Hong Kong Philharmonic Orchestra Announces Additional Performance of Joe Hisaishi in Concert

The Hong Kong Philharmonic Orchestra (HK Phil) is delighted to announce an additional performance of Joe Hisaishi in Concert. Due to the overwhelming response, the subscription quota for Friday and Saturday performances (4 & 5 May 2018) is already full.

The additional performance is to be held on 6 May 2018 (Sunday) at 3pm in the Hong Kong Cultural Centre Concert Hall.

From 5 June 2017 until 10 July 2017, public can subscribe to one or more concert series of the HK Phil 2017/18 Season in order to book up to a maximum of six tickets of the Joe Hisaishi in Concert, tickets are subject to availability.

After the subscription period, all 2017/18 season concerts will be on sale through URBTIX. The single ticket on-sale date for Joe Hisaishi in Concert at URBTIX is tentatively on 1 February 2018.

For more information of the 2017/18 Season Subscription, please go to the HK Phil website www.hkphil.org

The Hong Kong Philharmonic Orchestra (HK Phil) is recognised as Asia's foremost classical orchestra. The orchestra presents more than 150 concerts over a 44-week season and attracts more than 200,000 music lovers annually.

Jaap van Zweden, one of today's most sought-after conductors, has been the orchestra's Music Director since the 2012/13 concert season, a position he will continue to hold until at least 2022. In addition, Maestro van Zweden will also be the next Music Director of the New York Philharmonic starting with the 2018/19 season.

Yu Long was appointed Principal Guest Conductor with the HK Phil for a three-year period commencing with the 2015/16 season.

Under Maestro van Zweden, the HK Phil is undertaking a variety of initiatives including a four-year project to perform and record the complete Ring of the Nibelung (Richard Wagner). The orchestra is in the third of this four-year journey, performing one opera annually in concert. The performances being recorded live for the Naxos label are winning rave reviews internationally; and mark the first performances by a Hong Kong or mainland Chinese orchestra of the entire Ring cycle.

Also under van Zweden, the orchestra has toured to Taiwan, Europe and Mainland China. The orchestra just completed an ambitious five-city tour to Seoul, Osaka, Singapore, Melbourne and Sydney in April - May 2017 in celebration of the 20th anniversary of the establishment of the HKSAR.

Conductors and soloists who have recently performed with the orchestra include Yo-Yo Ma, Vladimir Ashkenazy, Ning Feng, Matthias Goerne, Lang Lang, Yu Long, Yundi Li, Anne-Sophie Mutter, Yuja Wang and the late Lorin Maazel.

The HK Phil promotes the work of Hong Kong and Chinese composers through an active commissioning programme, and has released recordings featuring Tan Dun and Bright Sheng, each conducting their own compositions, on the Naxos label. Its acclaimed community engagement programme brings music to tens of thousands of children annually. A recording was issued free to schoolchildren throughout Hong Kong of Britten's The Young Person's Guide to the Orchestra, Prokofiev's Peter and the Wolf and Leopold Mozart's Toy Symphony.

The Swire Group has been the Principal Patron of the HK Phil since 2006. Through this sponsorship, which is the largest in the orchestra's history, Swire also endeavours to promote artistic excellence, foster access to classical music and stimulate cultural participation in Hong Kong, and to enhance Hong Kong's reputation as one of the great cities of the world.

Thanks to a significant subsidy from the Hong Kong Government and long-term funding from Principal Patron Swire, the Hong Kong Jockey Club and other supporters, the HK Phil now boasts a full-time annual schedule of classical music concerts, pops concerts, an extensive education programme, and collaborations for staged opera with Opera Hong Kong and the Hong Kong Arts Festival.

The orchestra was originally called the Sino-British Orchestra. It was renamed as the Hong Kong Philharmonic Orchestra in 1957 and became fully professional in 1974.



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