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OPERA THEATER REVIEWS

The latest reviews and critic recommendations from Opera
Review: EDGAR, Opera Holland Park

Review: EDGAR, Opera Holland Park

by Gary Naylor — July 3, 2024
A curious opera that is beautiful and ugly all at once...
Review: TOSCA,  Royal Opera House

Review: TOSCA, Royal Opera House

by Franco Milazzo — July 2, 2024
Fronted by some fresh faces, Jonathan Kent’s cinematic take on the Puccini masterwork Tosca returns for its seventeenth run at Covent Garden. ...
Review: LA VIE BOHEME at Polish National Opera

Review: LA VIE BOHEME at Polish National Opera

by Natalia Jarczynska — June 21, 2024
This is my very first time at the Polish National Opera and as we all know, first times can be overrated. This is certainly not the case here....
Review: LUCIA DI LAMMERMOOR at Artscape, Opera House

Review: LUCIA DI LAMMERMOOR at Artscape, Opera House

by Michelle B Lewis — June 20, 2024
This restaging of LUCIA DI LAMMERMOOR is a fitting tribute to Cape Town Opera's 25 years of artistic excellence. Under Gobbato's direction, the production not only honours the company’s past but also looks forward to its future, showcasing the enduring power of opera to move and inspire. ...
Review: San Diego Opera Presents Andrea Carroll and Joshua Guerrero in Recital at Bal

Review: San Diego Opera Presents Andrea Carroll and Joshua Guerrero in Recital at Balboa Theatre

by Ron Bierman — June 14, 2024
About halfway into her two-hour plus recital with tenor Joshua Guerrero, soprano Andrea Carroll gave a well-earned compliment to their accompanist Stephen Hopkins for his technique and versatility. Both were challenged during the unusually varied program the two singers had fashioned....
Review: Audience Is 'Gaga' for Soprano Asmik Grigorian in Recital at Vienna State Ope

Review: Audience Is 'Gaga' for Soprano Asmik Grigorian in Recital at Vienna State Opera

by Richard Sasanow — June 14, 2024
There was a buzz in the lobby of the opera house and scalpers galore outside the doors to the ticket office for soprano Asmik Grigorian’s recent sell-out concert at the Vienna State Opera. Clearly, it was a night that the audience was waiting for--this first recital at the house by soprano Grigori...
Review: Trauma in Two Nights, as SALOME follows TURANDOT to the Analyst's Couch in Vi

Review: Trauma in Two Nights, as SALOME follows TURANDOT to the Analyst's Couch in Vienna

by Richard Sasanow — June 11, 2024
I couldn’t help but wondering whether the scheduling last week of two recent productions at the Vienna State Opera, Claus Guth’s TURANDOT and Cyril Teste’s SALOME, on subsequent nights had anything more than the availability of the stars behind it. After all, both portrayed the title character...
Review: In Freud's Vienna, Grigorian Thrills as Anguished TURANDOT under Kober

Review: In Freud's Vienna, Grigorian Thrills as Anguished TURANDOT under Kober

by Richard Sasanow — June 9, 2024
Perhaps it’s only fitting in a town that’s known for art, music and psychoanalysis (and maybe a little whipped cream on the side), that the Vienna State Opera’s production of Puccini’s TURANDOT—with the stunning soprano Asmik Grigorian in the title role—features a traumatized characteriz...
Interview: David Lefkowich of SUOR ANGELICA at Out Of The Box Opera

Interview: David Lefkowich of SUOR ANGELICA at Out Of The Box Opera

by Jared Fessler — May 29, 2024
What did our critic think of SUOR ANGELICA at Out Of The Box Opera?...
Review: TOSCA, Opera Holland Park

Review: TOSCA, Opera Holland Park

by Gary Naylor — May 29, 2024
Opera Holland Park open the season with a faithful revival of a much loved classic...
Review: THE MATCHBOX MAGIC FLUTE at Shakespeare Theatre/Klein Theatre

Review: THE MATCHBOX MAGIC FLUTE at Shakespeare Theatre/Klein Theatre

by Mary Lincer — May 25, 2024
What did our critic think of THE MATCHBOX MAGIC FLUTE at Shakespeare Theatre/Klein Theatre?...
Review: TURANDOT at LA Opera

Review: TURANDOT at LA Opera

by Andrew Child — May 22, 2024
A sharp blade wielded threateningly, forced perspective creating looming palatial walls, the rotting heads of failed suitors, and a princess literally shrouded in mystery quickly orient us within Puccini’s iconic fairytale....
Review: What the Hades – the Met Brings Back Morris's Lovely ORFEO with Costanzo

Review: What the Hades – the Met Brings Back Morris's Lovely ORFEO with Costanzo

by Richard Sasanow — May 18, 2024
Considering all the productions in the Met’s repertoire that have been conceived (or, perhaps more justly, concocted) by directors from other media who don’t seem to understand or like opera, Mark Morris is a gem. So is his concept for Gluck’s ORFEO ED EURIDICE, the myth of a man who is permi...
Review: AN AMERICAN SOLDIER Is a Horror Story of Brutality and Abuse

Review: AN AMERICAN SOLDIER Is a Horror Story of Brutality and Abuse

by Richard Sasanow — May 15, 2024
“Why did I enlist? Why did I go to war?” are but two of the questions that Private Danny Chen asks himself in the powerful docu-opera, AN AMERICAN SOLDIER, by Huang Ruo and David Henry Hwang. It was directed thoughtfully and surely by Chay Yew in its New York debut Sunday afternoon at the new Pe...
Review: L'OLIMPIADE, Royal Opera House

Review: L'OLIMPIADE, Royal Opera House

by Gary Naylor — May 14, 2024
Irish National Opera bring a touring production to London in what might prove to be a show for the purists...
Review: TURANDOT performed by Washington National Opera at Kennedy Center

Review: TURANDOT performed by Washington National Opera at Kennedy Center

by David Friscic — May 14, 2024
Incredibly rich in detail --from staging to technical aspects-- and emboldened with Puccini’s soaring music and meticulous, intelligent direction by Francesca Zambello, Washington National Opera’s production of Turandot is a production for the ages. ...
Review: Exquisite THE HOURS by Puts Triumphs Again at the Met under Watanabe

Review: Exquisite THE HOURS by Puts Triumphs Again at the Met under Watanabe

by Richard Sasanow — May 13, 2024
When I first heard Kevin Puts’s gorgeous, melodic score for THE HOURS back in 2022, I was blown away, thinking it was almost too good to be true. Could it be a classic? I wanted to hear it again, though not too soon, to give it a chance to settle in its own skin. Lucky us—lucky me—that the Met...
Review: SEATTLE OPERA 60TH ANNIVERSARY CONCERT & GALA at McCaw Hall

Review: SEATTLE OPERA 60TH ANNIVERSARY CONCERT & GALA at McCaw Hall

by Erica Miner — May 13, 2024
an enchanted evening that will be remembered for many decades as an occasion that was memorable in every way...
Review: THE BARBER OF SEVILLE at Mccaw Hall

Review: THE BARBER OF SEVILLE at Mccaw Hall

by Erica Miner — May 5, 2024
Without a doubt the highlight of, and a perfect ending to, the company’s season...
Review: LA BOHÈME at MN Opera

Review: LA BOHÈME at MN Opera

by Joe Sarafolean — May 5, 2024
What did our critic think of LA BOHÈME at MN Opera?...
Review: SAN DIEGO OPERA'S MADAMA BUTTERFLY at San Diego Civic Center

Review: SAN DIEGO OPERA'S MADAMA BUTTERFLY at San Diego Civic Center

by Ron Bierman — May 3, 2024
Puccini’s Madama Butterfly is one of the most popular operas ever written. It has a wonderfully lyrical score, familiar arias and a story that remains compelling even after often heard. San Diego Opera’s most recent production played to a full house on opening night, and under the direction of J...
Review: Dizzying Night at the Met with Grigorian's Splendiferous BUTTERFLY in House D

Review: Dizzying Night at the Met with Grigorian's Splendiferous BUTTERFLY in House Debut

by Richard Sasanow — April 28, 2024
Those of us who keep an eye on the comings and goings of singers at major opera houses around the world, have known that Friday’s debutant, Lithuanian soprano Asmik Grigorian, was going to be one to watch. And it was. No worries about whether her voice would translate from Europe’s smaller house...
Review: John Adams's EL NINO Finally Arrives at the Met After World Travels

Review: John Adams's EL NINO Finally Arrives at the Met After World Travels

by Richard Sasanow — April 24, 2024
Back in December, I saw the chamber version of John Adams’s EL NINO—dubbed EL NINO: NATIVITY RECONSIDERED—at the Cathedral of St. John the Divine. Pared down to its essence, it was wonderful, starred two of the singers who made their debuts in the premiere at the Met, soprano Julia Bullock and...
Review: TURANDOT at Belk Theater

Review: TURANDOT at Belk Theater

by Perry Tannenbaum — April 22, 2024
Yes, a grand opera was inserted at Belk Theater as the clock or calendar was winding down! Around the world, Callas, Nilsson, and Sutherland are among the divas who have graced the powerhouse role of TURANDOT, and Franco Zeffirelli's production at the Met is as revered for its stateliness and splend...
Review: LUCIA DI LAMMERMOOR, Royal Opera House

Review: LUCIA DI LAMMERMOOR, Royal Opera House

by Alexander Cohen — April 22, 2024
Nadine Sierra’s enthralling central performance helms this nerve-jangling revival....
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