BWW Reviews: Variety and Virtuosity with the ARB SIGNATURE DUETS
The American Repertory Ballet presented an extraordinary performance of 'Signature Duets' on the Hamilton Stage of UC PAC.
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The American Repertory Ballet presented an extraordinary performance of 'Signature Duets' on the Hamilton Stage of UC PAC.
The Fourth of July might still be several months away, but the Ohio Theatre's halls were bursting with patriotic pride last weekend for the works of several American artists celebrated in BalletMet's performance of "American Masters.
The spring 2015 season of the New York City Ballet at the David H.
On April 27th, Words On Dance and Symphony Space presented Ballet to Broadway: Christopher Wheeldon with Rita Moreno, at the Peter J.
Mark Morris Dance Group has grown so busy touring to places as far off as China or Timor that the company has not performed at BAM since 2012.
At spring, people return from the wintered isolation of their respective family nuclei and form one whole organism, made up of all the parts that sustain a community.
In Lov: American Style, Rennie Harris, the prolific hip-hop choreographer, declares that hip-hop must maintain perpetual relevance.
On Tuesday, April 14th, 2015, Ballet Hispanico opened its season.
In addition to being an incredible highlight of YAGP's work, what other night can one see the best of the best and the best to be on one stage? From quivering port de bras of an eager eleven year old to the stoic grace of Paloma Herrera, YAGP proudly endorsed its place in supporting generations of
Gallim can be translated from Hebrew to mean "heaps.
Known for his contemporary, abstract choreography, Wheeldon's recent projects ventured towards epic storytelling, as with Cinderella, Alice's Adventures in Wonderland, and The Winter's Tale.
Noche Flamenca performs at Joe's Pub.
Dance Theatre of Harlem enjoyed a magnificent season at City Center.
Festival Ballet Providence closes its 2014-15 season with a showcase almost entirely composed of contemporary dances.
Opening night of Dance Theater of Harlem's 2015 season at City Center began with a curtain speech by Artistic Director Virginia Johnson, who was visibly more excited and confident on this third anniversary of the rebirth of the legendary company than she had been in 2014 when DTH danced at Jazz at L
Dominic Symonds analyzes the early collaborations between Rodgers and Hart in a book published by the Oxford University Press.
For its spring production Maine State Ballet presents a stylishly swashbuckling account of Le Corsaire, vividly choreographed by Linda MacArthur Miele (after Petipa) and elegantly designed by Gail Csoboth.
For three nights only, after hours at the American Museum of National History, the spotlight was put on climate change.
FrenetiCore Dance enthralls audiences with its energetic Spring Production of DANCING WITH THE MACHINE.
Both Erhlich and Armitage's welcoming remarks suggested ambivalence with the scope of this work; Erhlich even said, "we'll just see", and so the evening began.
During its premiere season at the David H.
She awoke, as in the womb, floating through a numinous, fluid-suffused air.
Juilliard Dances Repertory artistic director Lawrence Rhodes fused together an evocative evening, a masterful juxtaposition of opposites, ruminating on the perennial themes of tradition and modernity through dance.
On March 27 & 28, 2015, Co-Artistic Directors, Gelsey Kirkland and Michael Chernov presented, at Peter Norton Symphony Space, a double bill of Marius Petipa's ballets of another era, well chosen for their young company, a large number of whom are students at the Gelsey Kirkland Academy of Classical
A recent Lincoln Center showcase reveals the sense of careful composition behind a visionary American artist.