ABOUT TIME Equity Principal Actors - Producing Org TBD Auditions

ABOUT TIME - NYC EPA

Producing Org: TBD. Notice: Audition Call Type: EPA.

AUDITION DATE

LOCATION

Date: Monday, January 5, 2026

Location: Pearl Studios (500), 500 8th Ave, New York, NY 10018-6504

Time: 10:00 AM - 6:00 PM (E)

Break: 1:30 PM - 2:30 PM
Studio #401 (Audition Room) / Studio #408 (Holding Room)

CONTRACT

Off-Broadway. Personnel minimum: $803 weekly.

• Producers: Joey Parnes Productions, Janet Brenner, Laura Ivey
• General Manager: Joey Parnes
• Director: Richard Maltby, Jr.
• Music: David Shire
• Lyrics: Richard Maltby, Jr.
• Choreographer and Musical Staging: Marcia Milgrom Dodge
• Associate Choreographer and Musical Staging: Josh Walden
• Music Director: Deniz Cordell
• Casting Associate: Spencer Gualdoni, CSA

All stage managerial positions are currently filled.

SEEKING

Equity actors for roles in ABOUT TIME (see breakdown).

PREPARATION

Choose a song you feel shows you as a person as well as a performer, showing vocal and emotional range in the style of Maltby and Shire. Please bring sheet music and a stapled headshot and resume.

Casting Directors: Merri Sugarman and Claire Burke. An accompanist will be provided.

OTHER DATES

• 1st Rehearsal: o/a February 2, 2026
• 1st Performance: February 19, 2026
• Closing: May 10, 2026

OTHER

Venue: Marjorie S. Deane Little Theater, NYC.

EPA procedures are in effect for this audition. An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.

BREAKDOWN

[F2]: 50s–60s; female-presenting; alto/mezzo-soprano with a belt. Dramatic storytelling and comedic featured material. Comfortable holding harmony parts in group vocals. Strong musical theatre voice, plus a soprano. Warmth and a sense of comedy.

[F3]: 50s–60s; female-presenting; alto with extended upper range. Role calls for ensemble and solo singing. Equal amount of dramatic storytelling and comedic featured material. Comfort with “patter” style songs beneficial. Strong musical theatre voice and comedy. A down-to-earth energy and warmth, with touching comedy; very strong top notes.

[MALE-PRESENTING SWING]: 50s–60s; male-presenting, to cover 3 roles; tenor. Dramatic storytelling with a comic bend in featured material. Ability to perform with standard British or Cockney accent a plus. Very versatile, with strong voice, good sense of comedy, and excellent use of text and language.

[FEMALE-PRESENTING SWING]: 50s–60s; female-presenting, to cover 3 roles; multitalented and very versatile, with a strong voice, high soprano notes and belt, good sense of comedy, and excellent use of text and language.

THE FOLLOWING ROLES ARE ON OFFER:

[M1]: Male-presenting; 50s–70s. Tenor. Dramatic storytelling with a comic bent in featured material. Ability to perform with a standard British or Cockney accent a plus. Role calls for ensemble and solo singing. THIS ROLE IS ON OFFER.

[M2]: Male-presenting; 50s–60s. Tenor 2, with higher notes available. Equal amounts of dramatic storytelling and comedy. Must be comfortable with learning and holding harmony parts in group vocals. THIS ROLE IS ON OFFER.

[M3]: Male-presenting; 50s–60s. Baritone. Several comic turns, with dramatic moments — a wide range of material. Role calls for ensemble and solo singing. THIS ROLE IS ON OFFER.

[F1]: Female-presenting; 50s–60s. Warm soprano with strong upper range. Should have comfortable Bb5s. Role calls for ensemble and solo singing. A wide range of material — mostly dramatic storytelling, with some comedy. THIS ROLE IS ON OFFER.