BWW Review: BalletMet's DRACULA Haunts Halloween Stage with Dark Drama
Halloween isn't always just about candy and kids in costumes -- it also often calls to mind the supernatural fantasies that haunt our nightmares.
The latest reviews and critic recommendations from Dance.
Halloween isn't always just about candy and kids in costumes -- it also often calls to mind the supernatural fantasies that haunt our nightmares.
In the wake of the media frenzy about African-American ballerina Misty Copeland, a recent article in The New York Times by Gia Kourlas applauds the fact that the American Ballet Theatre and the New York City Ballet are featuring black, Asian, Latino, and multiracial dancers 'where it matters most: L
I wish I could have been more enthusiastic about the all-Jose Limon program on October 25, 2015, at 2 pm.
Rambert's eagerly awaited return to Birmingham showcases their reputation as Britain's national dance company, extending the reach of their world class dance to the Midlands with an accessible triple bill of works, Frames, Transfigured Night and Rooster, performed at the Birmingham Repertory Theat
Michelle Ryan is a sensational dancer, an equally superb choreographer, and a great inspiration to others.
When the curtainss opened in Uhlein Hall last weekend at the Marcus Center for the Performing Arts, Milwaukee Ballet unfolded Michael Pink's world renowned Dracula to a mesmerized audience.
According to a 1998 review of ABT by Jack Anderson in The New York Times, publicists for the company in the early days used to call the troupe 'a museum of the dance.
Festival Ballet Providence kicks off their 2015-2016 season with a somewhat underwhelming Ballet Russes Reinvented.
Darkly sensual and broodingly sexy, Paul Vasterling's balletic interpretation of Bram Stoker's legendary anti-hero Dracula (first presented in 1999 and revived in 2007) remains as potent and as stirring as ever, richly conceived and beautifully performed by the dancers of Nashville Ballet, who offer
Afrofuturism is a literary, cultural and otherwise artistic aesthetic that combines elements of science fiction, history, fantasy and magic realism to address issues concerning people of color.
VelocityDC Dance Festival is true to its name.
After touring several states, "South of Gold Mountain" held its New York premiere at New York Live Arts.
On Thursday evening, October 15, 2015, the curtain rose at the David Koch Theater to reveal a colorful stage in the style of commedia dell'arte, vibrant scenery and costumes by Rouben Ter-Arutunian, and lighting by Mark Stanley.
She is the young woman counting rhythms silently, whispering mysteriously and distantly on the metro ride home after work.
That Eryc Taylor is talented is a no-brainer; that he still needs focus is the question that needs addressing, and I think that this is a very pressing problem for his career.
Albert Einstein once said 'Dancers are the athletes of the gods.
ME Dance was founded in 2011, so if you've never heard of this dance group it is definitely time to check them out.
The Dance Enthusiast, commemorating 8 years of The Dance Enthusiast's dedication to Dance Communication, kicked off its 2015 fall season with "Dance-Art-Fusion-Family-8th Birthday Party" at Gibney Dance to celebrate the power of the arts.
The NYCB's performance of October 9th was an array of movements and interpretations: some of the works were incredible and others missed the mark.
The short two-day run of Legends & Visionaries by New York Theater Ballet drew a warm showing from the public, apparently enticed by what was a soft opener to the upcoming season of live arts at the Schimmel, a fine venue at Pace University.
Picturesquely unadorned, City Center Studio 5 is a blank canvas.
The East Fourth Street cultural district is a wildly fascinating and most humbly inspired reintegration of the old and new that makes New York, New York.