EDINBURGH 2019: BWW Review: SPLINTERED, Bedlam TheatreAugust 18, 2019Not fully stand up, not fully a play. Nor a sketch show or pure physical comedy. Splintered is a little bit of everything. A collection of calypso cabaret, all mixed up, reminiscent of the Caribbean itself. It explores and shares the voices of LGBTQI+ women in Trinidad and Tobago.
EDINBURGH 2019: BWW Review: BROMANCE, Assembly Rooms - Music HallAugust 18, 2019The art of circus skills involves trust, talent and intimate physical contact. In a social landscape where the gender stereotypes of what it means to be a man, and what are acceptable public interactions keep changing, how does this effect male acrobats?
BWW Review: WAR HORSE, SEC Armadillo GlasgowJanuary 29, 2019Courage, friendship, determination and hope, War Horse is a love story like no other.
After the auction purchase of a foal by a foolish father bidding to save his pride, the Narracott family must work out what to do with a bay thoroughbred horse on their Devon farm. Glasgow born actor Scott Miller plays Albert Narracott, the young country son who bonds with the horse, naming him Joey. Their connection appears unbreakable until a hasty decision pushes their connection to its limits.
BWW Review: SHREK THE MUSICAL, Edinburgh PlayhouseDecember 15, 2017There is a prince, a princess and a quest for happy ever after. You may think you have heard it all before, but add a big green ogre, a talking donkey and a dragon that can sing and you'll quickly learn this is no typical fairytale.
BWW Review: CRAZY FOR YOU, King's Theatre, GlasgowOctober 18, 2017A frustrated New York thespian finds himself in the dusty hills of Nevada with two choices, follow instructions and foreclose the town's rundown theatre, or follow his heart and save it with a spectacular show.
BWW Review: SUNSET BOULEVARD, Edinburgh PlayhouseOctober 4, 2017A murder and a major movie star: the media are in frenzy. What happened and why? Sunset Boulevard is the tale of aspiring writer Joe Gillis, who falls into the life of former silver screen siren Norma Desmond. Once in her web, there is no surrender. The audience watches rapt as this twisted love story unravels and burns out like an old film reel.
BWW Review: PROM KWEEN at Underbelly, CowgateAugust 14, 2017Cool kids, high school identity issues, a whole lot of singing and the starting of engines. Grease may have been the word, but hunty you are not in Rydell anymore. It is 2016 and while the world is in turmoil, the life of an American teenager is no smooth catwalk. Social outsider Matthew comes untucked when they decide it is time to step out the shadows and shine, by running for prom queen.
BWW Review: FUNNY GIRL, Edinburgh PlayhouseApril 20, 2017People, people who need musical revivals, are the luckiest people in the world. And no musical has been overdue a return as the classic Funny Girl. A show based on the life and career of quirky Broadway performer Fanny Brice.
BWW Review: MAMMA MIA! - THE MUSICAL, Edinburgh Playhouse, 30 November 2016December 2, 2016Ripped torsos, fake tan, a man in a dress, gay anthems and flippers…No Priscilla Queen of the Desert has not drove its bus back to Edinburgh, Mamma Mia! has strutted its way to the capital.
The Playhouse has transported itself from Australia to Greece, via Sweden for this year's festive residency.
EDINBURGH 2016 - BWW Review: F*CKING MEN, Assembly George Square Studios, 11 AugustAugust 21, 2016Straight from selling out in London comes a King's Head Theatre play by Joe Dipietro. F*cking Men is a modern interpretation of Schnitzler's 19th-century play La Ronde. A play which caused great controversy at the time now retold through the lives of men who have sex with other men. Gay, Straight, Married, and Escorts, all interlinking characters have one connecting trait, they all agree "Why does any dude have sex with strangers? Because it feels fanfuckingtastic" as one character puts it. Three actors play the multi-character script, switching between roles like a well-oiled machine. Each is skilled and versatile, even though some very unnecessary badly chosen accents can leave you distracted.
EDINBURGH 2016 - BWW Review: HOT BROWN HONEY, Assembly Roxy, 12 AugustAugust 15, 2016Each Edinburgh Fringe there are one or two shows that get it all right. They go beyond mere theatre into something with much greater value and significance. Hot Brown Honey is one such show. From the creative team behind Australian cabaret sensation Briefs, comes an all-female dynamic variety show. Ariel work, dance, poetry and song all explore the story of what is means and feels to be a woman of colour in todays society.
EDINBURGH 2016 - BWW Review: JAMES WILSON-TAYLOR: GINGER IS THE NEW BLACK, Underbelly, Cowgate, 12 AugustAugust 15, 2016In a time of great diversity awareness, media discussion, and societal polarisation, James Wislon-Taylor is ready for his voice to be heard. To light the flame for his red haired revolution. Though years of bullying and historical percussion do highlight valid points throughout, Ginger is the New Black is a hilarious insight into one man's plight to end myths, and put the roaring hot 'gr' back into Ginger.