While midtown has a celebratory vibe and cheers of 'Broadway's Back!' ring with each new opening and re-opening, it is nice to go downtown, to a smaller, less gilded theater, and see a piece of art that is a bit grungier, less commercial, more experimental and edgy.
Pass Over is not the Broadway of yesteryear.
Joeclyn Bioh's Merry Wives makes a play written by a white man in England 300 years ago speak to the experience of Black Americans and West African immigrants living in Harlem in 2021.
After his triumphant, Tony-award winning revival of OKLAHOMA!, Daniel Fish had a lot to live up to when he announced he would be directing an adaptation of WHITE NOISE.
When adapting famous novels into plays, the debate-and often the source of disappointment-is choosing what to cut.
This piece, written by Dan Ireland-Reeves and directed by Zach Carey, is a site-specific, immersive, intimate experience.
Roundabout Theatre Company's latest Off-Broadway play, APOLOGIA, by Alexi Kaye Campbell, opened at the Laura Pels Theatre earlier this month.
I'd like to propose something worthy of 16th century Arcadia: an Ode in Praise of HEAD OVER HEELS.
.jpg?format=auto&width=365)
