Met's New Production of 'Rusalka' Coming to PBS's GREAT PERFORMANCES, 6/18
Kristine Opolais stars in her first Met performances of her breakthrough role, the title character in Antonin Dvoák's Rusalka, in a critically acclaimed new staging, directed by Mary Zimmerman and conducted by Mark Elder, on GREAT PERFORMANCES AT THE MET Sunday, June 18 at 12 p.m. on PBS (check local listings). (In New York, THIRTEEN will air the opera at 12:30 p.m.)
Kristine Opolais in the title role of Dvorak's Rusalka. Photo by Ken Howard,Metropolitan Opera.
This haunting love story also stars Jamie Barton as the witch Jezibaba, with Katarina Dalayman as the Foreign Princess, Brandon Jovanovich as the Prince, and Eric Owens as Rusalka's father, the Water Sprite.
The opera premiered at the National Theater in Prague in 1901. The only one of Dvo?ák's operas to gain an international following (so far), Rusalka is in many ways a definitive example of late Romanticism-containing folklore, evocations of the natural and the supernatural worlds, and even a poignant interpretation of the idea of a love-death. The story has a strong national flavor as well as universal appeal, infused by the Romantic supernaturalism of Friedrich de la Motte Fouqué's novella Undine (previously set as an opera by E.T.A. Hoffmann, Tchaikovsky, and others) and Hans Christian Andersen's The Little Mermaid.
Czech composer Antonín Dvo?ák (1841-1904) was celebrated internationally during his lifetime for his chamber, choral, and symphonic music, while his nine operas found little renown beyond his native Bohemia. He was especially popular in London and in New York, where he served for a while as director of the short-lived National Conservatory of Music. Jaroslav Kvapil (1868-1950) was a Czech author and poet who had written the libretto for Rusalka before Dvo?ák became interested in it.
The opera takes place in an unspecified fairy-tale setting. Contrasting unspoiled and "honest" nature (the woods and lake of the framing acts) with corrupt human culture (the Prince's palace in Act II) was a favorite theme of Romantic artists.
The New York Times proclaimed it "a dark, sexy hit" and noted the "matchless cast led by the lovely soprano Kristine Opolais, who gives a vocally lustrous and achingly vulnerable performance," adding that "Mark Elder conducted a glowing account." THE WALL Street Journal acclaimed the "handsome new production" and found it "a luminous performance." The Huffington Post noted Brandon Jovanovich's "strong voice" and "commanding presence" and declared, "Eric Owens delivers another powerful performance".
Tenor Matthew Polenzani hosts the broadcast.
Production: Mary Zimmerman. Set Designer: Daniel Ostling. Costume Designer: Mara Blumenfeld. Lighting Designer: T. J. Gerckens. Choreographer: Austin McCormick.
Rusalka was originally seen live in movie theaters on February 25 as part of the groundbreaking The Met: Live in HD series, which transmits live performances to more than 2,000 movie theaters and performing arts centers in over 70 countries around the world. The Live in HD series has reached a record-breaking 22 million viewers since its inception in 2006.
Great Performances at the Metis a presentation of THIRTEEN Productions LLC for WNET, one of America's most prolific and respected public media providers.
Corporate support for GREAT PERFORMANCES at the Metis provided by Toll Brothers, America's luxury home builder®. Major funding for the Met Opera presentation is provided by the National Endowment for the Arts. This GREAT PERFORMANCES presentation is funded by the Irene Diamond Fund, the Anna-Maria and Stephen Kellen Arts Fund, The Philip and Janice Levin Foundation, The Agnes Varis Trust, and public television viewers.
For the Met, Gary Halvorson directs the telecast. David Frost is Music Producer. Mia Bongiovanni and Elena Park are Supervising Producers, and Louisa Briccetti and Victoria Warivonchik are Producers. Peter Gelb is Executive Producer. For Great Performances, Bill O'Donnell is Series Producer; David Horn is Executive Producer.