BWW Review: Circa Celebrates Stripped-Down Fragility and Strength In HUMANS At BAM's Next Wave Festival
On the bare stage of BAM's vast Howard Gilman Opera House, clad in attire befitting a Calvin Klein advertisement, the acrobats of the world-renowned Australian Contemporary Circus company -- Circa -- demonstrated breathtaking acts of enormous strength and delicate, alternatingly humorous and heartbr...
BWW Review: Jeremy Irons and Lesley Manville Star in Eugene O'Neill's LONG DAY'S JOURNEY INTO NIGHT
Ranking up there with MEDEA and OEDIPUS REX, Eugene O'Neill's family tragedy LONG DAY'S JOURNEY INTO NIGHT would most likely make any playgoer's list of inappropriate classics to revive on Mother's Day weekend....
BWW Review: Company XIV's CINDERELLA, An Enchanted Evening of Erotic Fun by Austin McCormick
Typically, the immediate attraction between Cinderella and the handsome prince is presented as simply a matter of physical chemistry, but in Company XIV's newest variation of Charles Perrault's classic, the true bonding between the two occurs because they're both captivating aerialists....
BWW Album Review: KRIS KRINGLE THE MUSICAL Is A Lot of Christmas Cheer
Is there such a thing as too much Christmas cheer? The creators of Kris Kringle: The Musical, out now as a studio cast recording, certainly don't think so. The upbeat, cheery tale of an earnest dreamer of a toymaker is as light and sweet as a sugar cookie loaded with red-and-green frosting. Its subs...
BWW Review: Everyone Deserves the Chance to See Theater 2020's ASSASSINS
The extraordinary is turned ordinary when the need to be heard, to believe in the right of happiness, overcomes what reason dictates one should do to achieve it; reason becomes as much of an ally as it is a weapon. What is so beautiful about Sondheim's Assassins is not only how the root of such an e...
BWW ALBUM REVIEW: Andrew Lloyd Webber's 70'th Birthday Is To Be Celebrated With The Release of ANDREW LLOYD WEBBER: UNMASKED: THE PLATINUM COLLECTION
BroadwayWorld Sydney was given an exclusive taste of ANDREW LLOYD WEBBER: UNMASKED: THE PLATINUM COLLECTION ahead of it's release on 16th March 2018 through Universal Music. ...
BWW Review: Company XIV's Erotic Holiday Treat NUTCRACKER ROUGE Christens Their New Brooklyn Home
For over a decade, the unquestionably brilliant director/choreographer Austin McCormick's Company XIV has been dazzling audiences with unexpected wonders....
BWW Review: Cirque du Soleil Hatches Up OVO
After PARAMOUR, last season's ambitious but underwritten attempt to incorporate their world-class circus arts performers into a book and score Broadway musical, Cirque du Soleil returns to town doing what they do best....
BWW Review: Caryl Churchill's ESCAPED ALONE Yearns For a Post-Apocalyptic Return To Normalcy
When tragedy strikes a community, after the initial shock and the effort to neutralize the situation, there's always a strong desire to return to normalcy....
BWW Review: Theater2020's SWEENEY TODD Triumphs No Matter Which Way You Cut It
Directed and choreographed by Judith Jarosz (who is also one of the theater's two Producing Artistic Directors) and with music direction by Tom Mcdonough, Theater2020 brings a beautifully executed production of Sondheim's musical to the first professional theater in Brooklyn Heights. With the slogan...
BWW Review: Tony Winners Garry Hynes and Marie Mullen Revisit Martin McDonagh's THE BEAUTY QUEEN OF LEENANE
The 1998 Tony Award ceremony was quite a history-making night, as THE BEAUTY QUEEN OF LEENANE's Garry Hynes became the first woman to be awarded a Tony for directing a play. Her honor was received mere minutes before THE LION KING's Julie Taymor became the first woman awarded a Tony for directing a...
BWW Review: THE NUTCRACKER at Gelsey Kirkland Arts Center - A Home for Classical Storytelling
"A home for classical storytelling" for children is that of the Kelsey Kirkland Arts Center's performance of "The Nutcracker."...
BWW Review: Company XIV's PARIS! Is A Big, Splashy Cavalcade of Sensuality
Despite a string of bad fortune that has kept them moving from venue to venue to venue, the genius director/choreographer Austin McCormick's Company XIV, with its distinct style mixing classical dance, burlesque, acrobatics and pop music presented in an erotic baroque fashion inspired by the courtly...
BWW Review: Blurring Boundaries in Search of Truth, Cynthia von Buhler Brings 'Speakeasy Dollhouse: The Bloody Beginning' to the Weylin
Cynthia von Buhler's Speakeasy Dollhouse: The Bloody Beginning grew out of the artist's lifelong fascination with the mysterious death of her Italian immigrant grandfather, Frank Spano, in 1935. Originally conceived as a one-night event, Speakeasy Dollhouse took on a life of its own and since 2011 h...
BWW Review: THE JUDAS KISS Seduces at BAM
Fade in. Orgasm. Poem. Fade out.
There is comedy. There is tragedy. And then there is the story of how Oscar Wilde was duped for his lust over an English Lord....
BWW Review: THE JUDAS KISS Has Oscar Wilde In The Gutter Looking At The Stars
Rupert Everett, is captivating in David Hare's drama of the politics of morality....
BWW Review: Brooklyn Ballet and Norte Maar Present Balletic Collaborations in COUNTERPOINTE 2016
Presented by Brooklyn Ballet and Norte Maar, CounterPointe 2016 makes a commendable effort to provide women artist opportunities but falls short of presenting exciting work....
BWW Review: Memorable MOMENTS from Aucoin, Gluck and Costanzo at National Sawdust
In THE ORPHIC MOMENT, a “dramatic cantata,” composer-librettist-conductor-poet (phew!) Matthew Aucoin takes an 18th century masterwork, Gluck's ORFEO ED EURYDICE—one of numerous operas based on the Orpheus legend--and knocks it on its ear....
BWW Review: An Opera Grows in Brooklyn, Part II - Regina Opera Looks at LUCIA
On the surface, LoftOpera and Regina Opera couldn't be more different--the former turning away hipsters in East Williamsburg (call it Bushwick), the latter providing a matinees-only environment for a family audience. But these two Brooklyn institutions do have one important thing in common: They res...
BWW Review: An Opera Grows in Brooklyn, Part I - LoftOpera Takes on TOSCA
On the surface, LoftOpera and Regina Opera couldn't be more different--the former turning away hipsters in East Williamsburg (call it Bushwick), the latter providing a matinees-only environment for a family audience. But these two Brooklyn institutions do have one important thing in common: They res...
BWW Review: THE GLORY OF THE WORLD; It's Not You, It's Mee
Charles Mee's latest abstract piece was inspired by Trappist monk author, Thomas Merton....
BWW Reviews: THE HARD NUT at Brooklyn Academy of Music
If you're a fan of the classic Nutcracker ballet, based on an adaption by Alexandre Dumas, you will have mixed feelings about Mark Morris' irreverent interpretation, The Hard Nut, playing at the Brooklyn Academy of Music through December 20....
BWW Review: TIKKA in Williamsburg Brooklyn for Incredibly Delicious Indian Cuisine
Tikka Indian Grill has recently opened in the Williamsburg neighborhood of Brooklyn and guests are coming back again and again for their delicious cuisine and welcoming atmosphere....
BWW Review: HELEN LAWRENCE - A New Approach to Noir Film
Helen Lawrence is a noir, neo-classic complete with blonde femme fatales, men on the run, corrupt cops, seedy murders, street-smart sex workers, witty jargon and a consistent flow of humor. Post WWII-era Vancouver is projected in grayscale on a screen that mildly obscures the onstage actors basking ...
BWW Reviews: ALICES ARBOR in Brooklyn for Delicious Farm-to-Table Cuisine
Alice's Arbor in Brooklyn is your go-to spot for breakfast, lunch, dinner, weekend brunch and drinks....
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