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CLASSICAL MUSIC THEATER REVIEWS

The latest reviews and critic recommendations from Classical Music
BWW Review: MAINLY MOZART FESTIVAL at Balboa Theatre

BWW Review: MAINLY MOZART FESTIVAL at Balboa Theatre

by Ron Bierman — June 20, 2017
“Mozart in a party mood,” conductor Michael Francis announced as he introduced the composer's Contra Dances to begin the concert. And the same party mood prevailed throughout much of the evening. The first and third movements of Beethoven's Piano Concerto No.1 owe a lot to the most spirited of M...
BWW Review: Toronto is Head Over Heels for HIBLA GERZMAVA

BWW Review: Toronto is Head Over Heels for HIBLA GERZMAVA

by Taylor Long — June 9, 2017
Russia seems to be everywhere these days. Conductor and violinist, Vladimir Spivakov and the Moscow Virtuosi Chamber Orchestra performed to an enthusiastic crowd at the Roy Thomson Hall in Toronto, Ontario. The evening was presented by Show One Productions, the same company that recently brought us ...
BWW Review: Netrebko and Mattei Spin Magic from Tchaikovsky's EUGENE ONEGIN at the Me

BWW Review: Netrebko and Mattei Spin Magic from Tchaikovsky's EUGENE ONEGIN at the Met

by Richard Sasanow — April 17, 2017
It's getting near the end of the season at the Met in New York and it's nice to see that they're still bringing out their “A” game, with a splendidly cast run of Tchaikovsky's EUGENE ONEGIN, with the wonderful Met orchestra under the sensitive baton of Robin Ticciati, music director at the Glynd...
BWW Review: An Off-Night in Seville with an Unexciting FIDELIO at the Met

BWW Review: An Off-Night in Seville with an Unexciting FIDELIO at the Met

by Richard Sasanow — March 27, 2017
Beethoven's only opera, FIDELIO, was the last of three operas this season at the Met to take place in Seville, after CARMEN and BARBIERE DI SIVIGLIA. Third time definitely wasn't the charm....
BWW Review: Haitink Captivates Boston - Again

BWW Review: Haitink Captivates Boston - Again

by Erica Miner — March 20, 2017
Boston Symphony Conductor Emeritus Bernard Haitink has sustained a mutually respectful relationship with the BSO and its audiences for over 40 years...
BWW Review: How to Do Beethoven and Mahler, Compliments of NY Philharmonic under Hone

BWW Review: How to Do Beethoven and Mahler, Compliments of NY Philharmonic under Honeck and Soloist Barnatan

by Richard Sasanow — February 20, 2017
Audiences at the New York Philharmonic have been known to come for the soloists and then slip out for the symphony. There didn't seem to be a lot of that at last Thursday's performance led by maestro Manfred Honeck, which began with a wonderful Beethoven Piano Concerto #1 in C Major from Inon Barnat...
BWW Review: SONS OF SERENDIP at Wausau's Grand Theater

BWW Review: SONS OF SERENDIP at Wausau's Grand Theater

by Meredith Kreisa — February 20, 2017
Musical group SONS OF SERENDIP performed at Wausau's Grand Theater on February 17. As fate would have it, they gave an engaging and skilled performance....
BWW Review: To the Genius of Oscar Levant - FOR PIANO AND HARPO at Falcon Theatre

BWW Review: To the Genius of Oscar Levant - FOR PIANO AND HARPO at Falcon Theatre

by Ellen Dostal — February 13, 2017
Pulling double duty as both playwright and star, Dan Castellaneta portrays Oscar Levant in his latest new work, FOR PIANO AND HARPO. Levant was a concert pianist, and contemporary of George Gershwin, whose genius gave him entree into the glittering worlds of classical music, Broadway, and Hollywood ...
BWW Review: Taking an ELIXIR OF LOVE with Orlando Philharmonic

BWW Review: Taking an ELIXIR OF LOVE with Orlando Philharmonic

by Kimberly Moy — February 6, 2017
Just in time for the dreaded Valentine's Day is Orlando Philharmonic's Opera program ELIXIR OF LOVE. This was my first trip to see Orlando Philharmonic and Opera Orlando. I was not disappointed and glad I found this local gem....
BWW Review: Daniel Barenboim and the Staatskapelle Berlin Perform Bruckner's 9th Symp

BWW Review: Daniel Barenboim and the Staatskapelle Berlin Perform Bruckner's 9th Symphony at Carnegie Hall

by Peter Danish — February 2, 2017
Majesty and Terror: Barenboim conducts Bruckner 9th...
BWW Interview: Jim Owen of CLASSICAL MYSTERY TOUR at Kimmel Center

BWW Interview: Jim Owen of CLASSICAL MYSTERY TOUR at Kimmel Center

by Pati Buehler — January 27, 2017
Philly celebrates the 50th Anniversary of The Beatles "Sgt. Pepper's Lonely Hearts Club Band Album" with a special concert performance on Feb. 3, 4, 5....
BWW Review: BUTTERFLY LADIES BAND – CHINESE NEW YEAR CONCERT 2017 at Dunstan Playho

BWW Review: BUTTERFLY LADIES BAND – CHINESE NEW YEAR CONCERT 2017 at Dunstan Playhouse

by Barry Lenny — January 23, 2017
It was a privilege to hear such venerable instruments played so extremely well....
BWW Review: Two Nights in Seville, Part 1 - with BARBIERE at the Met

BWW Review: Two Nights in Seville, Part 1 - with BARBIERE at the Met

by Richard Sasanow — January 23, 2017
It didn't strike me until the lights were going down for the start of CARMEN last Thursday that this was the second night in a row that Met audiences were being transported to the same town in sunny Spain. Truth be told, “sunny” is hardly an adjective I'd hardly use to describe Bizet's tragedy i...
BWW Review: I Spy Prototype Festival's Chamber Opera, MATA HARI

BWW Review: I Spy Prototype Festival's Chamber Opera, MATA HARI

by Richard Sasanow — January 16, 2017
The life and times of the spy-as-femme-fatale, Mata Hari, has always attracted the interest of film and stage artists. Now we have the Matt Marks-Paul Peers opera MATA HARI—which opened New York's fifth Prototype Festival last week and continues through Saturday the 14th—though I think of it as ...
BWW Review: Antonio Hart Dazzles Israel at Hot Jazz Series

BWW Review: Antonio Hart Dazzles Israel at Hot Jazz Series

by Ronit Suzan — January 9, 2017
In this month's 'Hot Jazz' series' jazz concert, 'Cannonball Adderley's Gold Saxophone', saxophonist Antonio Hart brought his alto saxophone to the Haifa stage for a final show after a week of touring the country with a most talented group of both American and local musicians....
BWW Review: CHRISTIAN GERHAHER MAHLER RECITAL at Alice Tully Hall

BWW Review: CHRISTIAN GERHAHER MAHLER RECITAL at Alice Tully Hall

by Peter Danish — December 21, 2016
Christian Gerhaher Triumphs in all-Mahler recital at Tully Hall....
BWW Review: Joyce DiDonato Brings WAR & PEACE, Baroque-Style, to Carnegie Hall

BWW Review: Joyce DiDonato Brings WAR & PEACE, Baroque-Style, to Carnegie Hall

by Richard Sasanow — December 21, 2016
At IN WAR & PEACE, HARMONY THROUGH MUSIC, her Carnegie Hall concert the other night with the Baroque ensemble, Il Pomo d'Oro, mezzo Joyce DiDonato was in fine voice, if not in high spirits—and who could blame her? The state of the world is about as bad as it has been for a long time, with death an...
BWW Review: Stunning Phillips in Saariaho's Mesmerizing L'AMOUR DE LOIN at the Met

BWW Review: Stunning Phillips in Saariaho's Mesmerizing L'AMOUR DE LOIN at the Met

by Richard Sasanow — December 19, 2016
On paper, it might seem that Kaija Saariaho's L'AMOUR DE LOIN (LOVE FROM AFAR), libretto by Amin Maalouf, couldn't possibly fill a stage the size of the Met's: three characters and a chorus that bobs in and out of the action. Yet, in action, this breathtaking, shimmering piece not only seems at home...
BWW Review: EMERSON STRING QUARTET Rocks Halton Theater Again

BWW Review: EMERSON STRING QUARTET Rocks Halton Theater Again

by Perry Tannenbaum — December 16, 2016
Now celebrating their 40th anniversary season, the Emerson String Quartet was already a marquee attraction when I first encountered them in live concert during the summer of 2002 at the Aspen Music Festival. That was about the time when members of the quartet, except for the cellist sitting on a ris...
BWW Review: Racette Strips to Essentials as Opera's Ultimate Mean Girl, SALOME, at th

BWW Review: Racette Strips to Essentials as Opera's Ultimate Mean Girl, SALOME, at the Met

by Richard Sasanow — December 13, 2016
Despite some fine singing from soprano Patricia Racette (who also went the Full Monty in the title role), the Met's revival of Richard Strauss's SALOME was a little tame--something that it should never be....
BWW Review: Kelli O'Hara's Versatility Shines In OKC Philharmonic's THE CHRISTMAS SHO

BWW Review: Kelli O'Hara's Versatility Shines In OKC Philharmonic's THE CHRISTMAS SHOW

by Ronn Burton — December 12, 2016
An annual holiday tradition, the Oklahoma City Philharmonic's CHRISTMAS SHOW is beloved by many in the Oklahoma City metro area. This year's guest artist, Kelli O'Hara, takes the show to new heights-her voice enveloping the audience like a warm blanket by the fireplace on Christmas Eve....
BWW REVIEW: Sydney Symphony Orchestra Presents A Staged Concert Version of The Gershw

BWW REVIEW: Sydney Symphony Orchestra Presents A Staged Concert Version of The Gershwin's PORGY AND BESS

by Jade Kops — December 4, 2016
The rarely performed 1930's American Opera, PORGY AND BESS is given a Staged Concert treatment by Director Mitchell Butel with the support of the Sydney Symphony Orchestra and the Sydney Philharmonia Choirs....
BWW CD Review: David Lanz's Lovely NORWEGIAN RAIN

BWW CD Review: David Lanz's Lovely NORWEGIAN RAIN

by Chris Gibson — November 21, 2016
The incredibly accomplished pianist David Lanz continues to deliver imaginative and creative works, and they've come at time in his life when he seems positively re-energized; making vital, emotional, and personal compositions with Kristin Amarie Lanz that are simply a pleasure to listen to. NORWEGI...
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