1973 at Grand Theatre of the City of Luxembourg
Dates: 1/6/2012 - 1/7/2012
📍 Theatre: Grand Theatre of the City of Luxembourg
1 Rond-Point Schuman
Luxembourg, Luxembourg L-2525
Phone: 35247963900
Tickets: Adults € 20 / € 8 Young
Running Time: 20:00 PM
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PROJECT Massimo Furlan
IN FRENCH WITH ENGLISH SUBTITLES IN GERMAN &
The television was in black and white and the Te Deum by Marc-Antoine Charpentier announced major sporting evenings or "cultural" broadcast by Eurovision. The most famous was probably that of the Eurovision Song Contest.
In 1973, at home, at the Grand Theatre, broadcast by CLT, which took place its splendor! His winner: Anne-Marie David, although born in Arles, was overcome our "colors" - with an orchestra conducted by Pierre Cao.
Massimo Furlan has been a strange spectacle begins as an evening organized in a kitsch cabaret transvestites: video images plunge the viewer "live" in the event, and the plateau succession candidates who interpret their "piece of test "with great conviction. Massimo Furlan, wig and dress appropriately, assumes all the roles, doubled, authenticated by the projected images.
But one guitarist in the bowl cut blonde hair interrupts the ceremony to launch in comments psychoanalytic-sociological-ethnologico the most advanced. And now the "present", a Pino Tozzi, "singer-wedding planner," calls her "daddy", Umberto Tozzi, to join him on the set. This venerable father - this is Marc Augé, a real anthropologist, former director of the Ecole des Hautes Etudes en Sciences Sociales in Paris - then began a very scholarly conversation about the concepts of "icon" and " idol "or what is lacking in kitsch pop music for it to acquire universality that characterizes the" variety ".
The parade cabaret kitsch and the hyper-intellectual onslaught create a beautiful and comical confusion stage where everyone "takes for him," as well as amateur smug in the same cult that its scientists "decoders."
"It will take getting used to, Massimo Furlan is seriously crazy ... More profound than it appears, his approach speaks to everyone because it tells those precious moments when life falls. The Unrockuptibles
"[Massimo Furlan] depicts the lag, at all levels and in all areas, with a refreshing creativity, free from intellectualism talkative and arrogant snobbery which reflects the image, just distorted ... The Daily
IN FRENCH WITH ENGLISH SUBTITLES IN GERMAN &
The television was in black and white and the Te Deum by Marc-Antoine Charpentier announced major sporting evenings or "cultural" broadcast by Eurovision. The most famous was probably that of the Eurovision Song Contest.
In 1973, at home, at the Grand Theatre, broadcast by CLT, which took place its splendor! His winner: Anne-Marie David, although born in Arles, was overcome our "colors" - with an orchestra conducted by Pierre Cao.
Massimo Furlan has been a strange spectacle begins as an evening organized in a kitsch cabaret transvestites: video images plunge the viewer "live" in the event, and the plateau succession candidates who interpret their "piece of test "with great conviction. Massimo Furlan, wig and dress appropriately, assumes all the roles, doubled, authenticated by the projected images.
But one guitarist in the bowl cut blonde hair interrupts the ceremony to launch in comments psychoanalytic-sociological-ethnologico the most advanced. And now the "present", a Pino Tozzi, "singer-wedding planner," calls her "daddy", Umberto Tozzi, to join him on the set. This venerable father - this is Marc Augé, a real anthropologist, former director of the Ecole des Hautes Etudes en Sciences Sociales in Paris - then began a very scholarly conversation about the concepts of "icon" and " idol "or what is lacking in kitsch pop music for it to acquire universality that characterizes the" variety ".
The parade cabaret kitsch and the hyper-intellectual onslaught create a beautiful and comical confusion stage where everyone "takes for him," as well as amateur smug in the same cult that its scientists "decoders."
"It will take getting used to, Massimo Furlan is seriously crazy ... More profound than it appears, his approach speaks to everyone because it tells those precious moments when life falls. The Unrockuptibles
"[Massimo Furlan] depicts the lag, at all levels and in all areas, with a refreshing creativity, free from intellectualism talkative and arrogant snobbery which reflects the image, just distorted ... The Daily
Cast and Creative Team for 1973 at Grand Theatre of the City of Luxembourg
WITH
Marc Augé
Anne Delahaye
Massimo Furlan
Bastien Gallet
Thomas Hempler
Serge Margel
Stéphane Vecchione
DIRECTED BY Massimo Furlan
DRAMATURGY Claire de Ribaupierre
Antoine SCENOGRAPHY Friderici, Massimo Furlan & Thomas Hempler
MAKING MUSIC Daniel Perrin
Lighting design Antoine Friderici
CREATING MUSIC Stéphane Vecchione
ITS TECHNICAL Philippe de Rham
Cécile Delanoë COSTUMES
MAKE Monot Julie
RELEASE Tutu Productions / Veronica Marshall and Simone Toendury
PRODUCTION Numero23Prod
CO-Avignon Festival, Arsenic Lausanne, Theaters in Luxembourg City, International City Theatre Paris, La Batie Festival, Geneva, Gessnerallee Zurich, Kaserne Basel Migros Culture Percent
With the support of the City of Lausanne, the Canton of Vaud, Lottery Romande, Pro Helvetia-Swiss Foundation for Culture, Corodis, Artephila Foundation, Ernst Göhner Stiftung, Leenaards Foundation, Stanley Thomas Johnson Foundation, Cantonal Bank of Vaud Tanz and Mediathek
Representations in Luxembourg in collaboration with the General Organization of Eurovision lovers (Luxembourg)
Marc Augé
Anne Delahaye
Massimo Furlan
Bastien Gallet
Thomas Hempler
Serge Margel
Stéphane Vecchione
DIRECTED BY Massimo Furlan
DRAMATURGY Claire de Ribaupierre
Antoine SCENOGRAPHY Friderici, Massimo Furlan & Thomas Hempler
MAKING MUSIC Daniel Perrin
Lighting design Antoine Friderici
CREATING MUSIC Stéphane Vecchione
ITS TECHNICAL Philippe de Rham
Cécile Delanoë COSTUMES
MAKE Monot Julie
RELEASE Tutu Productions / Veronica Marshall and Simone Toendury
PRODUCTION Numero23Prod
CO-Avignon Festival, Arsenic Lausanne, Theaters in Luxembourg City, International City Theatre Paris, La Batie Festival, Geneva, Gessnerallee Zurich, Kaserne Basel Migros Culture Percent
With the support of the City of Lausanne, the Canton of Vaud, Lottery Romande, Pro Helvetia-Swiss Foundation for Culture, Corodis, Artephila Foundation, Ernst Göhner Stiftung, Leenaards Foundation, Stanley Thomas Johnson Foundation, Cantonal Bank of Vaud Tanz and Mediathek
Representations in Luxembourg in collaboration with the General Organization of Eurovision lovers (Luxembourg)
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