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DANCE THEATER REVIEWS

The latest reviews and critic recommendations from Dance
BWW Review: RIVERDANCE celebrates its 20th Anniversary at Wolf Trap

BWW Review: RIVERDANCE celebrates its 20th Anniversary at Wolf Trap

by Hannah Wing — June 24, 2016
Longtime fans are sure to be thrilled to hear their favorites and first timers are sure to be swept up in the river sensation of “Riverdance.” With 20 years of bringing Irish dancing to audiences worldwide, “Riverdance' truly is worth the celebration....
BWW Dance Review: Alessandra Ferri Melts Our Hearts in ROMEO AND JULIET

BWW Dance Review: Alessandra Ferri Melts Our Hearts in ROMEO AND JULIET

by Juan Michael Porter II — June 24, 2016
Halfway through the bedroom scene (Act III, Scene I) I thought to myself, 'They're playing the music too quickly!' I was wrong. The tempo was fine; it simply felt faster than normal because the dancing was so wonderful. It's to be expected. Alessandra Ferri was guest starring in American Ballet Thea...
BWW Review: SHAKESPEARE TRIPLE BILL, Birmingham Royal Ballet, June 2016

BWW Review: SHAKESPEARE TRIPLE BILL, Birmingham Royal Ballet, June 2016

by Emma Cann — June 24, 2016
The Birmingham Royal Ballet's Shakespeare celebrations continue this week as they conclude their Birmingham season with a Shakespeare Triple Bill, consisting of Jessica Lang's new Wink, José Limon's The Moor's Pavane and David Bintley's The Shakespeare Suite. Three contrasting dance styles and very...
BWW Dance Review: RIOULT DANCE NY Conjures Shades of Valiant Women

BWW Dance Review: RIOULT DANCE NY Conjures Shades of Valiant Women

by Juan Michael Porter II — June 22, 2016
Mr. Rioult is a compelling storyteller. In 'Iphigenia' - which begins with a glimpse of the gruesome future - he confronts the tragedy head on by making it clear that the designated sacrifice is unaware of her fate. Watching Clytemnestra - Charis Haines, who handily walks away with the piece - batte...
BWW Dance Review: NEW CHAMBER BALLET Regales with Musical and Choreographic Treasures

BWW Dance Review: NEW CHAMBER BALLET Regales with Musical and Choreographic Treasures

by Juan Michael Porter II — June 22, 2016
Since premiering twelve years ago, Miro Magloire's New Chamber Ballet has commissioned and presented over 100 new works. Fifty of these works have been created by Mr. Magloire himself. In addition to his duties as choreographer and artistic director he is also an award winning composer - and at one ...
BWW Review: JANE COMFORT Dances Tales of The City

BWW Review: JANE COMFORT Dances Tales of The City

by Juan Michael Porter II — June 19, 2016
A man enters the space and walks the perimeter of The Kitchen's vast stage. Soon the entire arena will be filled with seven bodies locomoting with the purposeful gait of New Yorkers. Patterns form, collisions are narrowly missed, and somehow though it is only walking, we are rapt with anticipation. ...
BWW Review: JESSICA LANG DANCE Paints Nuanced Portraits of Brotherhood

BWW Review: JESSICA LANG DANCE Paints Nuanced Portraits of Brotherhood

by Juan Michael Porter II — June 18, 2016
The French make a game of finding the perfect word for a phrase. For choreographer Jessica Lang the word is never in doubt. She is a master builder of choreographic phrases. Attending June 14th's opening of her 5th Anniversary concert at the Joyce was a bit like watching the construction of bridge; ...
BWW Review: THE TAMING OF THE SHREW, Birmingham Royal Ballet, June 2016

BWW Review: THE TAMING OF THE SHREW, Birmingham Royal Ballet, June 2016

by Emma Cann — June 18, 2016
In a landmark year packed with Shakespearean productions to celebrate the 400th birthday of the Bard, the Birmingham Royal Ballet perform John Cranko's The Taming of the Shrew for the very first time. This adaptation is faithful to Shakespeare's source material; three suitors to the beautiful Bi...
BWW Review: MONTE, MOLISSA, MARGO, MULLER at New York Live Arts

BWW Review: MONTE, MOLISSA, MARGO, MULLER at New York Live Arts

by Juan Michael Porter II — June 17, 2016
Times are hard for choreographers, which is why Elisa Monte, Jennifer Muller, Molissa Fenley, and Margo Sappington have banded together to present their full-length works at New York Live Arts. What one might not be able to afford, four are more than capable of shouldering. While a solid business id...
BWW Dance Review: ALVIN AILEY 2016 SEASON at Lincoln Center

BWW Dance Review: ALVIN AILEY 2016 SEASON at Lincoln Center

by Tracy Hopkins — June 21, 2016
Alvin Ailey 2016 Season at Lincoln Center through June 19...
BWW Dance Review: PENNSYLVANIA BALLET Presents 'Balachine and Beyond'

BWW Dance Review: PENNSYLVANIA BALLET Presents 'Balachine and Beyond'

by Barnett Serchuk — June 16, 2016
"Balanchine and Beyond," the Pennsylvania Ballet's strangely named program that I saw Saturday, June 11, 2016 at the Merriam Theater in Philadelphia, was a very satisfying evening. Of course, beyond can mean anything, so the choice of Trisha Brown, Hans van Manen and Jean-Pierre Frohlich was a very ...
BWW Review: SATELLITE COLLECTIVE Oscillates Between Dull and Refined

BWW Review: SATELLITE COLLECTIVE Oscillates Between Dull and Refined

by Juan Michael Porter II — June 14, 2016
Satellite Collective presented a meandering evening of different works this past weekend at 92Y's Buttenwieser Hall as part of the Dig Dance initiative. I attended the Saturday June 12th performance with great anticipation. As a fellow presenter I always perk up when I hear a wonderful introduction...
BWW Review: PENNSYLVANIA BALLET's Balanchine and Beyond

BWW Review: PENNSYLVANIA BALLET's Balanchine and Beyond

by Melia Kraus-har — June 14, 2016
Corella's recent directive choices brought levity; Laura Bowman took her final bow and the program noted other retirements. Whatever the climate, Corella's choices substantially elevated the company's performance profile especially since their June 2014 performances, and even since the fall 2015 sea...
BWW Review: FELD'S KIDS Execute With Polish and Finally With Glee

BWW Review: FELD'S KIDS Execute With Polish and Finally With Glee

by Juan Michael Porter II — June 13, 2016
We all know that Eliot Feld – who might be New York City's most accomplished man in dance – has a love for calisthenics, vernacular twists and grooves, and folklore. But since closing his ballet company in 2003, his work has been primarily with students who cannot understand the dry wit inherent...
BWW Review: ALVIN AILEY AMERICAN DANCE THEATER at Lincoln Center is Stunning and Affe

BWW Review: ALVIN AILEY AMERICAN DANCE THEATER at Lincoln Center is Stunning and Affecting

by Marina Kennedy — June 13, 2016
Alvin Ailey American Dance Center is now presenting their 2016 at Lincoln Center's David H. Koch Theater through June 19th. See the company's stunning displays of modern dance that celebrate the African-American cultural experience....
BWW Review: JANE EYRE, Northern Ballet, June 2016

BWW Review: JANE EYRE, Northern Ballet, June 2016

by Emma Cann — June 13, 2016
The Northern Ballet's latest production is Jane Eyre, directed and choreographed by Cathy Marston. Celebrating Charlotte Brontë's 200th birthday, Jane Eyre brings together a ground-breaking female author, choreographer, composer and, of course, the central character of Jane. ...
BWW Dance Review: Celebrating a Night of Diversity with THE ELLIOTT DANCE COMPANY

BWW Dance Review: Celebrating a Night of Diversity with THE ELLIOTT DANCE COMPANY

by Caryn Cooper — June 10, 2016
On June 4, 2016, The Elliott Dance Company (EDC), under the direction of Kim Elliott, presented A Night of Diversity Dance Concert at the Jacqueline K. Onassis Theater on West 46th Street in NYC. This was a special performance for a few reasons. For one, this is the last performance by the EDC, as t...
BWW Review: MICHAEL HELLAND Ribbon Dances at Performance Mix Festival

BWW Review: MICHAEL HELLAND Ribbon Dances at Performance Mix Festival

by Juan Michael Porter II — June 10, 2016
Performance Mix Festival returned to Abrons Art Center for its 30th Anniversary on June 6th, 2016. Founded in 1986 by curator Karen Bernard and presented by New Dance Alliance, this platform for experimentation and risk-taking has stood at the vanguard of showcasing established and emerging artists ...
BWW Review: ARGENTINA, A Movie Musical Like No Other  Opens June 17 at Lincoln Plaza

BWW Review: ARGENTINA, A Movie Musical Like No Other Opens June 17 at Lincoln Plaza

by Amber Adams — June 10, 2016
ARGENTINA, A Movie Musical Like No Other, Opens in NYC June 17 at Lincoln Plaza...
BWW Review: BUGLISI DANCE THEATRE Celebrates Women of Distinction

BWW Review: BUGLISI DANCE THEATRE Celebrates Women of Distinction

by Juan Michael Porter II — June 9, 2016
Like sand through the hourglass, so is the choreography of Jacqulyn Buglisi. No one can argue that Ms. Buglisi knows how to craft beautifully lush movement. Her dances are ephemeral yet timeless, like a conjured dream held in stasis. But in the wrong hands, this ravishing quality becomes smothering....
BWW Dance Review: GRAHAM 2 Opens NY Season Honoring Patricia Birch

BWW Dance Review: GRAHAM 2 Opens NY Season Honoring Patricia Birch

by Caryn Cooper — June 7, 2016
Graham 2 opened its 2016 New York season on June 2, 2016 with a special benefit performance honoring the renowned choreographer and former Graham Company alumna, Patricia Birch....
BWW Review: ABT's 'The Golden Cockerel' Is More of a Grandiose Theatrical Production

BWW Review: ABT's 'The Golden Cockerel' Is More of a Grandiose Theatrical Production Than a Ballet

by Sondra Forsyth — June 8, 2016
ABT's Resident Choreographer Alexei Ratmansky, who created the version of 'The Golden Cockerel' that had its company premiere on June 6th 2016, is quoted in a Playbill article by Caroline Hamilton as saying, 'This production is overwhelmingly theatrical'. Ah, so that explains why there is virtually ...
BWW Review: INTERLOCHEN ARTS ACADEMY Orchestra and Dancers Gave a Stellar Concert as

BWW Review: INTERLOCHEN ARTS ACADEMY Orchestra and Dancers Gave a Stellar Concert as Part of the NY Philharmonic Biennial

by Sondra Forsyth — June 7, 2016
I was delighted but not surprised by the polished professionalism of the teenage musicians and dancers from Michigan's Interlochen Center for the Arts who performed on the afternoon of June 5th 2016 at David Geffen Hall in Lincoln Center as part of the New York Philharmonic's Biennial celebration. I...
BWW Dance Review: NIMBUS DANCE WORKS Sets Hearts Ablaze in Geolocate

BWW Dance Review: NIMBUS DANCE WORKS Sets Hearts Ablaze in Geolocate

by Juan Michael Porter II — June 7, 2016
The guerdon in attending a repertory company's concert is being able to savor the variety of work on display. Such was the case for Nimbus Dance Works' recent concert at Gibney Dance Center's Agnes Varis Performing Arts Center. Founded by Artistic Director Samuel Pott - a former soloist with The Mar...
BWW Review: YVONNE RAINER Recites The News in The Concept of Dust: Continuous Project

BWW Review: YVONNE RAINER Recites The News in The Concept of Dust: Continuous Project-Altered Annually

by Juan Michael Porter II — June 6, 2016
Does the idea of listening to Yvonne Rainer read excerpts from news articles while six nominally enthusiastic dancers of a certain age perform movement patterns mixed in with jazz phrases appeal to you? Then you would have loved being at The Kitchen on June 3rd, 2016 for American Dance Institute's p...
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