HAMILTON (Broadway and All Tours) Equity Female-Identifying Ensemble Dancers - Various Producers Auditions

Posted April 24, 2023
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HAMILTON (Broadway and All Tours) - Various Producers

HAMILTON (Broadway and All Tours) - NYC ECC Female Identifying Dancers

Various Producers | ,

Notice: Audition Call Type: ECC

AUDITION DATE

Wednesday, May 3, 2023

2:00 PM (E)

CONTRACT

Production (League)

$2439 weekly minimum - Broadway $2311 weekly minimum - Tours

SEEKING

Equity actors for Female Identifying chorus dancer parts in HAMILTON (See breakdown).

SEE

BREAKDOWN

FOR INFORMATION ON PROCEDURES FOR THIS AUDITION.

PREPARATION

Please prepare the MY SHOT dance combination in the following link:


https://www.dropbox.com/sh/tm3wdady3crw3 ye/AAC1tp0dU3lRkOv-DpPXBc1ha?dl=0 . Please arrive warmed up and ready to dance in form-fitting clothing and sneakers. Also, please bring your headshot and resume stapled together.

LOCATION

Pearl Studios (500)

500 8th Ave

New York, NY 10018-6504

Holding room Studio 414

PERSONNEL

Producer: Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theater

Director: Thomas Kail

Music & Lyrics: Lin-Manuel Miranda

Choreographer: Andy Blankenbuehler Orchestrations/Music Supervisor: Alex Lacamoire

General Manager: Andy Jones

Casting: The Telsey Office

Expected to attend:

Michael Mindlin (Assistant Choreographer) Peter Dunn (Casting Associate)

Alexis Brown (Casting Assistant)

OTHER DATES

Currently running

OTHER

Please note: we are in the process of gradually ramping up Equity monitor presence at auditions held at venues other than the Equity audition center. This off-site audition will be facilitated by an Equity monitor.

ECC Procedures are in effect for this audition. An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination.

Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

THIS ECC WILL BE HELD FOLLOWING PRE-PANDEMIC PROCEDURES. Equity will be beginning a return to the pre-pandemic ECC procedures with auditions taking place in the New York Audition Center at the end of the month, with a full return to these procedures for all ECCs in all locations beginning May 1. For this audition, rather than making a specific appointment, Equity members will sign up online to attend the ECC. On the day of the audition, the Equity monitor will read the list of members who signed up online to attend (in the order they signed up) and will distribute numbers to those present. Members who do not sign up in advance may request a number after everyone on the list has been accommodated. All members who receive a number prior to the start time of the audition will be seen. For more information on how these ECCs will run, please review Equity Chorus Call Audition Procedures (dated July 22, 2016) in the Document Library.

(
https://members.actorsequity.org/ecc-procedures).

Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.

Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.

Holding/Audition room information:

The maximum capacity in the holding room is: 100

The maximum capacity in the audition room is: 35

The maximum number of dancers allowed in the room at one time is: 31

SEEKING:

[ENSEMBLE DANCERS/ OFFSTAGE SWINGS] – Ages 19 to early 30s, all ethnicities, all genders. Actors of color are strongly encouraged to submit. Amazing dancers, versatile in all forms of contemporary dance. Must sing VERY well and be able to portray various characters in the ensemble. Ensemble and swings will also be considered to potentially understudy principal roles.

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