BWW Review: Teatro ZinZanni's Exuberant WELCOME TO WONDERLAND
I don't think I've ever seen a bad Teatro ZinZanni show. I mean I really don't think there could be one unless they inexplicably decided to sit on the stage and blankly stare at the audience for three hours while serving us large plates of runny eggs and sour milk. Teatro ZinZanni shows are always...
BWW Review: LOVE at The Mirage
As a first time traveler to Las Vegas, this reviewer thought that it would be crucial to check out one of the most well known franchises synonymous with Sin City. Cirque du Soleil holds a solid reputation as the most entrenched production company in Las Vegas culture and for good reason. Combining a...
BWW Review: DEMO: HEROES at Kennedy Center
Melding all forms of the arts into a cohesive program is never an easy task. Former New York City Ballet dancer Damian Woetzel is trying to do this with a series called Demo, which brings artists from the worlds of theatre, dance and opera together on one stage....
BWW Review: ADELAIDE OZASIA FESTIVAL 2016: SPLIT FLOW & HOLISTIC STRATA: HIROAKI UMEDA Pushes Many Boundaries
Hiroaki Umeda is a truly magical performance maker....
BWW Review: ADELAIDE OZASIA FESTIVAL 2016: VERTIGO DANCE COMPANY: VERTIGO 20 Embraces Two Decades Of Dance
Vertigo 20 is a selection of contemporary dance sequences....
BWW Review: THE TEMPEST, Birmingham Royal Ballet, 4 October 2016
As the celebrations of the 400th anniversary of Shakespeare's death draw to a close, the Birmingham Royal Ballet present the anticipated new creation from David Bintley, The Tempest. The Tempest has fascinated David Bintley for over 20 years. After two decades of research and exploration, he finally...
BWW Review: 2016 Fall For Dance is Underway at New York City Center
This year's Fall for Dance Festival includes twenty different dance companies and groups performing a potpourri of different styles of dance, four groups per performance, each performing on two consecutive nights. On Wednesday, September 28, 2016 I saw the first of two nights of four presentations....
BWW Review: Houston Ballet Showcases Sumptuous MADAME BUTTERFLY and Spare SON OF CHAMBER SYMPHONY
The current offering from the Houston Ballet, MADAME BUTTERFLY with SON OF CHAMBER SYMPHONY, is a study of contrasts - economy and luxury....
BWW Review: CLOUD CUCKOOLAND: A STORY ABOUT DEATH
Ballet, Belly Dance... birds? Desert Sin's latest production Cloud Cuckooland: A Story About Death is a multimedia melange of music, dance, puppetry and aerial arts with sprinklings of spoken word all set against a backdrop of constantly shifting projections....
BWW Review: OZASIA FESTIVAL 2016: SOFTMACHINE: RIANTO Explores The Fine Line Between Man And Woman
Rianto displays amazing control and ability....
BWW Review: ALVIN AILEY AMERICAN DANCE THEATER, 23 September 2016
Alvin Ailey American Dance Theater tour the UK for the first time in 6 years, presented by the amazing Dance Consortium. Hailed by the US Congress as "a vital American cultural ambassador to the world", the company perform original works by the late Alvin Ailey - including his most famous and critic...
BWW Review: CASTLES Penetrates as Synaptic Synonymic Sensation Phantasm at Old 505 Theatre
Pushing the boundaries of the performance art from is no easy task, and neither is adapting the quick-fire connective nature of the brain for the stage, and yet in House of Sands' Castles, Eliza Sanders accomplishes both, and more. In a work all at once intimate, quintessentially Australian, randomi...
BWW Review: LEGALLY BLONDE 'Appeals' to Everyone!
Legally Blonde, which is based on the novel by Amanda Brown and the renowned Metro-Goldwyn-Mayer motion picture, opened this past Friday at the South Bend Civic Theatre to much buzz and anticipation. As I sat in the audience on Saturday night waiting for the musical to begin, all around me I was hea...
BWW Dance Review: Pushing the Envelope Forward with NEW CHAMBER BALLET
On September 16, 2016, Artistic Director, Miro Magloire, and company New Chamber Ballet, kicked off its' 2016-17 season with an exciting mix of old and new works at the City Center Studios. With this not being my first time seeing the troupe perform, I was curious what to expect since I saw them las...
BWW Review: AMERICAN INGENUITY Showcases Powerful Performances From Houston Ballet
BWW Review: AMERICAN INGENUITY Showcases Powerful Performances From Houston Ballet...
BWW Review: RE(D)GENERATION Comes from the Earth at the Center For Contemporary Arts
Dancing Earth takes contemporary dance a step further-because they root within their immemorial indigenous identity. Theirs was not a dance of abstract gestures through undefined space; their movement was growth, upon a dancing earth....
BWW Review: BATTERY DANCE FESTIVAL Continues to Enthrall
'Lovely, never, never change. Keep your breathless charm. Won't you please arrange it? 'Cause I love you.' Those glorious Dorothy Fields penned lyrics to Jerome Kern's evergreen 'The Way You Look Tonight' bubbled through my head during Kilowatts Dance Theatre's joyful performance of Jaime Shannon's ...
BWW Review: BALLETX, Philly's Groundbreaking Contemporary Company, Offers Three NYC Premieres at the Joyce
On August 16th 2016, opening night of a six-day run at the Joyce, BalletX did not disappoint dancegoers anticipating a taste of the quirky fare for which the troupe has become known. Billing itself as 'Philadelphia's premier contemporary ballet', the company has from its inception in 2005 been what ...
BWW Review: ERASING BORDERS FESTIVAL Transports The Audience To A Higher Plane
A highlight of this year's Erasing Borders Festival was that it took place on Indian Independence Day; perhaps that is why each artist infused the work with such celestial splendor. We opened with Carolina Prada of Colombia - who is based in New Dehli, India - performing the choreography of her Guru...
BWW Review: BATTERY DANCE FESTIVAL Dances To Glory Through Rain and Shine
A gracious speech given by Jonathan Hollander - Artistic Director of Battery Dance Company - opened the 35th annual Battery Dance Festival. There was a welcome emphasis on all that went into making this festival possible, including calls for thanks to: Council member Margaret Chin and her continued ...
BWW Review: ADELAIDE GUITAR FESTIVAL 2016: BANDALUZIA: COOPERS LATE NIGHT SESSIONS Electrified The Space Theatre
It is to be hoped that we see more of this Australian group here in Adelaide....
BWW Review: THE SARASOTA BALLET Celebrates Sir Frederick Ashton's Legacy
An air of bravura swirled through the Joyce Theatre on the evening of Tuesday, August 9th 2016 as The Sarasota Ballet premiered its 26th season with 'A Knight of the British Ballet,' the company's love letter to famed choreographer Sir Frederick Ashton. Led by director,Ian Webb, the company prepared...
BWW Review: Colors Fly in BalletMet's New BECOMING VIOLET Video Project
Although its 2016-17 season is not set to begin until September, some dancers from BalletMet are adding color to the summer with a new video project....
BWW Review: ROSIE HERRERA DANCE THEATRE Concludes AMERICAN DANCE FESTIVAL's Premiere NYC Season
Although the Rosie Herrera Dance Theatre has performed in NYC before, the company's appearance from August 4th to 6th 2016 as the second half of the American Dance Festival's first season in the Big Apple included the New York debut of Herrera's Carne Viva. The work was commissioned by ADF....
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