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AUTUMN SONATA Submission - Yale Repertory Theatre Auditions

Yale Repertory Theatre

Posted September 15, 2010

This audition closed on September 20, 2010. View current auditions →

AUTUMN SONATA – Photo / Resume Request

Yale Repertory Theatre New Haven, CT

LORT D; Theatre pays above minimum at $1112/week plus housing or NY New Haven Train Fare

Artistic Director: James Bundy

Associate Artistic Director: Jennifer Kiger

Managing Director: Victoria Nolan

By Ingmar Bergman

Director: Robert Woodruff

Tara Rubin Casting / Laura Schutzel - Casting Director

1st rehearsal: 3/7/11. Runs: 4/15 – 5/7/11

NYC auditions will be held late-September to mid-October, by appointment only.

Seeking submissions from Actors' Equity Members only for these auditions.

For consideration, mail picture and resume to:

Tara Rubin Casting

570 7th Avenue, Suite 401

New York, NY 10018

ATTN: AUTUMN SONATA – AEA Member

Please read notice carefully, and submit ONLY if you are right for one of more roles.

Charlotte, a celebrated classical pianist who has forged a successful career at the expense of her family, attempts to reconcile with her daughter Eva, whom she has not seen in seven years. Over the course of one evening, they confront their darkest feelings and resentments. A tightly-wound psychological study of the complicated relationship between mothers and daughters, Autumn Sonata reveals that living and loving—like mastering notes on a piano—are skills that must be practiced every day. Widely considered one of the greatest filmmakers of all time, Ingmar Bergman wrote and directed such landmark films as The Seventh Seal, Wild Strawberries, and Scenes from a Marriage.

Seeking:

Charlotte:

Mid 50s. She is a queen mother who can be open and shut emotionally. A classicist. Actress should be an artist to play an artist, and as a performer she should have total transparency. The actress should also be very flexible, open, and collaborative.

Eva:

Mid 30s. She is compressed emotionally but with a big release. She is in mourning for her lost child and corrupt childhood and this effects her every move. Actress must have great emotional range and hidden beauty.

Helena:

Early 30s. She is damaged from childhood. She is demonstrative and has handicapped verbal skills and motor functions. It is painfully difficult for her to communicate. Actress must have great emotional range.

Viktor:

Late 40s / early 50s. He is restrained – a minister/professor. He is slightly voyeuristic with something hidden. He is the master of ceremonies for the event - the storyteller. He is the Ingmar Bergman character.

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