The latest reviews and critic recommendations from Nashville.
Circle Players, one of the first resident companies at the Tennessee Performing Arts Center, makes a triumphant return to that cultural edifice in downtown Nashville to mount its latest revival of Titanic the Musical just in time to commemorate the 100th anniversary of the ship's sinking in the frig
Completely charming and thoroughly engaging, Click Clack Moo-Cows That Type is given a colorful and upbeat production at Nashville Children's Theatre, under the direction of Scot Copeland who leads his terrific five-person ensemble through the musical that draws on 1960s-style pop and 1940s-flavored
Too Old For the Chorus (But Not Too Old To Be A Star), directed by a young whippersnapper named Martha Wilkinson (she's artistic director at Chaffin's Barn Dinner Theatre, which celebrates its 45th birthday this year, and she has a boatload of First Night Awards and enough glowing reviews to fill th
Howe's rather fanciful memory play wears its heart on its crisp linen sleeve, offering audiences a glimpse into the life of Mabel Tidings Bigelow (played with such spirit by Allen that it's easy to fall just a little bit in love with both the actress and the beautifully written character she plays),
With several Tennessee theaters prepping new productions of Rodgers and Hammerstein's classic The Sound of Music over the upcoming months, one would be well-advised to make the trip to Crossville to see director Weslie Webster's (and music director Ron Murphy's) take on the Von Trapp family musical.
Camelot's score-with music by Frederick Loewe and book and lyrics by Alan Jay Lerner-is performed by director Cyndie Verbeten's large ensemble and music director Fran Gebuhr's orchestra with respect for the literature of the piece and with an obvious affection for the characters and their stories, b
Outrageously funny, wonderfully engaging and, at times, even heartfelt and sentimental, Avenue Q serves up a full buffet for the discerning theater-goer lucky enough to find himself in the audience of Street Theatre Company's production of the multiple Tony Award-winning musical, directed with flash
Who knew that Mary Poppins, that brightly colored stage spectacle of a musical comedy confection, would be the theatrical offering that most eloquently addresses the questionable shenanigans of unscrupulous bankers, financiers and other assorted nefarious London financial district/Wall Street types
Despite their best efforts, director Lauren Shouse and her amazingly talented cast just can't give Tracy Lett's Superior Donuts the emotional heft-the literary gravitas-that the playwright so mightily struggles for in his sitcomesque script which pales in comparison to his supposed masterpiece, Augu
This spring's sparkling, stellar production of Hairspray-the musical tale of one Tracy Turnblad, a "stout" girl who loves to dance and loves people no matter their shape, size, color or way of life-is as entertaining a production of the hit musical as you could ever hope to see.
Directed with care and attention to detail by Johnny Peppers, who is quickly becoming the go-to guy for Simon shows in Nashville (just prior to the opening of Circle's Brighton Beach Memoirs, his production of Barefoot in the Park for Franklin's Pull-Tight Players closed), the play features young Wi
You won't find any dancing candelabra or see any anthropomorphic bombe chests bursting out in song in Nashville Children's Theatre's beautifully crafted adaptation of The Beauty and The Beast-written by producing artistic director Scot Copeland under the title Le Belle et la Bete-but what you will f
Granted, Babes in Hollywood isn't for all theater audiences-although, frankly, it should be…what's with you people?-and you'll certainly love it more if you're at least somewhat informed about the Garland/Rooney film oeuvre or the legendarily close relationship the two young stars forged as childr
I'm happy to report that director Clarke and her capable actors have delivered a well-paced, thoughtful iteration of Fawcett's work, one that is certain to promote conversation and introspection, and which TWTP audiences have taken to their collective heart.
When Patty Duke played the role of Helen Keller in the Broadway premiere of William Gibson's The Miracle Worker, she was ten years old, and when Madeleine Hall took the stage of the Franklin Theatre on Thursday night in the opening of Studio Tenn's exquisitely crafted revival of the modern American
Led by an ensemble that includes the always superb Michael Holder in the titular role of Tommy, the "deaf, dumb and blind kid" who becomes a "pinball wizard," setting off widespread public acclaim and becoming a cause celebre in the process, Tommy in Concert also features the inspired pairing of Hol
Tyrannical and imperious, Bernarda Alba rules her five daughters with an iron-fisted vehemence in Actors Bridge Ensemble and Belmont University Theatre's presentation of Federico Garcia Lorca's The House of Bernarda Alba, which marks the return to the stage of Vali Forrister, Actors Bridge producing
Try as they might, director Martha Wilkinson and her talented ensemble of actors just can't breathe enough life into a thin, tepid script to make it work onstage for audiences eager to be entertained.
It might not be great art, but Xanadu-the new musical onstage through March 3 at Franklin's Boiler Room Theatre-sure is great fun! Pure, unadulterated escapism, Xanadu is laugh-out-loud funny, thanks primarily to the book by Douglas Carter Beane, but you have to give props to director Corbin Green a
There comes a moment late in the second act of South Pacific when Nellie Forbush (played by the luminous Katie Reid), after hearing the disembodied voice of Emile Debecque (the dashing Marcelo Guzzo) over a two-way radio relaying some heartbreaking news-and confirming to her that he has sacrificed a
Starring a quartet of fine Nashville actors-Shelean Newman, Jeff Boyet and Shannon Hoppe welcome David Alford back to Tennessee Rep's stage to complete their not-so-genial foursome-Reza's darkly comic script comes to life with seemingly effortless ease, thanks to Copeland's direction, the aforementi
With a score filled with so many Cole Porter tunes that you're fairly drunk with delight after hearing them, the expert direction and choreography of musical theatre aficionado Kate Adams-Johnson, and a cast of extraordinarily gifted performers breathing vigorous life into the time-honored text, the
Beautifully conceived by an ambitious, driven director and artfully brought to life by a stellar cast of actors, Pacific Overtures-the musical by Stephen Sondheim and John Weidman-seems, at first, an unlikely choice for the sophomore season of Nashville's Blackbird Theater.
If you can find a more joy-filled, inspirational musical than Regina Taylor's Crowns-a tribute to African-American women, their church-going traditions, their friends and families and their gorgeous chapeaux-I can't imagine what it could possibly be! Raising the roof of the historic Christ Church Ca
Imperious and commanding, confident and resolute, Maria Callas is the quintessential opera diva-Leonard Bernstein referred to her as "The Bible of opera"-and with her oversized personality and regal bearing, she remains a force to be reckoned with almost 35 years after her death.
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Moon Over Buffalo Tellico Community Playhouse (9/03-9/20) |
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Inherit the Wind South Jackson Performing Arts Center (9/17-9/20) |
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Monty Python's Spamalot Orpheum Theatre (10/27-11/01) |
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The American Revolution (in 40 Minutes or Less!) Chattanooga Theatre Centre (9/01-9/30) |
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Sister Act Hendersonville Performing Arts Company (5/27-6/13) |
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Les Miserables Playhouse on the Square (5/28-6/27) |
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The 49th Annual Art Auction Playhouse on the Square (4/24-4/24) |
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The Best Gift: A Christmas Carol Musical Ramsey Theatre Company (12/05-12/06) |
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Five Finger Death Punch, Cody Jinks & Eva Under Fire FirstBank Amphitheater (10/08-10/08) |
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Ain't Too Proud Playhouse on the Square (3/26-4/18) |
