The latest reviews and critic recommendations from Brooklyn.
On the bare stage of BAM's vast Howard Gilman Opera House, clad in attire befitting a Calvin Klein advertisement, the acrobats of the world-renowned Australian Contemporary Circus company -- Circa -- demonstrated breathtaking acts of enormous strength and delicate, alternatingly humorous and heartbr
Ranking up there with MEDEA and OEDIPUS REX, Eugene O'Neill's family tragedy LONG DAY'S JOURNEY INTO NIGHT would most likely make any playgoer's list of inappropriate classics to revive on Mother's Day weekend.
Typically, the immediate attraction between Cinderella and the handsome prince is presented as simply a matter of physical chemistry, but in Company XIV's newest variation of Charles Perrault's classic, the true bonding between the two occurs because they're both captivating aerialists.
Is there such a thing as too much Christmas cheer? The creators of Kris Kringle: The Musical, out now as a studio cast recording, certainly don't think so.
The extraordinary is turned ordinary when the need to be heard, to believe in the right of happiness, overcomes what reason dictates one should do to achieve it; reason becomes as much of an ally as it is a weapon.
BroadwayWorld Sydney was given an exclusive taste of ANDREW LLOYD WEBBER: UNMASKED: THE PLATINUM COLLECTION ahead of it's release on 16th March 2018 through Universal Music.
For over a decade, the unquestionably brilliant director/choreographer Austin McCormick's Company XIV has been dazzling audiences with unexpected wonders.
After PARAMOUR, last season's ambitious but underwritten attempt to incorporate their world-class circus arts performers into a book and score Broadway musical, Cirque du Soleil returns to town doing what they do best.
When tragedy strikes a community, after the initial shock and the effort to neutralize the situation, there's always a strong desire to return to normalcy.
Directed and choreographed by Judith Jarosz (who is also one of the theater's two Producing Artistic Directors) and with music direction by Tom Mcdonough, Theater2020 brings a beautifully executed production of Sondheim's musical to the first professional theater in Brooklyn Heights.
The 1998 Tony Award ceremony was quite a history-making night, as THE BEAUTY QUEEN OF LEENANE's Garry Hynes became the first woman to be awarded a Tony for directing a play.
"A home for classical storytelling" for children is that of the Kelsey Kirkland Arts Center's performance of "The Nutcracker.
Despite a string of bad fortune that has kept them moving from venue to venue to venue, the genius director/choreographer Austin McCormick's Company XIV, with its distinct style mixing classical dance, burlesque, acrobatics and pop music presented in an erotic baroque fashion inspired by the courtly
Cynthia von Buhler's Speakeasy Dollhouse: The Bloody Beginning grew out of the artist's lifelong fascination with the mysterious death of her Italian immigrant grandfather, Frank Spano, in 1935.
Rupert Everett, is captivating in David Hare's drama of the politics of morality.
Presented by Brooklyn Ballet and Norte Maar, CounterPointe 2016 makes a commendable effort to provide women artist opportunities but falls short of presenting exciting work.
In THE ORPHIC MOMENT, a “dramatic cantata,” composer-librettist-conductor-poet (phew!) Matthew Aucoin takes an 18th century masterwork, Gluck's ORFEO ED EURYDICE—one of numerous operas based on the Orpheus legend--and knocks it on its ear.
On the surface, LoftOpera and Regina Opera couldn't be more different--the former turning away hipsters in East Williamsburg (call it Bushwick), the latter providing a matinees-only environment for a family audience.
On the surface, LoftOpera and Regina Opera couldn't be more different--the former turning away hipsters in East Williamsburg (call it Bushwick), the latter providing a matinees-only environment for a family audience.
Charles Mee's latest abstract piece was inspired by Trappist monk author, Thomas Merton.
If you're a fan of the classic Nutcracker ballet, based on an adaption by Alexandre Dumas, you will have mixed feelings about Mark Morris' irreverent interpretation, The Hard Nut, playing at the Brooklyn Academy of Music through December 20.
Tikka Indian Grill has recently opened in the Williamsburg neighborhood of Brooklyn and guests are coming back again and again for their delicious cuisine and welcoming atmosphere.
Helen Lawrence is a noir, neo-classic complete with blonde femme fatales, men on the run, corrupt cops, seedy murders, street-smart sex workers, witty jargon and a consistent flow of humor.
Alice's Arbor in Brooklyn is your go-to spot for breakfast, lunch, dinner, weekend brunch and drinks.
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Impossible But True Old Stone House (10/16-11/14) |
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International Party Girl Brooklyn Art Haus (10/20-10/20) |
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In the Course of Love and Joy St. Paul's Episcopal Church (4/09-4/09) |
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Anamerican: A True Hero Pine Box Rock Shop (10/17-10/17) |
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Kill Goofy Apricot Sky Productions: Grove Street Theatre (10/16-10/25) |
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Saigon St. Ann's Warehouse (12/03-12/20) |
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Broadway Close Up: William Finn Merkin Hall at Kaufman Music Center (10/26-10/26) |
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Auld Acquaintances St. Paul's Episcopal Church (1/20-1/20) |
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Shake Rattle & Roll Dueling Pianos Chelsea Table & Stage (8/29-12/31) |
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Jen Howard Jazz On Main (10/09-10/09) |
