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CLASSICAL MUSIC THEATER REVIEWS

The latest reviews and critic recommendations from Classical Music
BWW Review: Mendelssohn's ITALIAN SYMPHONY Upstaged by Epic Paganini Concerto

BWW Review: Mendelssohn's ITALIAN SYMPHONY Upstaged by Epic Paganini Concerto

by Perry Tannenbaum — November 6, 2018
Charlotte Symphony's celebration of Italy with music by Berio, Berlioz, Paganini, and Mendelssohn's ITALIAN SYMPHONY actually peaked with Paganini's Violin Concerto No. 1, thanks to the spectacular virtuosity of Sergej Krylov....
BWW Review: MARIINSKY AND SAN DIEGO ORCHESTRAS TOGETHER at The Jacobs Music Center

BWW Review: MARIINSKY AND SAN DIEGO ORCHESTRAS TOGETHER at The Jacobs Music Center

by Ron Bierman — October 30, 2018
It was a rare event, two symphony orchestras on stage at the same time, and Russian conductor Valery Gergiev was spectacular. He first set a carefree festive mood with the drinking song from Puccini's La Traviata, performed with Viennese flair by the Mariinsky Orchestra and six singers from the Mari...
BWW Review: NEW YORK PHILHARMONIC PLAYS RUSSIAN CLASSICS at David Geffen Hall At Linc

BWW Review: NEW YORK PHILHARMONIC PLAYS RUSSIAN CLASSICS at David Geffen Hall At Lincoln Center

by Joanna Barouch — October 30, 2018
On Friday October 26, 2018 the mostly sold-out crowd of avid listeners heard the music of a slate of 19th and early 20th century Russian composers, conducted by the Russian-born conductor Tugan Sokhiev in his New York Philharmonic debut series....
BWW Review: Don't Cry for MARIA, Argentina... She's Here in the Big Apple Now!

BWW Review: Don't Cry for MARIA, Argentina... She's Here in the Big Apple Now!

by Richard Sasanow — October 24, 2018
Site-specific performances are the latest thing for opera companies wanting to venture into works that wouldn't comfortably fit in a 500-, 1000- (or more) seat theatre. New York City Opera has tried this in the past, but never in a venue quite as intimate or louche as Le Poisson Rouge on Bleecker St...
BWW Review: THE SAN DIEGO SYMPHONY ORCHESTRA at The Jacobs Music Center

BWW Review: THE SAN DIEGO SYMPHONY ORCHESTRA at The Jacobs Music Center

by Ron Bierman — October 21, 2018
The first program in the San Diego Symphony's 2018-19 Jacobs Masterworks series featured conductor Edo de Waart and pianist Joyce Yang. So did the second, and that's far from a complaint. Three or four more from them this season would be fine with me. The concert format was also unchanged from we...
BWW Review: THE SAN DIEGO SYMPHONY ORCHESTRA at the Jacobs Music Center

BWW Review: THE SAN DIEGO SYMPHONY ORCHESTRA at the Jacobs Music Center

by Ron Bierman — October 11, 2018
The first concert in the San Diego Symphony's 2018-19 Jacobs Masterworks series included oft-returning guest conductor Edo de Waart and pianist Joyce Yang. The program consisted of Nocturne by contemporary composer Michael Ippolito which was premiered in 2012, and two familiar works, Grieg's piano ...
BWW Review: THE SAN DIEGO SYMPHONY ORCHESTRA OPENS THE 2018-19 SEASON at the Jacobs M

BWW Review: THE SAN DIEGO SYMPHONY ORCHESTRA OPENS THE 2018-19 SEASON at the Jacobs Music Center

by Ron Bierman — October 7, 2018
Pianist Lang Lang all but disappeared from the concert stage late last year while recovering from an arm injury caused by intensely rushed practice of Ravel's concerto for left hand only. Now back touring, he was the main draw for the opening of the San Diego Symphony Orchestra's 2018-19 season. Hi...
BWW Review: BEETHOVEN'S FIFTH Recaptures Its Elemental Fire

BWW Review: BEETHOVEN'S FIFTH Recaptures Its Elemental Fire

by Perry Tannenbaum — October 7, 2018
Charlotte Symphony has kicked off its 2018-19 season with an all-Beethoven program highlighted by the FIFTH SYMPHONY and a guest turn by pianist Garrick Ohlsson, adding an extra performance to meet anticipated. They're also meeting great expectations...
BWW Review: ORPHEUS CHAMBER ORCHESTRA WITH NOBU TSUJII at Carnegie Hall

BWW Review: ORPHEUS CHAMBER ORCHESTRA WITH NOBU TSUJII at Carnegie Hall

by Joanna Barouch — September 24, 2018
Anyone who has ever taken piano lessons, whether as a child or as an adult, will vouch for the fact that it is not an easy instrument to learn. Reading music simultaneously on two separate lines, instantly coordinating what the eye sees with what the hands play can take years to perfect. Now, imagin...
BWW Review: 1812 TCHAIKOVSKY SPECTACULAR WITH THE SAN DIEGO SYMPHONY at At The Baysid

BWW Review: 1812 TCHAIKOVSKY SPECTACULAR WITH THE SAN DIEGO SYMPHONY at At The Bayside Amphitheater

by Ron Bierman — September 4, 2018
The cannons boomed, bells rang, and spectacular multicolored fireworks exploded overhead as the SDSU Aztec marching band, including eight tubas, joined the San Diego Symphony to celebrate Russia's victory over Napoleon! Tchaikovsky would have been delighted, though probably secretly so since he said...
BWW Review: I Like MOZART. Does That Make Me a Bad Person?

BWW Review: I Like MOZART. Does That Make Me a Bad Person?

by Richard Sasanow — August 16, 2018
Lincoln Center's MOSTLY MOZART FESTIVAL is over for the season and finished up with a program that was an oddity because it wasn't mostly Mozart (or no Mozart) but all Mozart. Well, hooray for the 18th century. I was happy to be back in the bosom of the festival's namesake. Does that make me a bad p...
BWW Review: WEST SIDE STORY WITH THE SAN DIEGO SYMPHONY at Bayside Amphitheater

BWW Review: WEST SIDE STORY WITH THE SAN DIEGO SYMPHONY at Bayside Amphitheater

by Ron Bierman — August 13, 2018
In 1962 West Side Story won 10 Academy Awards including Best Picture and Best Musical. Is it still worth seeing more than half a century later? Sure is! Jerome Robbins' energetic choreography remains riveting, and Leonard Bernstein's marvelous score is a perfect frame for Sondheim's affecting lyrics...
BWW Review: ADELAIDE INTERNATIONAL GUITAR FESTIVAL 2018: BEIJING GUITAR DUO & MARKO T

BWW Review: ADELAIDE INTERNATIONAL GUITAR FESTIVAL 2018: BEIJING GUITAR DUO & MARKO TOPCHII at Space Theatre, Adelaide Festival Centre

by Barry Lenny — August 10, 2018
It was with great anticipation that I attended this concert....
BWW Review: Forget Mozart. It is THE FORCE OF THINGS that Begs Our Attention

BWW Review: Forget Mozart. It is THE FORCE OF THINGS that Begs Our Attention

by Richard Sasanow — August 9, 2018
Ashley Fure's and Adam Fure's THE FORCE OF THINGS: AN OPERA FOR OBJECTS--one of this week's unusual attractions at Lincoln Center's Mostly Mozart Festival--took place at Brooklyn's Gelsey Kirkland Academy of Classical Ballet. As far as I could tell, that first sentence was filled with misnomers: no ...
BWW Review: LA JOLLA MUSIC SOCIETY SUMMERFEST CARNIVAL! at the Conrad Prebys Concert

BWW Review: LA JOLLA MUSIC SOCIETY SUMMERFEST CARNIVAL! at the Conrad Prebys Concert Hall

by Ron Bierman — August 7, 2018
'Carnival,' the opening concert in Cho-Liang Lin's last season as music director of the La Jolla Music Society's Summerfest, was an unusual jumble of works. Bartok's Contrasts for clarinet, piano and violin was written for jazz clarinetist Benny Goodman. It is based on Hungarian and Romanian folk da...
BWW Review: THE EMERSON QUARTET BECOMES A QUINTET FOR A NIGHT at Alice Tully Hall At

BWW Review: THE EMERSON QUARTET BECOMES A QUINTET FOR A NIGHT at Alice Tully Hall At Lincoln Center

by Joanna Barouch — August 3, 2018
As has become the norm with the Mostly Mozart Festival in recent years, the Monday, July 30th Emerson String Quartet concert at Alice Tully Hall included some unusual programming choices. Aided and abetted by guest violist Ms. Nokuthula Ngwenyama, the quartet became a quintet and presented a fascina...
Bww Review: BERNSTEIN AT 100: Symphonic And Choreographic Lushness By The Sea At Burt

Bww Review: BERNSTEIN AT 100: Symphonic And Choreographic Lushness By The Sea At Burton Chase Park

by Valerie-Jean Miller — August 3, 2018
With Frank Fetta conducting the Marina del Rey Symphony and Nancy Dobbs Owen's Portrayal thru Dance of Leonard Bernstein's and Jerome Robbins' famed works, in celebration of his 100th Birthday, this marvelous concert took place at Marina del Rey's Burton Chase Park, where the ocean meets the land. T...
BWW Review: GODFATHERS OF LATIN JAZZ at San Diego Symphony Bayside Amphitheater

BWW Review: GODFATHERS OF LATIN JAZZ at San Diego Symphony Bayside Amphitheater

by Ron Bierman — July 31, 2018
The San Diego Symphony's 2018 Bayside Jazz Series continued with 'Godfathers of Latin Jazz,' a concert inspired by trumpeter Dizzy Gillespie's merger of bebop and Afro-Cuban rhythms. Dizzy had wanted something new for a 1947 Carnegie Hall concert, 'One of those tom toms' he said, thinking of the dif...
BWW REVIEW: The Australian Brandenburg Orchestra and La Camera delle Lacrime Join For

BWW REVIEW: The Australian Brandenburg Orchestra and La Camera delle Lacrime Join Forces To Present A Brilliant Expression Of World Music In KARAKORUM: A MEDIEVAL JOURNEY

by Jade Kops — July 29, 2018
French music ensemble La Camera delle Lacrime unites with the Australian Brandenburg Orchestra (ABO) for a wonderful exploration of world music in KARAKORUM: A MEDIEVAL JOURNEY....
BWW Review: Glimmerglass VIXEN is a Cunning Take on a Moral Tale

BWW Review: Glimmerglass VIXEN is a Cunning Take on a Moral Tale

by Richard Sasanow — July 27, 2018
Anyone who loves Leos Janacek's gorgeous but grim operas--JENUFA, KATYA KABANOVA, MAKROPOLOUS--might be surprised by THE CUNNING LITTLE VIXEN. It's being presented, now through August, in a handsome production at the Glimmerglass Festival in Cooperstown, NY....
BWW Review: L'ITALIANA IN ALGERI at Santa Fe Opera

BWW Review: L'ITALIANA IN ALGERI at Santa Fe Opera

by Maria Nockin — July 26, 2018
Daniela Mack is Isabella, an Italian pilot, who makes an emergency landing in Algiers and is captured by its ruler, the Bey. He wants an Italian girl for a wife but she loves Lindoro, the Bey's Italian slave. L'ITALIANA has lots of good bel canto singing and plenty of comedy to keep you smiling all...
BWW Review: Haydn's CREATION with La Fura dels Baus at Mostly Mozart--I'd date it but

BWW Review: Haydn's CREATION with La Fura dels Baus at Mostly Mozart--I'd date it but I'm not ready to marry it

by Cole Grissom — July 24, 2018
With today's society in constant need of visual stimulus, staging oratorio repertoire has become increasingly necessary. Gone are the days where a chorus can stand solemnly still in their tuxes and black dresses, holding their binders at hip height, while soloists sit downstage in bedazzled gowns an...
BWW Review: CONCERT AT THE PRINCE'S PALACE at Palais De Monaco - A Royal Treat Under

BWW Review: CONCERT AT THE PRINCE'S PALACE at Palais De Monaco - A Royal Treat Under The Stars

by Marieke van den Wall Bake — July 17, 2018
It is not every day one is able to enjoy a concert in the magnificent palace of Monaco. Nevertheless, for a few days in summer, the palace opens its doors for the Palace Concerts, featuring the Philharmonic Orchestra of Monte-Carlo with guest conductors and soloists from all over the world, making a...
BWW Review: MAINLY MOZART'S THAMOS, KING OF EGYPT at San Diego's Balboa Theater

BWW Review: MAINLY MOZART'S THAMOS, KING OF EGYPT at San Diego's Balboa Theater

by Ron Bierman — June 26, 2018
Thamos, King of Egypt,  a play by Tobias Philipp, baron von Gebler, premiered in 1774. Mozart completed incidental music for it, the 18th Century equivalent of a movie soundtrack, in 1780. Before Mainly Mozart's performance of a concert version of the play, conductor Michael Francis, with a typical...
BWW Review: ORFEO & EURIDICE at OTSL Dazzles

BWW Review: ORFEO & EURIDICE at OTSL Dazzles

by Steve Callahan — June 15, 2018
Orpheus could charm the very stones with his lyre and his singing. Just such magic can be seen on the stage of Opera Theatre St. Louis when Jennifer Johnson Cano portrays the mythical superstar in the company's current production. She gives an utterly stunning performance....
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