BULLETS OVER BROADWAY Equity Principal Auditions - Lab Auditions

Call Type
Equity Principal

Time(s)
Equity Principal Auditions:
Monday, July 1st, 2013
10:00am – 6:00pm
Lunch from 1:30-2:30pm

Contract
Other
LAB Agreement: $1000/wk then Production:$1754/wk

Location
Pearl Studios NYC 500
500 Eighth Avenue
(35th/36th Streets)
New York, NY

Seeking
Equity actors, men and women for this production which will begin as a LAB and then move to Broadway under the Production Contract.

See breakdown

Preparation
Please prepare song from the 1920’s or 1930’s. NO rock/pop.

Please bring a picture and resume, STAPLED TOGETHER.

Other Dates
AEA Lab: October 21-November 19, 2013
Broadway rehearsals begin January 2014

Other
Written by Woody Allen
Based on the Screenplay of the Film

Personnel
Douglas McGrath
Direction and Choreography by Susan Stroman
Music Supervisor: Glen Kelly
Music Director: Andy Einhorn
Associate Director: Jeff Whiting
Associate Choreographer: James Gray

· EPA Rules are in effect.

· A monitor will be provided.

Performers of all ethnic and racial background are encouraged to attend.

Always bring your Equity Membership Card to auditions.

Breakdown

HELEN SINCLAIR
45 – 50, A world-renowned theater actress, though possibly past her prime and maybe a bit of a drinker, Helen Sinclair hasn’t had a hit in a very long time. Showy, grand and flamboyant, she has been recruited by David Shayne for the lead role in his play. At first she resists, but soon sees this ambitious young playwright as the potential savior of her career.
Strong low, solid mix, and healthy soprano (low E – high F)

CHEECH
40 – 45. Hit man for mob boss Nick Valenti, Cheech has been told to keep an eye on Olive Neal during rehearsals. There he discovers his own talents as an artist and rewrites David Shayne’s play - to much success. However, Cheech is convinced that Olive’s terrible acting will ruin his show. Strong baritone voice – up to a comfortable Eb/E

EDEN BRENT
35 – 45. Eden Brent is an aggressively perky actress. Her tiny dog, Mister Woofles, is her constant companion. Strong alto – low G up to a comfortable F (belt/mix) – able to wail at top in a 20s style (not contemporary musical theater belt)