-so-distant past that we still must strive to overcome.
With taut, focused direction by Beki Baker and what is arguably the finest cast of actors to be assembled on a Nashville stage in recent memory, Nashville Shakespeare Festival heats winter up to a fever pitch with its remarkable production of Julius Caesar, Shakespeare's timeless-and very timely-tra
With a cast filled with some of Nashville's most talented stage performers, director Paul J.
With an alluring and gorgeous Morticia (played by Broadway diva Sara Gittelfinger) and a charming and swellegant Gomez (Great White Way heartthrob Douglas Sills) leading the charge, the onstage iteration of Charles Addams' cartoon family is surely a dysfunctional lot.
Each one a force of nature in her own right, the five women of MAS Nashville unleashed their superpowers and talents upon a Nashville audience for the third time this week with their Christmas Holiday Hangover, a fast-paced (if over-long) tribute to the holiday season that allowed each of the women
Ever wonder how those other Cratchit kids must have felt cast in the shadow of their younger brother Tiny Tim's star-making turn in Charles Dickens' A Christmas Carol? Let's face it, the kid's a ringer: he's lovable, cute and wise beyond his years and his health, or lack thereof, make him a sentimen
If there is an onstage moment more breathtaking, more purely theatrical, than the one during Nashville's Nutcracker when the green upstage curtain falls at the end of the exquisitely danced "Waltz of the Flowers," I simply cannot recall it nor would I want to-for it is during that brief respite from
Restaging Studio Tenn's A Christmas Carol for the company's new home at the lavishly restored historic Franklin Theatre, director/designer Matt Logan manages to give new and invigorated life to the time-honored tale while interpreting it in a manner that is tremendously appealing and accessible, add
Truth be told, seeing Martha Wilkinson in a black pageboy wig while she delivers a wonderfully droll comic character performance might be worth the price of a ticket to Chaffin's Barn Dinner Theatre's revival of Boeing-Boeing, the Marc Camoletti farce (adapted by Beverly Cross) under the direction o
With a plethora of theater productions of A Christmas Carol filling local stages throughout December, you'd be hard-pressed to not find yourself in the audience of one of those productions.
Dance-the quality of performance, the merits of the performers, the creativity of the choreographers-at Middle Tennessee State University has certainly improved since the last time I reviewed the fall dance concert at MTSU.
Under the sure-handed direction of Morton, who has brought together an impressive cast of adult actors with two different casts of youngsters, the whole of Oliver! is remarkable, a thoroughly delightful evening of theater that allows those older thespians to show off their talents while showcasing t
Directed by David Alford, who certainly knows his way around the breakroom (what with his own experiences playing Crumpet the elf, Sedaris' velvet smock/candy can tights-wearing doppelganger), The Santaland Diaries is the perfect seasonal antidote for the countless, treacly-sweet productions of A Ch
I can now feel the tiny pin pricks of the needles piercing the flesh of the Jef Ellis voodoo dolls held about the neck by various members of the cast and crew as they exact their revenge while they continue reading this review.
More to the point, Ragtime in Concert at Street Theatre Company is not to be missed.
Memphis, the musical, is a lot like Memphis, the city: You either love it or you hate it.
With audience participation required to bring it fully to life onstage, Jeff Wirth's The Antics of Romantics is overflowing with imagination and creativity, making it one of the most exhilarating theater offerings we've seen this season.
Truth be told, seeing Henry Haggard and Jeff Boyet playing first graders may be enough to ensure that you get yourself to Nashville Children's Theatre for the company's wonderfully entertaining production of Junie B.
Ginger Newman and Kate Adams-Johnson have perfected the recipe for musical success: Take three ginger-haired beauties, pair them with three dark and handsome young men and add a musical score that includes some of the best-known and most-beloved songs of the 1930s and '40s.
Crist is a promising writer - although her works for the theater would benefit greatly from some workshopping of the material before audiences are asked to buy tickets - and a warm-hearted, genuine woman who, quite frankly, I adore.
You can hardly swing a cat in Nashville without hitting someone in costume as Edna Turnblad or her dancing progeny Tracy, so popular has the show become with local theaterati.
When you live in a city ringed by suburbs like Old Hickory and Hermitage, when one of the most popular tourist attractions is The Hermitage and we all think of Andy Jackson as someone we know (his visage is found on countless public buildings throughout the city), it just makes sense that Bloody, Bl
Now onstage at Dickson's Renaissance Center, in a sparkling production from The Center's Mind Enriching Theatre sure to delight, A Year With Frog and Toad is a delightful romp of a tale that explores the importance of friendship between two very similar, yet very different, people.
With new and expressive choreography by Paul Vasterling - set to Prokofiev's timelessly beautiful 1944 score - Nashville Ballet opens its 26th season with a sumptuous remounting of Cinderella which captures, once more, the sheer artistry of the company's dancers while giving audiences exactly what t
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Moon Over Buffalo Tellico Community Playhouse (9/03-9/20) |
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C.S. Lewis On Stage: Further Up & Further In The Fisher Center at Belmont University (10/17-10/17) |
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Misery Ramsey Theatre Company (3/19-3/20) |
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Barefoot in the Park Hendersonville Performing Arts Company (1/29-2/14) |
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The Shark is Broken The Circuit Playhouse (5/07-5/30) |
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ATRIUM TheatreWorks@TheSquare (1/08-1/24) |
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Monty Python's Spamalot Orpheum Theatre (10/27-11/01) |
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Leanne Morgan Bridgestone Arena (12/11-12/11) |
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Disney's The Little Mermaid Ramsey Theatre Company (6/26-6/27) |
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Five Finger Death Punch, Cody Jinks & Eva Under Fire FirstBank Amphitheater (10/08-10/08) |
