BWW Reviews: The Joyce Theater Opens Its Ballet Festival with Joshua Beamish
On Tuesday, August 4, 2015, the Joyce Theater opened its Ballet Festival with MOVE: the company.
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BWW Reviews: ANTIGONA by Noche Flamenca and Soledad Barrio
Noche Flamenca and Soledad Barrio collaborate to reconstruct the totemic Greek tragedy.
BWW Reviews: BALASOLE Celebrates 5th Anniversary
BalaSole Dance Company celebrated its fifth anniversary this past weekend at the Ailey Citigroup Theater.
BWW Reviews: Groundworks Dance Theater Captivates at Cain Park
As the capacity audience was settling in on opening night of Groundworks Dance Theatre's summer concert in Cain Park's Alma Theatre, there was a loud electronic sound stage right.
BWW Reviews: MOMIX's Alchemia Lacks Magic But Not Spectacle
Sometimes theater magic is used so greedily that it becomes entirely unmagical.
BWW Reviews: Lincoln Center Festival Presents the National Ballet of China
Presented by the Lincoln Center Festival, on July 8, 2015, at the David H.
BWW Reviews: At Long Last - Misty Copeland Has Been Promoted to Principal
No other ballet dancer has received more publicity than Misty Copeland during the last five years.
BWW Reviews: MOVE Celebrates at Vancouver Playhouse
Preeminent dance companies of New York, London, and Winnipeg all collaborated to celebrate the tenth birthday of Move: the company with a world premiere collection of works by company choreographer Joshua Beamish.
BWW Reviews: ZviDance Takes on Escher, Bacon and Rothko at NYLA
Friday at New York Live Arts reintroduced audiences to the virtuosity and individuality that sets Zvi Gotheiner's company apart from many of his contemporaries.
BWW Reviews: American Ballet Theatre's CINDERELLA
When the Sadler's Wells (now the Royal Ballet) first performed "Cinderella" on its triumphant 1949 debut performance at the old Metropolitan Opera, John Martin, the eminent New York Times dance critic, was not engrossed.
BWW Reviews: American Ballet Theatre Presents a New Swan Queen
At the matinee performance of Swan Lake on Wednesday, June 24, 2015, Misty Copeland spread her wings, giving her first New York City performance of Odette-Odile in ABT's Swan Lake, choreography by Kevin McKenzie after Marius Petipa and Lev Ivanov, to the glorious music of Peter Ilyitch Tchaikovsky.
BWW Reviews: THE ROYAL BALLET Offers an Uneven Mixed Bill by British Choreographers
The second program of the Royal Ballet of England's return to New York City after an 11-year hiatus – and the first appearance of the company at the Koch Theatre in Lincoln Center – was an ambitious but not entirely successful presentation of works by British choreographers.
BWW Reviews: Misty Copeland is American Ballet Theatre's Newest Juliet
On June 16, 2015, I was privileged to be in attendance at the Metropolitan Opera House for Misty Copeland's debut performance of Juliet in Sir Kenneth MacMillan's Romeo and Juliet, set to Sergei Prokofiev's exciting score.
BWW Reviews: American Ballet Theatre's 'Swan Lake' Still Special
In the wake of Julie Kent's Saturday retirement performance of 'Romeo and Juliet' emerges American Ballet Theatre's week-long run of 'Swan Lake' - their first production without the talents of their three recently retired superstars: Kent, Paloma Herrera, and Xiomara Reyes.
BWW Reviews: The Polish National Ballet
Having visited Poland at least 50 times in my life, you'd think I would have sampled some opera, dance or music recital in the country.
BWW Reviews: Designing Women with Kenneth MacMillan
American Ballet Theatre's 75th anniversary spring season honored the legacy of the company's seasoned dancers and showcased its younger ranks.
BWW Reviews: Yehuda Hyman's Mar Vista
Yehuda Hyman's 'Mar Vista (Spanish for 'view of the sea') is a presentation of his Mystical Feet Company, a warm and poignant remembrance of his parents, two seemingly mismatched misfits who found each other.
BWW Reviews: Debutaunte Brings Texas Traditions to Red Hook
Who knew that lodged in a Red Hook warehouse is a porthole to the deep south? Mary John Frank's wild and detail-driven imagination transports participants who must be called party-goers, not audience members, to the world of Debutaunte, a world that feels as real and full-bodied as any of the high-b
BWW Reviews: American Ballet Theatre's SLEEPING BEAUTY
Remember history class in high school? The teacher presented a lecture and told us how exciting a certain historical period had been, going on to incessantly bore us because we had no recourse other than to take indecipherable notes we couldn't understand later, finally coming to the conclusion that
BWW Reviews: Sparks Fly in Houston Ballet's THE TAMING OF THE SHREW
William Shakespeare's THE TAMING OF THE SHREW is a comedic, character-driven piece about the courtship of volatile Katherina and obnoxious Petruchio.
BWW Reviews: The Royal Ballet Triumphs at the Kennedy Center with Carlos Acosta's Don Quixote
Marius Petipa first staged Don Quixote for the Imperial Bolshoi Theater in 1869 to great acclaim, and it immediately entered the ballet canon.
BWW Reviews: ALVIN AILEY AMERICAN DANCE THEATER Celebrates Dudley Williams and Dance
Nearly two weeks after famed dancer Dudley Williams' passing, Alvin Ailey American Dance Theater took to the stage at the David H.
BWW Reviews: The Devastation Of Earthquakes That Affected Two Cities, Half A World Apart, Is Interpreted In Dance In FAULT LINES.
China's Sichuan Province based Leshan Song & Dance Troupe, in collaboration with New Zealand Choreographer Sara Brodie use contemporary dance to express the human responses to the earthquakes that changed China's Sichuan Province and New Zealand's Christchurch in FAULT LINES.
BWW Reviews: Cedar Lake Farewell Performance
I remember where I was when I found out that Cedar Lake was closing--and so do most members of the New York City dance scene.
BWW Reviews: AL SON SON Rouses at Tribeca Performing Arts Center
Ever seen the real Roma, the homegrown flamenco of Spain? It's the kind of harmonic and choreographic precision that leaves a theater breathless, with countless eyes in a daze trying to follow each step of a dancer, pluck of a guitarist and intonation of a singer.
